A writer who studies the paranormal believes that low frequency tactile sound is the cause for reported ghost sightings in an abandoned subway station. In an attempt to debunk the sightings, she breaks into the station to record evidence.
A mathematician and author, Luke Williams, is travelling up to London on a train when he meets a old lady, Lavinia Fullerton, who is also going to London, to Scotland Yard. Lavinia tells Luke that in her small village several people have died. The local police are certain that it was all accidental and are taking no action but Lavinia isn't convinced. In London Luke watches, horrified, as Lavinia is run over in a hit and run and he becomes convinced that she was telling the truth. He travels down to the village and with the aid of a local girl, who is also convinced that the deaths were murder, sets out to solve the mystery.
新闻直播5分钟前，电视台知名主播世拉（千禹熙 饰）接到一名女子的电话，对方表示自己将被杀害。世拉认为这只是通恶作剧电话，但内心又感到十分不安，而世拉的母亲素贞（李慧英 饰）则认为，这是个能让世拉成为真正主播的好机会，让世拉决定前往对方的家，没想到却发现女子和其女儿陈尸在家中。此后，世拉眼前不断浮现那名女子死去的模样，并再次见到曾出现在案发现场的精神科医生仁浩（申河均 饰），对于曾是死者主治医生的仁浩，世拉对他的疑心愈来愈重……
故事讲述彼得·威廉姆斯神父的他被一个他试图驱除的恶魔附身，最终犯下了最可怕的亵渎罪，18年后，他的罪的后果将再次困扰他，展开与内心邪恶最伟大的斗争。
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唐·麦凯是一所中学的看门人，在一场悲剧后背井离乡。25年后，当他回到家乡时，又与老情人重新燃起了爱火，只是，老情人此时正遭受癌症的折磨，但不管怎么说，这次回家带给唐·麦凯的要比希望的多……一个略带惊悚意味的爱情故事，情节基调微微伤感，却在伤感中蕴藏着深厚的情感爆发力。影片的三位主演均为好莱坞的奥斯卡级人物，托马斯·哈登·丘奇曾凭借《杯酒人生》获得奥斯卡最佳男配角提名，伊丽莎白·苏和梅丽莎·里奥则分别凭借《远离赌城》和《冰冻之河》获得奥斯卡最佳女主角提名。
After her sister's murder, Nic, her younger sister and two friends seek solace through a Pacific island kayaking adventure. Hours into the trip the women are stalked by a shark and must band together, face their fears and save each other.
19世纪，经历了影响深远的南北战争，美国终于迎来了新的时代。亚伯拉罕·林肯（比尔·奥伯斯特 Bill Oberst, JR 饰）接连取得与人类的胜利，却不得不面对新的敌人。他麾下一直部队在巡察途中遭遇活死人，三十人仅有一人幸存，但由于惊吓过度精神失常。北方政府怀疑这是南方的最新武器，于是计划派出一支12人的小分队深入敌后，救出被困的人员。勇猛无敌的林肯见识了活死人的威力，自告奋勇带部队向南方进发。在目标要塞，他们遭遇了数量庞大的活死人军团，这群怪物的残忍更远远超出他们的想象。 死亡救援之旅漫长难熬，伟大的林肯总统能否带着他的子民逃出生天……
影片根据悬疑作家周浩晖的小说《黑暗中的女孩》改编：李晓琼（胡洁琼 饰）陪伴男友郭俊（陈烨林 饰）搬进了一幢偏僻幽静的小楼。她发现隔壁暗窗后藏着个神秘的小女孩，然而隔壁邻居却否认这个女孩的存在。李小琼追查真相，骇然发现所谓的“隔壁小屋”竟然是自己家中的一间密室。相隔多年的两起命案在密室中找到交集，当年逃脱的犯人终被绳之以法。
一群即将毕业的学生去一个岛上参加一个短片项目，当他们被一个神秘的杀手惊慌失措，他努力杀死他们。
Would you believe in a policewoman who suffers from such serious panic disorders that she is afraid to get close to any crime scene and has been on permanent office duty for more than a decade? Would you believe a lone mother who is unfit to pay her mortgage and also raise her rebellious teenage daughter? Indeed, no one believes that the troubled ex-detective has discovered a serial murder case. Personal dramas and a murder mystery unfold in present-day Budapest, where demonstrations are part of the pre-election life of a city still trying to cope with the shadows of its historical and recent past. It is a city where nothing seems honest and true, except through the eyes of an emotionally unstable policewoman and her misfit daughter who wants to know who her father truly was. 入围第32届华沙电影节新导演单元
科学家研究狒狒身上的病毒，结果传染给几个年轻人，让他们发狂。
After inheriting the family mortuary, a pyrophobic mortician accidentally exposes hundreds of un-cremated bodies to toxic medical waste. As the corpses re-animate, the mortician's inheritance-seeking younger brother unexpectantly shows up, stumbling upon a full zombie outbreak!
号称是美国七十年代最非著名的一部科幻电影杰作，导演索尔·巴斯是设计师，还曾两次获过奥斯卡奖，但不知为何这部经典的心理科幻片至今都没出DVD。 Desert ants suddenly form a collective intelligence and begin to wage war on the desert inhabitants. It is up to two scientists and a stray girl they rescue from the ants to destroy them. But the ants have other ideas. Phase IV is an incredible full length feature film by Saul Bass who is most acclaimed as a graphic designer who's work can be seen as the opening credits from The Seven Year Itch, Vertigo, West Side Story to Alien, Broadcast News and Casino. Phase IV is a much overlooked film that is very much in the style of The Andromeda Strain. What it perhaps lacks in story, it gains in the photography of the millions of ants. 索尔·巴斯，美国动画片绘制家、美工师、导演，1920年5月8日生于纽约市，少年时曾经在布鲁克林学院学习绘画，毕业后从事过十年自由职业设计师的职业，1946年在洛杉矶创立索尔·巴斯合作公司。他在为一些影片进行美术设计时，猜出心裁地为片头片尾的演职人员表配上生动活泼的动画人物，这些动画人物的形态动作巧妙地提示了影片的主题，反映了影片的基调，从而使单调乏味的演职人员表和谐地成为了影片不可或缺的一部分，这种大胆的创新丰富了电影的表现形式，广受观众们的喜爱，其后为不少国家的影片所沿用。索尔·巴斯设计片头片尾的影片以《卡门·琼斯》(1955)、《红衣主教》(1963)等片最为著名。此外，他还监制和导演了很多电视广告片、动画片片和纪录片，如《敏锐的眼光》(1963)、《第四相》(1974)等。
