冷血惊魂

　　秦汉是一个典型的香港男人，又事业成就，风流倜傥，尽管家有娇妻儿女，但每当因利成便时候，从不会错失拈花惹草的机会。宾妹玛丽安娜的出现，改变了泰汉一家四口的一生，平添了一段鲜为人知，而又骇人听闻的旅游灾难袐辛！闪耀熠熠星光的叶倩文，饰演秦汉的太太，面对花心如萝卜的丈夫，从爱而恨，从恨而赌气，从赌气而至再同心共患难，充份反映出具有感情基础的婚姻，是可贵而经得起考验的，“实妹”电影故事，同时也藉此...

　　Set in the scenic Sila plateau in Italy’s Southern Calabria region, “Home Education” revolves around a family that are followers of an esoteric cult and live in a secluded house deep in the woods.

　　来自意大利的恐怖作品，剧情叙述一位菜鸟教授艾伦了逃避童年时期的梦魇，被学院委派至匈牙利的首都布达佩斯追查一位考古教授的行踪，当他来到古城却被突兀其来的谋杀事件给笼罩，这里的人似乎都有着不可告人的秘密，神秘的邪教[编织者]到底是什么?

志愿成为摄影师的泉泽月子（中村麻美 饰）3年曾遭遇一场车祸，在此之后她便患上失眠症，并且无法回忆起车祸之前发生的事。为了摆脱困扰，月子向精神科医生細野辰子（洞口依子 饰）求助。通过催眠疗法，月子无意识说出了“富江”这个名字。不久，刑警原田省二（田口トモロヲ 饰）拜访细野，因为他正在调查的神秘女子富江（菅野美穂 饰）与细野和月子都有着千丝万缕的关系。与此同时，月子公寓的楼下搬来一个行踪诡秘的男子，与他同来的还有一颗具有生命并且持续生长的头颅。月子尘封的噩梦渐渐被揭开……
　　本片根据日本著名恐怖漫画家伊藤润二的同名系列漫画改编。

　　When her husband finds himself unemployed and emasculated, pressure mounts on Helena to provide for her family. However, a sinister otherworldly presence seems dead set on undermining her new business enterprise. Juliana Rojas and Marco Dutra devilishly meld economic realities with fantastical horror in this ambitious debut.

　　当这位有钱的奶奶去世了，子女后代们便回来聚在了一起。每个人都想做亿万富翁，每个人都拿多一些的份额。但是要想拿到遗产就必须遵守规则完成任务，于是，很多诡异的事件在前方等着他们……

　　威拉德是一个性格孤僻内向,不善与人沟通的小公司职员,家门外的生活对他来说只能是一团糟.反映迟钝,笨手笨脚,使他成为公司同事们的笑柄.尽管偶尔可以换来女士怜悯的眼光,但老板与同事们的嘲笑和排挤已将威拉德与社会愈推愈远.如此残酷的生活现实令威拉德更为珍惜自己唯一的'朋友'--两只智力过人分别名叫本和苏格拉底的老鼠.
　　或许几只小小的老鼠在常人眼中看起来只是一件不起眼甚至略带恶心的小事,但这却是威拉德唯一珍爱的寄托.因此,当威拉德挚爱'鼠友'苏格拉底惨死在公司同事的脚下时,痛失爱鼠心如刀割的威拉德与苏格拉底的遗孀本,便下定决心率领鼠军想平日的仇人发动一场终极审判.这一队无孔不入的复仇大军既有指挥又有决心,不但猫儿见到只能退避三舍,即使人类也同样只有束手无策.誓言血债血还,死窄死来还的威拉德鼠军,就次掀起了一场场腥风血雨.
　　Michael Jackson于1963五岁时,在幼稚园中首次演唱"Climb Every Mountain",随后在父母有心的促成下与四位兄长Jackie. Tito.Jermaine及Marlon共组了乐团,并在接下来的几年,随着年龄的增长,益发不断地展现出表演的技巧,褪去组团初期的稚嫩,无形中脱颖成为团中的灵魂人物.1969经由市长的赏识,引荐给Diana Ross,得以结实Motown的老板Berry Gordy,并且签约,随即全家迁居Los Angelous,同年年底首支单曲"I want you back"登上排行榜榜首,接连发行了"ABC","The Love You Save","I'll be there"等热门单曲.1972 Ben专集发行,(Ben)单曲成为冠军单曲.

　　Ben
　　Written and Composed by Don Black and Walter Scharf.
　　Ben, the two of us need look no more
　　We both found what we were looking for
　　With a friend to call my own
　　I'll never be alone
　　And you my friend will see
　　You've got a friend in me
　　Ben, you're always running here and there
　　You feel you're not wanted anywhere
　　If you ever look behind
　　And don't like what you find
　　There's something you should know
　　You've got a place to go
　　I used to say
　　I and me
　　Now it's us
　　Now it's we
　　I used to say
　　I and me
　　Now it's us
　　Now it's we
　　Ben, most people would turn you away
　　I don't listen to a word they say
　　They don't see you as I do
　　I wish they would try to
　　I'm sure they'd think again
　　If they had a friend like Ben
　　Like Ben
　　Like Ben
　　本，
　　我俩不需要再寻觅
　　我俩都已找到想要的
　　属于自已的朋友
　　我不再孤独
　　而你，我的朋友，你会明白
　　你找到了知己
　　本，你总是东奔西跑
　　你觉得再也没有人需要你
　　如果你曾回头望
　　不喜欢自己的所见
　　你必须明白一件事
　　有个地方是属于你的
　　我过去常说“I”和“me”
　　现在改成了“us”和平共处“we”
　　我过去常说“I”和“me”
　　现在改成了“us”和平共处“we”
　　本，大部分人都拒你于门外
　　我不想听他们的说辞
　　他们不像我一样了解你
　　我希望他们能试试看
　　我相信他们会重新思考
　　只要他们有个像本一样的朋友
　　像本一样
　　像本一样

　　Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007
　　Author: TimothyFarrell from Worcester, MA
　　"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.
　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)
　　-from imdb

　　一对情侣来到林间小屋却意外遭到了凶恶歹徒的袭击，并在逃跑过程中被绑架囚禁。她们发现被囚禁的不止她们，歹徒也不止一人。她们必须为了活下去进行反击...

　　一群亲密的好朋友决定前往西弗吉尼亚州徒步旅行，却意外遇到在对陌生人不友好的部落，这是一个已经在山里居住了数百年的部落。面对好朋友相继遇难，女主角利用自己的勇敢和智慧保护自己，最终虎口脱险的故事。

　　在他的爱妻去世后，心里不平衡画家本认为自己是文森特·梵高的转世，于是他挖出她的尸体 - 与他的恋尸癖管家的帮助下 - 将其带回给他的城堡，并用它赋予“灵感”。很快他就遇到一位美丽的音乐家，她的长相相酷似他已故的妻子，他将她带回自己的城堡。然而，她最终发现了他们的秘密：管家杀害了这个年轻女子并用她的尸体的血液当作他们 “生命的色彩” - 艺术家的颜料

　　貌不惊人的女孩李静花（徐雨 饰）远离家乡，来到位于繁华都会的美术学院求学。她独自租住一套公寓，开始了浪漫未知的大学生活。在这里她遇到心仪的前辈敬民，无奈对方心有所属，根本不将其放在眼里。静花初到公寓时拾到一张神秘符箓，她胆大妄为，照着符箓上的图案雕刻图腾，却没留意到诡异事件接连发生。先是敬民意外热情地向她靠近，进而目击前辈背着一个恐怖女人，而后与一名赤脚女子同乘电梯，看见对方重复敲打隔壁房门。在上学期间，她姐识了能与灵界沟通的宋尚珠。
　　诡异事件愈演愈烈，在走投无路之际，尚珠是唯一能够施以援手的人……