梦想

梦想

HD中字

2.0 |2025年02月24日 |HD中字
简介:

  《梦想》是以露宿者世界杯为主题的电影,讲述的是面临球员生涯最大危机的足球选手弘大(朴叙俊饰)和生平第一次拿起球的特别国家队队员挑战露宿者世界杯的故事。IU饰演的是想要通过制作足球队纪录片而一举成功,所以将弘大急忙打造成足球教练的电视台PD“李素敏”。
  露宿者世界杯是由“国际街头报纸网络”的组织所举办的国际性足球赛事,特点是参赛者全为无家可归的露宿者。

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简介:

  刘唐劫了生辰纲后,为躲避官府追捕,便到大名州,投奔生死之交陆金彪,一路上看到三五成群的灾民们骨瘦如柴,扶老携幼,惨不忍睹;灾荒之年各米商抬高米价,梁中书的走狗黑豹将私藏的官粮抛到黑市贩卖,牟取暴利,百姓痛不欲生。刘唐、陆金彪带领众兄弟杀富济贫,替天行道,深夜将米商仓库的粮食全部盗空,救济百姓,各米商目瞪口呆不知所措。刘慕雪灵机一动,得知是劫取生辰纲的好汉所为,激动不已,刘幕雪带他来到了黑豹倒卖官粮的黑市,目睹了真正的恶人。为了惩罚罪大恶极、欺压百姓的梁中书等人,刘慕雪决定跟着刘唐、陆金彪一起联合起来,盗取梁中书赌场黄金、库房粮食;朝廷派都统徐达下来,专门来查粮商失窃案,梁中书甚是傲慢,最终查到了梁中书的走狗之一黑豹的头上,梁中书毅然决定将徐达等杀人灭口;当徐达弄明白事情的原为时已经晚了……魏季抽出三支“九尾镖”,瞄准陆金彪等人,使出绝招“三连镖”。陆金彪猝不及防,当场身亡,刘唐起身,趁乱使出绝技“飞雁连环杀”,扑向魏季。魏季猝不及防,中刀而亡,刘唐乘机施展轻功,快马奔上山……

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简介:

  每次案件结束后,金田一耕助(石坂浩二 饰)都要隐居休养一段时间,这次他决定赴美度假,临行前专门去吉野市拜别侦探小说家横沟正史(横沟正史 饰)。在小说家的推荐下,金田一前往当地的本条影楼拍摄护照照片。拍照之际,一名神秘美丽的女子(樱田淳子 饰)拜会影楼老板,请他夜间外出拍摄结婚照,而拍摄地点竟是位于医院坡曾发生过吊颈命案的不祥之屋。
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简介:

  In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.
  The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).
  Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.
  As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.
  Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.
  The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.
  Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.
  The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.
  The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

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