得心拳手

　　Three outcast teenage girls get a new perspective on high-school life when they are mysteriously transformed into boys, in this skillfully crafted tale of sexual confusion with a supernatural twist.

　　一场洪水冲走了大陈寨80亩良田，村支书陈志强重新分地时收受贿赂分的不公，造成群众冲突。泼辣媳妇三婶要打刘富贵，却打伤了上前劝架的刘怪。乡党委书记朱根立想要把陈志强拿掉，乡长徐霖却不同意。大陈寨的矛盾日趋激烈，随时可能发生群众之间的械斗。朱根立夜访大陈寨，群众纷纷要求刘怪出来挂帅。可任凭朱根立如何劝说，刘怪因想不起怎样在一穷二白的情况下治理河滩，又因为自己要在外面打工给上大学的孩子挣学费，不愿意出任支书。
　　陈志强得知朱根立夜访，多方打听情况后决心以不变应万变，坚决不改正错误，并压制群众的不满。村民四奶奶设计把刘怪骗到地头，拿出大家凑起来的钱要替刘怪的儿子交学费。受了感动的刘怪决心出来挂帅，他在河滩上坐了三天，终于想出了治理河滩的办法。他决定先礼后兵，找到陈志强要他体面下台，陈志强断然拒绝。由于村里情况复杂，刘怪向朱根立要求，他当支书不能乡里任命，必须经过选举，并说出他巧妙了解到的陈志强经济问题的证据

　　棒球明星黄海清（黄少祺 饰）因涉嫌自导乌龙被球队开除自谋生计，后在前辈博仔（洪都拉斯 饰）引荐下任台中学校球队教练，校长赵通和（邓安宁 饰）却另有打算。海归球迷Nancy以金钱赞助方式获台中队领队职位，其目的是将黄海清扫地出门。原来Nancy与黄海清早有恩怨情仇，此次专为复仇而来。黄海清早己看出其中端倪，他的教练工作有一搭无一搭，输赢全无所谓，他深知赵校长身后庞大的金援集团Bada在操控每场球的赌局，自己则是别人手中的一枚棋子而己。黄海清的正直最终感动了Nancy，使她忘记了前嫌，而黄海清则悔罪原先对Nancy的失信，决心实现心灵的救赎......

　　大宋淳祐七年，钦州灵龙镇灾患频现，民间谣言乃蛟龙作祟，需将童男童女投入锁龙井喂食蛟龙方能得享安宁。祭祀恶俗持续多时，不知多少无辜孩童葬身龙腹，灵龙镇哭声震天，家有幼童者皆人心惶惶。新科进士庄严担任主簿后，坚持进入锁龙井调查蛟龙事件，却不想竟因得罪龙王而锒铛入狱。灵龙县仵作小宛为救心上人，不远千里求请已金盆洗手的宋慈出山查明真相。案件疑点重重，宋慈和小宛联手突破重重难关，终于赶在庄严被斩之前查明真相，庄严得以平反，小宛也在众人的见证下正式向宋慈拜师学艺。然而眼看灵龙镇逐渐恢复平静，宋慈却发现原来真相并没有他想象中那么简单。

　　连续4年，每年的4月30日都会发生一起凶杀案，相似的受害者，相似的作案手段，警方判断，这四起凶杀案是同一人所为。今年的4月30号就快要来临了，为了避免悲剧再次发生，安良（李文启 饰）和小蔡（许亚军 饰）成为了这起连环凶杀案的主要负责人。
　　与此同时，颁奖典礼的主持人卢静（林芳兵 饰）宣布了此届时装表演大赛，最终获奖的是华盛广告公司，该公司的总经理正是卢静的丈夫王克伟（孙淳 饰）。随着安良和小蔡对案件调查的深入，他们逐渐的将矛头指向了王克伟。王克伟的本命叫做罗正直，在很多年前，他因为强奸罪而被关进了监狱，一晃眼12年多去，改名换姓的他决定复仇。

　　After the death of his wife, an 80-year-old man checks into the Plaza Hotel to celebrate their first anniversary apart, hiring a male escort to take her place.

　　故事讲述美国新英格兰地区一所私立女子寄宿学校发生的故事，四个即将成年的女孩之间青春成长故事
　　花絮
　　该片由Tatiana von Fürstenberg 和 Francesca Gregorini 出品 ，她们是同为布朗大学校友，年少时都曾上过寄宿学校，这给她们创作该片带来的灵感， 一起创作了该片的剧本 ，该片原本打算作为前UPN电视台的一部剧集播出，但因为合并事件（06年UPN和WB合并成为现在的CW电视台）流产。

　　1943年3月31日晚，在传奇性的萨尔迪酒吧里，著名的歌词作家洛伦茨·哈特独自面对着他破碎的自信心。就在同一时刻，他的前合作伙伴理查德·罗杰斯却正在庆祝他们昔日合作的延续——具有里程碑意义的音乐剧《俄克拉荷马！》的盛大首演。

　　影片的主人公是一位并没有给出姓名的女人(马蒂娜·戈黛特《他人的生活》饰演)。她和两位朋友以及她们养的狗一起来到阿尔卑斯山脚下度假。安顿下之后,朋友提议出去散步,而她因为驾车的疲倦决定赶早睡下。第二天早上醒来之后,她发现朋友们整夜未归,而只有小狗卢齐思陪在她身边。担心的她想到旁边的村子打听消息,却发现她被一道看不见的屏障封闭了在这里,根本无法离开。电台中断,电话失去了信号,她必须做出决定,究竟是冒死翻过身后的高山去寻找和外界的联系,还是留在这里避免外界看不见的危险?

　　曾经，琼斯（汤米·李·琼斯 Tommy Lee Jones 饰）迫于生计不得不抛家弃子跟随印第安部落远行，如今，垂垂老矣的他终于回到了故乡，可是等待着他的，却不是阔别已久的温暖家庭，而是妻子的死讯，和已经嫁人的女儿麦琪（凯特·布兰切特 Cate Blanchett 饰）的冷眼相向。
　　虽然麦琪对父亲心怀怨恨，但麦琪的女儿莉莉（埃文·蕾切尔·伍德 Evan Rachel Wood 饰）却对外祖父格外的亲昵，然而，厄运降临到了这家人的头上，莉莉遭到的匪徒的绑架，麦琪的丈夫布瑞克（艾伦·艾克哈特 Aaron Eckhart 饰）亦死在了匪徒抢下。为了找回女儿，麦琪和琼斯毅然踏上了复仇之旅，然而，横亘在前路上的，不仅仅是残暴的凶徒，还有父女两人心中深深的鸿沟。

　　In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.
　　The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).
　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.
　　As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.
　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.
　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.
　　Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.
　　The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.
　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

　　1940年，丘吉尔设立了一个新的情报组织“特别行动局”，简称SOE。其中一个分部负责监督法国的行动。1944年，为了确保盟军登陆成功，这个分部付出了沉重的代价。
　　Louise（苏菲·玛索 Sophie Marceau 饰）刚刚失去丈夫，被哥哥带回法国参加SOE，接受的任务是救出落入敌手的一位英国地质学家——他手中拥有的是德军布置在诺曼底的防御工事图，几乎是盟军登陆的全部关键。
　　和Louise共同作战的还有其他几位姑娘。妓女Jeanne（茱莉·德帕迪约 Julie Depardieu 饰）因为杀害自己的客人而被判死刑，SOE承诺只要她完成任务即可获得豁免。随后加入的Suzy、Gaëlle，都是有着一段不为人知的伤心往事。当她们为了盟军而贡献自己的聪明才智，任务能否成功，她们又是否能全身而退？