海边电影院

　　何嘉慧（夏文汐 饰）在结婚当天误伤了未婚夫阿良（任达华 饰）的债主，接着被判入狱。她对监狱里的生活十分不习惯，感觉自己完全没有了自尊，生性倔强的她也卷入了监狱里的明争暗斗中，幸好她认识了大家姐（郑裕玲 饰）、阿琴（冯宝宝 饰）等人，也总算有个朋友互相照顾。她们一起挣扎生活着，面对很多不公平的对待，警官与罪犯的互相勾结，让她们受尽欺凌，在嘉慧痛不欲生之际，却发现自己怀孕了。

　　在大都会盘桓多年的堂菌鸫美（荣仓奈奈 饰）身心疲惫，她辞掉工作后默默回到老家，与祖母十和相守度日。不过随着祖母的去世，鸫美重新被抛入孤独和悲伤之中。某个夜晚，一个中年男子不请自来出现在鸫美的家中。对方名叫海江田醇（丰川悦司 饰），自称是角岛大学哲学系教授，此前一直跟随鸫美的祖母学习印染技术。他拥有老房子的钥匙，并且全然没有离开的意思。海江田率真耿直，且个性毒舌，令鸫美不胜其扰，他甚至四处乱说会和鸫美结婚。但在磕磕绊绊的相处过程中，他们之间的距离似乎悄然地缩短了……
　　本片根据西炯子的同名漫画改编。

　　民国十九年，盐城。从海外学成归国的英俊青年潘子浩开了一家"福安"心理诊所。正当事业风生水起时，他的患者和助手却接连被害，自己也遭遇袭击险些丧命。
　　负责案件侦破的是女探长苏玲和警察钱涛。潘子浩和钱涛是老同学，而他看苏玲也似曾相识。潘子皓利用自己的专业知识，分析出了凶手的心理特征和体貌特征，并分析凶手一定认为自己知道什么秘密，所以准备杀他灭口，而且这个秘密一定就在诊所。
　　虽然危机四伏，但生活还得继续。某晚，潘子浩在诊所送走年轻漂亮的女患者林清秋后，突然电话响起，接起来却没人讲话，随后又突然停电，潘子浩心知不妙，紧忙躲到档案室并迅速反锁了门。月光下，两个说日语的杀手在诊所内搜寻，潘子浩看清了其中一人的鞋子。
　　钱涛建议潘子浩先出去躲一躲。临走前，潘子皓发现又有两名杀手尾随自己，急忙拨通钱涛的电话，可钱涛不在，潘子皓只好向苏玲求救，苏玲让潘子皓上自己家躲着。然而，两名杀手竟然也尾随而至，潘子皓隐约听见两名凶手说的还是日语，他拿起苏玲父亲的枪，打死了杀手。
　　几番危险，让潘子浩不敢再轻信任何人。潘子浩临走前已经电话通知患者们取消约见，惟有林清秋没有联系到，他怕林清秋找上门来会遇到危险，就按她所留地址找过去，却发现那里是一片荒无人烟的乱葬岗。带着疑问，潘子浩重新研究了林清秋的病例，发现林清秋曾谈到她的未婚夫在梦里说过日语，这让潘子浩心里一动：难道他们和说日语的杀手有什么关联吗？思忖再三，他将这个发现告诉了钱涛。
　　然而，事情却再次戏剧性的风云突变。一座豪华的庄园里，钱涛突然拿出枪对准潘子浩，此刻，潘子浩也注意到了钱涛穿的鞋----钱涛居然就是那天曾在诊所内说日语的杀手！钱涛把潘子浩关进了房间，一起被关押的还有林清秋。
　　重重危险之下，事情似乎更加扑朔迷离……

　　米果的父母是公墓的守墓人，爸爸离开后，妈妈要照顾哺乳期的弟弟，代客上墓的工作就落在了米果身上。因为总替人上坟，米果成了同学讥笑的对象。对上坟的厌恶蔓延了米果对爸爸的思念，于是爸爸送的小羊白雪就成了米果的宝贝。
　　一次放羊时米果抱着白雪睡着了，醒来后白雪不见了。米果打听到是城里卖羊肉马大偷走了白雪，一心想找白雪的米果独自踏上了“寻找白雪”的进城之路。一路上米果遇到了形形色色的人,从他们身上,米果得到了很多新奇的体验….
　　一番周折后米果却在马大的肉摊得到了一张羊皮，羊皮唤醒了米果身体里那段关于爸爸的记忆……….

　　这部带有黑暗喜剧风格的犯罪惊悚片以倒叙方式讲述了一位地方治安官追捕三名银行劫案嫌疑人的故事，其中一名嫌犯是他的亲兄弟。

　　艾德里安（马里奥·卡萨斯 Mario Casas 饰）经营着一间科技公司，事业蒸蒸日上，家中有美丽贤惠的妻子和活泼可爱的女儿，事业家庭双丰收的他是旁人羡慕的对象。然而，野心勃勃的艾德里安并未珍惜眼前来之不易的生活，一直以来，他和一位名叫劳拉（芭芭拉·蓝妮 Bárbara Lennie 饰）的女摄影师保持着肉体关系。
　　某日幽会过后，两人驱车离开别墅，却在路上发生了车祸，为了掩盖事件的真相，两人决定将在车祸中死去的青年丹尼尔联同他的车一起沉入湖底。之后，劳拉遇见了一位善良的老人，老人将劳拉坏掉的车拉回家中修理，然而，令劳拉没有想到的是，这位老人，竟然就是丹尼尔的父亲。

　　主要讲述了身处不同时空，长相一模一样的祖孙二人左右和左佑，机缘巧合下穿越时空，在2020年不期而遇，并在阴差阳错中错换了探员和小混混的角色，各自进入对方的生活，上演了一系列跌宕起伏、啼笑皆非的闹剧，最终却出色完成了抓获时空罪犯的轻松故事

　　每天清晨都有一辆AE86在秋名山上漂移，而且速度快得惊人，这辆AE86属于藤原豆腐店。藤原拓海（周杰伦 饰）每天清晨都要帮父亲藤原文太（黄秋生 饰）把自家店里的豆腐送到秋名山上的旅店，但这并不是拓海想做的一件事。拓海还会在阿木（杜文泽 饰）家开的加油站做兼职。中里毅（余文乐 饰）向阿木的车队挑战，当中里毅在秋名山练习的时候，竟然被一辆AE86轻易爬过头，中里毅决定打听这辆AE86的消息，要跟他比赛一番。

　　根据日本作家伊坂幸太郎的同名原著改编，讲述平凡的快递司机金建宇陷入权利斗争，莫名背上暗杀新总统候选人罪名后一路逃亡的故事

　　根据王峰原著改编。
　　清代同治末年，朝廷腐败，官场更加黑暗。“杨乃武与小白菜”的“奇案”就发生在这时的浙江省余杭县。余杭县知县刘锡彤之子刘子和看中豆腐房葛小杜之妻毕秀姑。她容貌甚美，绰号“小白菜”。刘子和贪恋姿色，暗用迷药玷污了葛毕氏，毒死她丈夫葛小杜。案发后，刘锡彤为开脱儿子罪责而陷害新科举人杨乃武。皆因杨乃武曾与葛毕氏相识有情，并给葛小杜治病，刘锡彤便买通师爷钱如命，用“移花接木”之计，嫁祸于杨。懦弱无知的葛毕氏被百般威逼欺哄，诬杨乃武为奸夫，杨乃武“被屈打成招”定为“谋夫夺妇”之罪。余杭县生员不服，上诉至杭州府，但因知府宝贤与刘锡彤是儿女亲家。徇情得贿，仍酷刑枉断，杨乃武遂冤沉海底。众生员仗义扶危，再至浙江巡抚杨昌溶府衙鸣冤。葛毕氏痛悔自己放真凶，污良善，企图翻供。怎奈三大宪俱已受贿，官官相护，贪赃枉法，葛毕氏翻案不成反受酷刑旷世奇冤活路断，铁案铸成何能翻?杨乃武胞姐杨淑英曾在刑部尚书夏同善府中做过绣娘。为弟伸冤，千里跨涉赴京求援。时正值清室东宫与西宫互争权势，西太后之心腹醇亲王欲乘机除去东宫之亲信杨昌漕，因而接受杨淑英状纸，将全案人犯与原审官员提京勘审。但由于刘锡彤再逼葛毕氏，致使刑部大堂未能审出真相。于是夏同善设“密室相会”之计，使葛毕氏与杨乃武倾吐实情，招出真凶。杨乃武三载冤狱才获昭雪。

　　In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.
　　The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).
　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.
　　As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.
　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.
　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.
　　Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.
　　The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.
　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

　　在他人的眼中，凯特（莎拉·杰茜卡·帕克 Sarah Jessica Parker 饰）是一个做起事来雷厉风行的女强人，同时，她温柔体贴的丈夫理查德（格雷戈·金尼尔 Greg Kinnear 饰）和听话懂事的孩子们也让旁人无比羡慕。但是，从凯特的角度看来，生活就没有那么美好了。由于自己繁忙的工作，她不得不雇佣了保姆来照顾可爱的孩子们，可是不尽责的保姆常常让凯特感到抓狂，此外，她和理查德的关系也没有表面上看起来的那么完满，他们甚至有很长时间都没有好好的说过话了。
　　生活和工作中的烦恼让凯特喘不过气来，她选择了通过网络聊天室来缓解压力，似乎只有面对着屏幕那端的陌生人，她才能诉说自己的辛苦和忧愁。凯特本以为自己能在虚拟世界和现实世界之中找到平衡点，可没想到，随着时间的流逝，事态的发展逐渐脱离了她的掌控。