断背山

　　It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.
　　Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.
　　When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."
　　Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.
　　Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.

　　故事发生在上个世纪90年代末，花田乡乡长高德明的妻子郑芬芳张罗着给自己的小妹郑晓雅相亲，郑晓雅的恋人江波得知后赶走了相亲对象，这使得郑芬芳大怒。
　　郑芬芳到江波的爸爸江德道家闹事……高德明强迫妻子去向江德道道歉却被有当地‘花王’之称的老丈人郑汉江阻止，高德明不得其解。
　　鄢陵县委县政府决定以高德明所在乡为试点，闯出一条特色农业经济的途径，让乡亲们的日子富裕起来，高德明临危受命。

　　我的23岁，是一个本应该放肆张扬的年纪，美丽性感的叶宛青海外留学归来本想趁此解放，放肆一把青春，谁料却遇家中突变，在经历过程中，结识了同为23岁的高富帅夏纲，北漂青年苏致冬以及自己的好闺蜜高爽，四位俊男美女不同诠释自己年纪的想法，故事就这样悄悄拉开了帷幕。

　　纽约港的码头上，以约翰尼为首的黑社会势力无情地压迫着码头工人们。曾经是拳击手的特里（马龙·白兰度 Marlon Brando 饰）来到码头为约翰尼工作。他的朋友乔伊因为向犯罪委员会揭发约翰尼等人的罪行，被其手下，也是特里的哥哥查理从楼顶上推下摔死。乔伊的妹妹伊迪（爱娃·玛丽·森特 Eva Marie Saint 饰）发誓要为哥哥复仇，与教区牧师巴里神父一起展开调查。知情人都不敢出面告发。特里也目睹了乔伊被害的经过，虽然同情伊迪的遭遇，想要帮她逃离黑社会的迫害，但他没有告发哥哥的罪行。在与伊迪的接触中，两人渐渐产生感情。当伊迪得知他是杀害哥哥的帮凶，她拒绝了他。之后哥哥也为了救特里而被约翰尼杀害。无数罪恶的事件让特里决心去揭发约翰尼的罪行。在码头上他被约翰尼的手下打成重伤，神父和伊迪赶来支持他，一直沉默的码头工人们也觉醒了，他们团结在一起，为了正义抗争。
　　本片获第27届奥斯卡最佳影片、最佳导演、最佳故事剧本、最佳男主角等8项大奖。

　　After she inherits an Italian restaurant in Brooklyn, manager Amy teams up with a blacklisted master chef looking for a second chance. They discover that the most important ingredient for any recipe is always love.

　　一名在少年感化院拘禁的年轻人和一名在修道院居住的浪漫少女相识后点燃了爱火，但这与时俗是相背的，他们不得不选择了逃亡。于是感化院的守卫和修道院的女尼展开了对这对小鸳鸯的追捕。

　　伊斯梅尔·维亚尔是一位法国电影导演，他正在拍摄一部以外交官伊凡为主人公的影片。与他的师父兼岳父布鲁姆一样，伊斯梅尔一方面仍然沉浸在丧妻之痛里。然而与此同时，他已经与西尔维娅开始了新的生活，西尔维娅成为了伊斯梅尔生活里的一道光。后来卡洛特突然回来“起死回生”，在西尔维娅离开之后，伊斯梅尔拒绝了卡洛特，他被生活中的一切折磨到快疯了。他中断了拍摄，回到家乡、法国北部城市鲁贝，在那里过着离群索居的生活，就像被幽魂围绕着一样。

　　一场意外的发生让李进儒（张雁名 饰）的事业跌入了谷底，对自己亦产生了怀疑。为了治愈受伤的心灵，李进儒反悔了故乡宜兰，在那里，他邂逅了曾经的青梅竹马以容（卓文萱 饰）。曾经，缘分的阴差阳错让他们错过了彼此，如今，命运般的重逢能否给两人的感情一个新的机会？不幸的是，以容发现自己患上了难以治愈的疾病，移植骨髓成为了保命的唯一方法。
　　向阳（巫迪文 饰）曾经是挥金如土桀骜不驯的富二代，直到他遇到了现在的女友于乐（霍诗丹 饰），于乐的存在让向阳懂得了生命的意义，可于乐自己却患上了淋巴癌。为了让于乐在快乐和幸福之中度过最后的时光，向阳带着她踏上了旅途。

　　秋叶（藤龙也 饰）是一位早已经功成名就的作家，人到中年的他依然徘徊在不同的女人之间，享受着生命的激情。某日，在银座的一间酒吧里，秋叶结识了名为雾子（黑木瞳 饰）的女子。雾子虽然身为风尘女子，却表露出和身份极为不相称的单纯和天真，这巨大的反差深深的吸引着秋叶的注意，很快，雾子便成为了秋叶的情人。
　　随着时间的推移，在秋叶的调教之下，雾子渐渐展现出了极富魅力的女人味，人生亦因为秋叶的帮助而走上了正轨。渐渐成熟的雾子，也察觉到了她和秋叶的这段感情不可能有任何的结果，相辅相成的两人开始渐行渐远。

　　故事发生在1952年，越南局势紧张，动乱和战争一触即发。艾登（布兰登·费舍 Brendan Fraser 饰）是由美国援助组织派往越南的工作人员，目睹了越南发生的种种，艾登满腹热忱，希望自己能够在这里大干一番，之后，艾登结识了名叫托马斯（迈克尔·凯恩 Michael Caine 饰）的男子，他是伦敦时报的特派员，十分了解当地的情况。
　　一次偶然中，艾登见到了托马斯的越南情妇凤（杜海严 饰），很快，艾登就被凤身上所散发出来的神秘气息所吸引，他不可自持地爱上了凤。就这样，艾登、托马斯和凤之间交织出了一段充满了激情而又摇摇欲坠的三角关系，一场凶杀案的发生让这段关系慢慢地濒临崩塌的边缘。

　　该片改编自《九州·天空城》作者唐缺同名小说《九州羽乱》，讲述了女主初柒勇于面对内心，敢于突破人羽不能相恋的规定，历经九世轮回勇敢追爱的故事。

　　在澳门的酒店和赌场还未比便利店多的90年代，诗诗（廖子妤）初当骨妹挂上19号技师号码牌战战兢兢，经验丰富的18号灵灵（余香凝）照顾新人，18 、19从此连在一起。澳门回归前夕社会动荡，骨场生意下跌，姐妹们各谋出路。好姊妹一个留在澳门一个嫁到台湾。不觉数十年，一则寻人启示让诗诗（梁咏琪）重回旧地始觉人面全非，亦勾起了她对90年代澳门、骨场初体验、与好姐妹灵灵的回忆，更发现了灵灵从未宣之于口的秘密，教她坦然面对自己。小城人物从来好看，导演徐欣羡为土生土长的澳门作纪录，感慨城市变迁同时抓住昔日情味。