聚焦

　　父の仇をとるため横浜の親分の門下に下った一人の若い衆が、戦後の混乱期を経てやがて巨大組織の首領になっていく過程を、ヤクザ社会の義理人情、道義などを交えて描いた実録任侠映画。北島三郎が主題歌を歌い、松方の子分・モロッコの辰役でも好演。

　　喜临门是一部温馨有趣的伦理亲情剧，故事发生在一家叫“快乐鱼”（happy fish & chip）的西式炸鱼店内。
　　“快乐鱼”由一个长袖善舞的女人“罗太”打理，生意火红。罗太的丈夫罗开金是个无能、得过且过的男人，年轻时结过两次婚，生了“两批”孩子，性格各异。
　　一伙人为了“快乐鱼”，争端四起，“快乐鱼”也几度面临关门危机…且看儿媳妇雅喜如何使出十八般武艺，化危机为转机…

　　Set at the turn of the century, the story concerns a Polish poet living in Cracow who has decided to marry a peasant girl. The wedding is attended by a heterogenous group of people from all strata of Polish society, who dance, get drunk and lament Poland's 100-year-long division of Poland under Russia, Prussia, and Austria. The bridegroom, a painter friend, and a journalist each in turn is confronted with spectres of Polish past. In the end a call to arms is called but turns out to be a hoax.

　　A bit of color for once, all the better to see the red flags with, not to mention the obvious aerial file footage of Warsaw. The story concerns Jozef Malesa, the mason or bricklayer of the title. He was once the darling of the party, the son of two old party activists, a worker of heroic reputation, his own commitment to The Movement unquestioned. He was chosen to be destined for great things, specially educated and pushed forward to positions of responsibility in the Party. Eventually he decides, because of the ethical pressures which he feels from the obstructionism of the bureaucracy from above, he asks to return to be a simple bricklayer. He is disturbed with the way the Party deals with people, especially their lack of direct contact. He thinks workers know better than the leadership many times but that's not the way power flows. He is uncomfortable with the compromises to his idealism. He remains committed to social justice and joins his friends for the May Day rally where his comfort and confidence in his place in society cause him to defer to no man, certainly no rat faced men in overcoats with red armbands. His great pleasure in life moreover is laying brick. He finds the work satisfying and fulfilling which is why he was such an obviously superior worker in the first place.

　　Centers in the theme of reincarnation, unfolding in Kolkata and Hyderabad.

　　黑泽明电影的出场人物大都是盛气凌人的武士，但本片却一反常态，用愉快的笔触，写一对年轻充满忧愁的恋人在星期天怎样把种种烦恼抛诸脑后的经过。影片又是日本电影中第一部直接反映出年轻人对性的感受的作品，男主角雄造向情人昌子求爱的情节，令当时年轻观众看得意马心猿。一对小情人在废墟中幻想著未来经营小餐馆的场面，也叫人看得心往神怡。

　　Masht Hassan在一个遥远和荒凉的村庄里拥有唯一的母牛。他把母牛当作他自己的孩子。当他离开出去远方做事时，他的母牛死了。知道Masht Hassan和他的母牛之间的关系，那些村民急速处理尸体，并当在Masht Hassan回来时，他们告诉他他的母牛逃走了。Masht Hassan疯了，他开始在谷仓里度过他的全部时间，吃干草，并且慢慢地觉得自己就是母牛。
　　此片是伊朗的第一代导演达瑞什·麦赫瑞作品，是伊朗新浪潮的开山之作。

　　拥有壮美风光的北海道，迎来了饱经风霜的夫妇小林笃史（佐藤浩市 饰）和良子（樋口可南子 饰）。夫妇俩原本经营一家机械制造厂，但因经营不善而被迫关张。良子感受到丈夫的失落，因此拜托笃史为他们西式风格的独栋修建石墙。某晚家中进入小偷，良子受到冲撞后受伤。医生建议她重视自己所患的扩张性心肌病，可是良子却对丈夫隐瞒下这个事实，并与来帮助他们修筑石墙的青年杉本彻（野村周平 饰）及其女友纱英（杉咲花 饰）度过一段无忧无虑的梦幻时光。该来的总会到来，携手半生，总有诀别的时刻……
　　本片根据美国作家Edward Mooney, Jr.2002年发表的小说《The Pearls of the Stone Man》（日译：石を積むひと）改编。

　　Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.
　　Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.
　　Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.
　　No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.
　　A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.
　　Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.
　　In 2000, the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry.

　　This is a story of a young man named Kenny Stanford who had dreams of being an Successful artist in the music industry, but these dreams were cut short.

　　《兄弟难当》是由恒瑞影业摄制出品，淘梦网独家发行，张猛执导， 杜歌、伊洪涛、郭少杰、孟岗、川子、张涛、雅琪等主演的一部友情题材电影，讲述了一群不同身份的江湖儿女诠释“兄弟”二字的故事。
　　当今社会，兄弟二字的真正含义已经被人淡忘，曾有人笑说，兄弟是用来出卖的！军旅出身的杜歌，对于情义尤为看重，因此有了兄弟难当一首红歌，但是为了让大家更直观的感受兄弟情义，兄弟难当电影，应运而生。
　　《兄弟难当之我是杜歌》影片以友情的角度，诠释着一群硬汉的热血青春，杜军（杜歌饰），耗子（赵鹏杰饰），曲子（郭少杰饰）兄弟三人开了一家小饭馆，没想到昔日仇家森哥（伊洪涛饰），前来寻仇，好兄弟受伤入院，森哥的羞辱，一次次的打击让硬汉杜军彻底撕掉了柔弱的外衣，裸露出凶悍的獠牙，吹哨子摇旗，昔日兄弟再聚，一群热血男儿的友情岁月，再度引燃！

本片以“儿子”铁头的视角，追忆了1953年至1967年大陆几次政治运动中的三位父亲（爸爸、叔叔和继父）及母亲陈树娟（吕丽萍）的形象。
 有关“爸爸”林少龙（濮存昕）的最初回忆美好单纯，可是在他于反右派斗争中被划为右派后，一切都变了样，母亲在焦急等待中，等来他被一棵倒下来的大树压死的消息；随后，爸爸的好友李国栋（李雪健）李叔叔走进铁头与母亲的生活，“叔叔”是很好的人，可是在大跃进后期的大荒中，也因积劳成疾死去；紧接，母亲的第三任丈夫老干部（郭宝昌）成了铁头的“继父”，一开始铁头对他没有任何好感，就在两人握手言和之际，“继父”在文革中被造反派批斗致死，母亲也被划成反革命分子。