天梯：蔡国强的艺术

　　《雕像也会死亡》（Les statues meurent aussi，阿兰·雷乃、克里斯·马尔凯，1953年出品，27分钟）尖锐地批评了西方殖民主义对非洲传统艺术的戕害以及自称热爱非洲艺术的上等阶层的贪婪与伪善。本片的主角是来自黑非洲的人物雕像、面具和其他非洲艺术品，但是它们的演出场所并非黑人的故乡，而是白人的欧洲，艺术品市场和艺术品拍卖会是它们频频出没和滞留的中转地。这些本来被非洲部族用来抵抗死亡的面具和雕像，如今却呆在博物馆的橱窗里静静地死去。此时，画外音告诉我们：“当人死去的时候，他便进入了历史；当这些雕像死去的时候，它们进入了艺术；这种关于死亡的学问，我们最后称之为文化。”由于本片具有鲜明而强烈的社会批判意识，自拍竣之日起即遭到法国政府禁映，直到1963年才解禁。本片由长于剪辑的阿兰·雷乃操刀剪辑，由强于写作的克里斯·马尔凯撰写解说，充分发挥了两人各自的强项，可谓强强合作的结晶。
　　This collaborative film, banned for more than a decade by French censors as an attack on French colonialism (and now available only in shortened form), is a deeply felt study of African art and the decline it underwent as a result of its contact with Western civilization. Marker's characteristically witty and thoughtful commentary is combined with images of a stark formal beauty in this passionate outcry against the fate of an art that was once integral to communal life but became debased as it fell victim to the demands of another culture.

　　Miss Sharon Jones: Dreams never expire but sometimes they are deferred. Miss Sharon Jones follows the talented and gregarious soul singer of the Grammy nominated R&B band "Sharon Jones and the Dap Kings." In the most challenging year of her life, Sharon Jones confronts pancreatic cancer. As she struggles to find her health and voice again, the film intimately uncovers the mind and spirit of a powerful woman determined to regain the explosive singing career that eluded her for 50 years.

　　電影《變態者意識形態指南》是由斯洛文尼亞的哲學家、拉康精神分析專家斯拉沃熱‧齊澤克編寫劇本及主演、由蘇菲‧費因斯(Sophie Fiennes)執導。如齊澤克的另一部《變態者電影指南》一樣，它透過穿梭於著名的電影場景之間來勾勒出一個理解藝術和世界的精神分析理論框架，是某種意義下一部「紀錄片」。

　　一只河豚宝宝在大堡礁中寻找自己的家，一路游历遍布奇异生物的微小海底世界。

　　约书亚·菲尔茨·米尔本和瑞安·尼科迪默斯这对老友创立了一项极简主义运动，讲述一切从简如何能让我们的生活变得更好。

　　这部活力四射的剧集带着 10 集新内容回归，聚焦这项世界最快运动的惊险和刺激时刻。只有 20 名车手可以参加一级方程式赛车比赛，加上一些顶级赛车手开始为新车队效力，2019 年被证明是一个风云变幻、风起云涌的赛季。
　　今年，包括梅赛德斯车队和法拉利车队在内的 10 支车队首次向 Netflix 开放内部权限，展示了他们在世界顶级系列赛中争夺胜利的历程。
　　该剧集走进车手、车队负责人和车队老板的幕后生活，以独特和不加修饰的视角展示他们在赛场上下的生活，以及这项运动专属的紧张感和魅力。
　　该剧集由奥斯卡金像奖得主詹姆斯·盖伊·里斯（《艾米》《永远的车神》）和代表 Box to Box Films 的保罗·马丁（《马拉多纳》）担任监制。

　　Telling harsh truths about the modern music business, Artifact gives intimate access to singer/actor Jared Leto and his band Thirty Seconds to Mars as they battle their label in a brutal lawsuit and record their album This Is War. The film is a true artifact of our times, as its subjects struggle with big questions over art, money and integrity.

　　Birds of paradise are one of David Attenborough's lifelong passions. He was the first to film many of their beautiful and often bizarre displays, and over his lifetime he has tracked them all over the jungles of New Guinea. In this very personal film, he uncovers the remarkable story of how these 'birds from paradise' have captivated explorers, naturalists, artists, film-makers and even royalty. He explores the myths surrounding their discovery 500 years ago, the latest extraordinary behaviour captured on camera and reveals the scientific truth behind their beauty: the evolution of their spectacular appearance has in fact been driven by sex.
　　And in a final contemporary twist to this story of obsession and royalty, he travels to the desert of Qatar, to a state-of-the-art facility which houses the largest breeding group of these birds in the world - a sheikh's very own private collection. There he has his closest ever encounter with a greater bird of paradise and its dramatic display, reliving the experience that captivated him in the forests of New Guinea more than 50 years ago.
　　'For me birds of paradise are the most romantic and glamorous birds in the world. And this is a film I have wanted to make for 40 years.' - Sir David Attenborough.

　　In 2018 the second edition of the Mr. Leather Brazil competition happens.

　　纪录片《寻古中国》将讲述中华文明故事，深入探寻中华文明原点标识和延续密码，艺术展现中华文明源远流长及其辉煌成就和对人类文明的巨大贡献，揭示中华文明在世界历史与当代中国的价值和意义，匠心续写中华文明时代进步。
　　大型系列纪录片《寻古中国》在2022年计划推出首批6个系列，分别为：《寻夏记》《河洛记》《古蜀记》《云梦记》《玉石记》《稻谷记》，各系列5集，每集30分钟。

　　Five years after his first documentary, award-winning producer/director Torsten Hoffmann revisits Bitcoin and sets out to explore the evolution of the blockchain industry and its new promise. Can this technology, designed to operate independent of trust and within a decentralized network, really provide a robust alternative to the Internet as we know it?