娜娜2

　　It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.
　　Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.
　　When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."
　　Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.
　　Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.

　　上世纪40年代，博兹瓦纳开国总统赛莱兹·卡马与英国女性露丝·威廉姆斯的婚礼轰动世界，黑白人种通婚，引起了双方家族、甚至两国政府的反对。

　　1979年，尹小恩（金荷娜 饰）是新罗大学英语系三年级的学生，她一直暗恋着自己的前辈东熙（朴永宇 饰），她对美好生活十分憧憬，但东熙喜欢的是另一个学生。
　　一次偶然，小恩发现了一台老式的报话机。一天晚上报话机突然传来另一个男生的呼叫。惊讶不已的小恩开始与对方通起话来。交流之下，小恩才发现原来男生也同样就读于新罗大学，叫池仁（刘志太 饰）。两人随后相约第二天在钟塔下见面，小恩苦苦等待，但对方并没有出现。这边厢池仁在大雨中也等不到小恩的前来。晚上通过报话机交谈的时候，都互相埋怨对方。
　　到了第二天的晚上，他们才明白，原来他们来自不同的时空。小恩生活在1979年，池仁则是在2000年，跨越时空的交谈令彼此惊叹不已。那一晚，他们把自己的感情事都向对方倾诉了，不知不觉中，两人的感情加深了。
　　池仁告诉小恩，原来自己的父母也是新罗大学的学生，而且那就是东熙与东熙的恋人善美……

　　Gheisar is about a young man's drive to revenge those responsible for who raped his sister and murdered his brother.

　　唯良和丈夫伟业结婚已经九年了，两人共同抚养着两个可爱的孩子，婚姻生活虽然平淡但是不失幸福。一天，唯良的儿时玩伴安萍忽然找到了唯良，两人已经很久都没有联系了，这次，安萍带来了一个坏消息，那就是唯良的丈夫伟业有了婚外情，而婚外情的对象不是别人，正是安萍的妹妹安玲。
　　唯良找到了安玲，想要劝说后者离开自己的丈夫，可是性子倔强的安玲非但没有意识到自己的错误，还咬定了不会放手。伤心的唯良决定在丈夫的身上下功夫，但很快她就意识到，伟业是真的不再爱自己了。这么长时间来，丈夫和孩子构成了唯良生活的全部，一下子，她失去了人生的意义。

《不可抗力》是一部由北京狮子鱼文化传媒有限公司出品，改编自蓝淋同名小说的同名网络同志电影。

　　影片讲述了富家小少爷谢炎为了找个玩伴，去孤儿院领养了孤儿，舒念。两人一同长大，形影不离。直到谢炎出国留学归来，带回了一个女朋友蒋瑶……蒋瑶因强大的占有欲与嫉妒心，实在无法容忍舒念这个电灯泡，更无法理解谢炎与舒念这对主仆惯有的相处模式，于是想方设法抹黑舒念，使两人越来越远，解不开的误会最终导致两人形同陌路，分道扬镳…… 

　　对国都北京一心向往的王博众原本想毕业后在北京打拼几年就能过上想要的幸福生活，万万没想到的是暗恋他三年多的学妹（任氏地产千金任世嫣）突然对他发起猛烈追求打乱他所有的规划，一边是她妹妹极力推荐的对他一往情深平凡普通的于菲菲，一边是他的情敌北京中柱酒业集团的大少爷明争暗斗的较量，他原以为毕业后就可以找一份安稳的工作然后做自己喜欢做的事情，当爱情和面包不可以兼而有之几番碰壁后他决定自己创业，为了梦想百折不挠的王博众能否打拼出一片属于自己的天地并收获一份至死不渝的真爱？

　　一直深爱着哥哥的妹妹从医院领回了因一起意外事故中失忆的哥哥，并谎称是他的恋人，与哥哥生活在了一起。两人时刻承受着道德与情感的冲突，但情感的河流奔腾得如此汹涌，道德在情感面前显得异常无力。道德的解构表现在拆房的建筑工地一再地出现，而情感则在日常的相濡以沫中以温和的姿态感染着观众。不是什么肮脏的不伦之恋，而只是干干净净的平常人的情感，甚至要更纯更美。

　　职业杀手高守（刘德华 饰）手段高强，深得女老板ICE（伍咏薇 饰）赏识，不意却激起另一杀手王昌（郑浩南 饰）的妒恨。某日，高守偶遇初出茅庐执行任务的女杀手如枫（袁咏仪 饰），并在对方的胁迫下带其逃离现场，而这一场相遇，在两人心中留下了不灭的痕迹。
　　警官董辉（李子雄 饰）保护的污点证人在开庭时被高守乔装的法官当众击杀，董辉至此开始对高守锲而不舍的追索。与此同时，高守与如枫的再次相遇点燃了两人的爱火，而如枫对高守的真实身份却一无所知。不久高守在一次任务中意外失手，ICE按照杀手组织规则指派如枫刺杀失败者，而已经对警方大开杀戒的王昌和步步紧逼的董辉亦先后将矛头对准了高守……

　　故事说的是几个年轻人的恋爱故事，讲述男、女主人公，面对失恋，如何走出痛苦的过程。女主人公景一在失恋后试图通过逃避来结束一段感情，勇敢尝试自己认为正确的方法，到头来却发现更加痛苦。同样是失恋的男主角梅宇轩，阳光帅气，温柔体贴，他的出现，似乎同病相怜，让他们寻找到了治愈伤心的解药。剧中男、女主人公在面对失恋，经历背叛、孤独、不再相信爱情时，没有选择自杀或出家等消极做法，在被对方迟来的爱打动后，慢慢走出痛苦，重新回到生活正轨。男、女主人公始终没有放弃对追寻真正意义的爱情，在欢笑与眼泪之间寻找真爱，传递社会的正能量。

　　该电影讲述了，北宋年间出现了人类历史上第一支官方授权的赏金猎人部队，官称“大将”。大将猫小白（方安娜饰）威名赫赫，实际上却是个武功一塌糊涂，好运爆棚的小女子。而由洪尧饰演神探叶重是一个冷峻孤傲的提刑司判官，和猫小白水火不容。但造化弄人，堪比大宋福尔摩斯与华生的这一对组合，为了断案不得不齐力断金，在诡雨迷云中上演了一段相爱相杀、鸡飞狗跳的爱情。