彩虹

彩虹

第08集

1.0 |2025年03月23日 |已完结
简介:

  Defying the moral constraints of Victorian England and her parents, a young woman engages in unbridled promiscuity with two partners before setting out to capture the fuller sensuality of life itself. Based on the 1915 novel by D.H. Lawrence.

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212
3.0
HD国语
河长
3.0
更新时间:2025年02月24日
主演:吕良伟,周显欣,牛犇
简介:

  一场蓝藻爆发,引发了一个几百万人口城市的饮水危机。当市民们还在抢购纯净水,沉浸在没水喝的恐慌之中时,市领导立即将切肤之痛化为铁腕治污行动,于是,关闭所有污染企业,彻底淘汰落后产能的战役率先在桃江市全面打响。   自封是桃江“河长”的老厂长张清水(牛犇饰)极力要制止儿子张秋江(吕良伟饰)的非法排污行为,身患绝症后仍誓死守望“母亲河”。   桃鑫化工厂不仅是桃江市的利税大户,而且热衷公益事业,市里的幼儿园、敬老院、学校、医院都经常得到该企业的捐助。   然而,桃鑫化工厂也是远近闻名的排污大户,虽然投入数百万元购置了进口的污水处理设备,但由于污水处理成本高,谋取高额利润的个人欲望驱使他们通过地下暗道,每天深夜偷偷向桃花江江心排污,而桃江的水直通桃湖。   桃鑫化工厂董事长张秋江的父亲张清水觉察到儿子的不法行为,开始明察暗访,调查企业的排污情况,引起儿子的不满。就在父子矛盾加剧时,张清水病倒了,经诊断为癌症!但身患重病的他仍念念不忘保护桃江,他对儿子说:“我就是一名自封的河长”。   终于,不堪重负的桃湖蓝藻爆发,引起了全市几百万人的水危机。市政府和环保部门在采取紧急措施解决市民饮水问题的同时,果断决定关闭、淘汰、转产所有污染企业,市长黄建华对企业家们说:“如果群众连干净的水都喝不上,我们赚那么多钱干什么?如果桃湖死了,我们就是千古罪人!”   为了彻底阻止桃鑫化工继续排污,张清水带病在儿子的女友陈晨(周显欣饰)医生的帮助下,深夜划小木船到江心取证,而他的这一举动却被该企业副总发现,夜幕下,副总驾驶摩托艇到江心驱赶……   《河长》电影2009年开机拍摄,该剧演绎了扑朔迷离的排污罪行,大义灭亲的举报壮举,将父子情、恋人情交织在罪与责之中,揭示出金钱、道义、利益、生命孰轻孰重的浅显道理。   本期专题独家采访了参与《河长》电影拍摄的部分演员、导演、编剧及制片人,从他们的言谈中,体现出了他们对当下环境的关注。

2334
2011
河长
主演:吕良伟,周显欣,牛犇
魔鬼的陷阱
907
7.0
HD中字
魔鬼的陷阱
7.0
更新时间:2025年02月24日
主演:Vítezslav Vejrazka,米罗斯拉夫·马哈切克,Cestmír Randa,Vít Olmer,Karla Chadimová,Vlastimil Hasek,Frantisek Kovárík,雅罗斯拉夫·毛奇卡,约瑟夫·赫利诺马兹,贝德里奇·卡兰,Jirí Belohoubek,Jirina Bílá,Monika Indingerová,Ladislav Kazda,Milan Kindl,伊里·弗斯塔拉
简介:

  In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.
  The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).
  Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.
  As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.
  Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.
  The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.
  Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.
  The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.
  The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

5047
1962
魔鬼的陷阱
主演:Vítezslav Vejrazka,米罗斯拉夫·马哈切克,Cestmír Randa,Vít Olmer,Karla Chadimová,Vlastimil Hasek,Frantisek Kovárík,雅罗斯拉夫·毛奇卡,约瑟夫·赫利诺马兹,贝德里奇·卡兰,Jirí Belohoubek,Jirina Bílá,Monika Indingerová,Ladislav Kazda,Milan Kindl,伊里·弗斯塔拉
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