年鉴计划

　　在一副未完成的画中，画中的人搞起了等级社会，画全人歧视没画完人，更不把线稿人放在眼里。画之国的城堡被画全人蜡烛大帝所掌控，他把没画完人和线稿人驱逐到森林中。画全人拉莫和没画完人克莱尔相爱，遭到了蜡烛大帝的追逐围捕。机缘巧合拉莫遇上了克莱尔的朋友罗拉和线稿人布吕姆，三人被追到了食人森林里。他们决定去寻找消失的画家，让其完成这幅未完成的画，为没画完人和线稿人涂上色彩。在寻找的路上，三人跌出画中，来到了画家的画室。邂逅了闲卧窗边迷人的夫人、脾气不太好的画家自画像、语速很快的蓝色小丑。他们穿梭在画与画中，在威尼斯的狂欢节里奔跑，遇到死神的追逐，最终回到了画室，虽未找到画家，但得到了画画的技巧。
　　而另一边，克莱尔被捕，没画完人和线稿人被拉去做劳工，蜡烛大帝在着手一场仪式，得到颜料和技巧的拉莫一行人回来的道路险境丛生，最终他能否赋予没画完人和线稿人色彩呢。

　　《幸存者》讲述了十亿年前，外星异种来地球，进行各种生物培育，因为地壳运动剧烈，被火山岩浆淹埋。荒凉的北极科学探测站内，正欢呼石油的到来，钻台无故断电、矿井喷出神秘的胶体、员工被大卸八块……顿时失去控制，当站长亚当、凯特等反应过来，并组织起武装防卫时，95%的人们成了无辜冤魂，血肉模糊、脑髓迸射；不可抗力的人类浩劫就此爆发，从北极向全球疯狂蔓延……

　　未来世界，愚蠢的人类文明令地球环境日趋恶化，温暖甜蜜的家乡变成充满灾难和死亡人间炼狱。此后，人类穿越太空在首新星建立新的家园，而外星人操控的怪兽厄萨对这群外来者展开残酷屠杀，人称“原鬼”的游骑兵最高指挥官塞弗·瑞奇（威尔·史密斯 Will Smith 饰）带领手下有效阻止了敌人的屠戮。虽说虎父无犬子，但塞弗的儿子基泰（贾登·史密斯 Jaden Smith 饰）却在游骑兵测验中失利。内心存在隔阂的瑞奇启程前往伊菲图斯训练基地，谁知途中突发变故被迫降落在熟悉而陌生的地球。剧烈的冲撞几乎让船员全数死亡，瑞奇父子则成为仅有的幸存者。在父亲重伤的情况下，基泰只能独自去寻找赖以求生的信号机。
　　对于这个始终长不大的孩子来说，他将面临人生中最重要的一次考验……

　　2019年11月，刀锋跑者霍顿（Morgan Paull 饰）在泰瑞尔公司对新员工进行沃伊特-坎普夫测试时，被技师里昂·科瓦尔斯基（Brion James 饰）枪击。警监布莱恩特（M. Emmet Walsh 饰）不得不命老牌刀锋跑者戴克（Harrison Ford 饰）出马，猎杀复制人里昂、罗伊·巴蒂（Rutger Hauer 饰）、佐拉（Joanna Cassidy 饰）、普里斯（Daryl Hannah 饰）。戴克来到泰瑞尔公司调查，在艾登·泰瑞尔博士（Joe Turkel 饰）的请求下，对员工瑞秋（Sean Young 饰）进行了测试。百余问题之后，戴克判断瑞秋为复制人。而瑞秋本人对此真相竟一无所知……

　　When a mysterious planet crosses the sun, global catastrophes are unleashed. A rogue scientist is the key to deciphering the symbols and humanity’s only chance at survival.

　　伊兹很快就可以逃脱伦敦仅存的住宅小区“厨房”。但小班吉走进他的生活后他需要做出一些艰难的决定。

　　共和体制崩塌，银河帝国的阴影笼罩着宇宙文明每一个角落。为了加强对反抗势力的镇压，塔金主义直接催生了一种足以摧毁星球的超级武器——死星的诞生，而物理科学家盖伦·厄索（麦斯·米科尔森 Mads Mikkelsen 饰）正是死星的主要设计者。厄索的女儿琴（菲丽希缇·琼斯 Felicity Jones 饰）在童年时代与父母经历了生离死别，之后她被反抗组织领袖索•格雷拉（福里斯特·惠特克 Forest Whitaker 饰）所抚养长大。成年后琴罪行累累，成为帝国的阶下囚，最终却被反抗组织救出。从格雷拉那里她得知死星的存在，并见证了一个城市的灰飞烟灭。然而义军同盟决然不信死星的存在，万般无奈琴和飞行员卡西安·安多（迭戈·鲁纳 Diego Luna 饰）等人孤身前往收藏着死星设计图的星球，攸关全宇宙命运的战争拉开了序幕……
　　故事根据1977年《星球大战：新希望》片头的一段文字改编。

       女督察谢玲在查案时殉职，男友祖伤心欲绝。科学家沙拉认为行凶者山本拥有机械的躯壳，于是暗中把谢玲改造成机械人，又派机械助手安妮利用美色引诱山本。谢玲虽复活，但祖苦缠令她思想混乱，令机械躯壳的战斗力大减……

　　故事讲述一名战功赫赫的海军父亲（里兹·阿迈德 Riz Ahmed 饰）为了保护两名年幼的儿子，带着他们跑路。这趟旅程却将父子三人往越来越危险的方向前进，男孩们必须面对残酷的真相并被迫长大，挥别单纯的童年。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.
　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?
　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.
　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.
　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.
　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.
　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.