阴暗家族

　　志愿成为摄影师的泉泽月子（中村麻美 饰）3年曾遭遇一场车祸，在此之后她便患上失眠症，并且无法回忆起车祸之前发生的事。为了摆脱困扰，月子向精神科医生細野辰子（洞口依子 饰）求助。通过催眠疗法，月子无意识说出了“富江”这个名字。不久，刑警原田省二（田口トモロヲ 饰）拜访细野，因为他正在调查的神秘女子富江（菅野美穂 饰）与细野和月子都有着千丝万缕的关系。与此同时，月子公寓的楼下搬来一个行踪诡秘的男子，与他同来的还有一颗具有生命并且持续生长的头颅。月子尘封的噩梦渐渐被揭开……
　　本片根据日本著名恐怖漫画家伊藤润二的同名系列漫画改编。

　　身首异处的艾云妮，被邪恶的术士许铭才下了恶咒，令她不能投胎转生，吕启文为了爱决帮助云妮，但害了女友及好友维中，无计可思下央求女警丁国森帮忙但不敌，后请师傅孔自然出山，但铭才得势不人，设下陷阱把孔打伤，但才不知不觉堕进孔的局中局里，利用才的好色心使他法力尽失，妮终可报仇血恨，但文不舍妮离去，甘心为爱牺牲甘为鬼，延续人鬼情未了式的爱情……

在父母意外过世后，迪昂与妹妹妮雅搬进了一栋改建自18世纪的旧磨坊，试图修复与妹妹疏远的关系之际，迪昂却开始在屋中看见一名只有他能看见的神秘女子的幻影。随着幻觉愈发频繁，他的现实与内心投射出的世界逐渐交错混淆。某夜惊醒后，他发现妹妹失踪，而女子却以平常人的模样现身，声称这屋里只剩下他们两人。在过去与幻象交错的谜团中，迪昂不得不直面那段深埋心底的创伤真相。

　　A man with spiritualist powers is told by his mentor that a demonic entity is returning to destroy his daughter's soul, and that he should take drastic measures to prevent this from happening.

　　在首尔金融业独自打拼的单身女子郑海媛（池成媛 饰）自然承受来自方方面面的巨大压力，她的情绪越来越紧张，最终不得不被迫休假。利用假期，海媛回到阔别已久的家乡无岛。这里风景秀美，民风粗犷甚至有些野蛮，男尊女卑的现象依然十分严重。海媛重逢了童年的玩伴金福南（徐英姬 饰），这是一个温和开朗、任劳任怨的女人，但是她的丈夫和家人都视其为猪狗，任意欺负和凌辱。福南希望女儿小燕拥有更好的人生，只是在这个蛮荒所在，人的尊严被肆意践踏。巨大的压力下，逆来顺受的福南化身为悲剧的复仇女王……
　　本片为韩国名导金基德的导演助理张哲秀的长片处女作。

　　名不见经传的小演员瑟琳娜·布鲁克斯（亚历珊德拉·索恰 Alexandra Socha 饰）渴望成名，多次试镜后，他联系到了一名小众导演亚拉巴马·切普曼（艾利克斯·赫特 Alex Hurt 饰），希望能在对方的长片中出演角色。数日后，瑟琳娜随着剧组其他成员驱车前往位于荒郊野外连网络和信号都没有的拍摄地。亚拉巴马精益求真，力求真实可靠，身边则云集了一群性格张扬的演职人员。令瑟琳娜始料未及的是，这是一个追求极度真实的剧组，真实到为了剧情可以真的去杀人。
　　这边厢导演反复劝说瑟琳娜真实地投入到恐怖片的拍摄中来，那边厢已经磨刀霍霍展开杀戮……

　　Stuart Gordon, considered a master of the horror genre thanks to classics like Re-Animator and Dagon, decides to do a different move in this strange trip to human morals.
　　
　　"King of the Ants" is about a regular guy, Sean Crawley(newcomer Chris McKenna), a man without any aspiration who just live in his apartment doing the necessary job to live to the next day. In one of his jobs he meets Duke(Gearge Wendt), who introduces Sean to his boss, Ray Matthews(played by Daniel Baldwin). Ray hires Sean as a spy, and orders him to follow Eric Gatlin(Roy Livingstone), an accountant who has been investigating Ray's company. Problems start when Ray, while drunk, orders Sean to kill Eric. And he does it. Things go wrong when Ray decides to make Sean disappear destroying his mind with violent punishment and humiliation.
　　
　　From the point where Sean kills Eric, we go in the same boat with him, as he goes through a downward spiral of human degradation, traveling from guilt, to confusion and finally to his rebirth, in a state where humanity, morals and values are not important anymore. Chris McKenna acting is very important because he manages to be likable even when he is part of gruesome acts, both as victim and/or criminal. He has that look of innocence that hides a dark side and he manages to carry the film.
　　
　　The support cast also includes Kari Wuhrer, as Eric's widow who also becomes a central part of Sean's trip to hell. She gives a fine performance, although it's obvious that Sean is the main character. He is the most developed of all and McKenna's performance is up to the challenge.
　　
　　The film has very disturbing images of violence, and while it may not be as graphic as "Kill Bill" for example, the strength of the violence is in the lack of humanity that the character manifest. He is more than an ant in this world. He is the king.
　　
　　Stuart Gordon has managed to create a film that, while maybe it's not one of his best efforts; it's very well done, has a VERY interesting story to tell, and manages to capture the attention every second of it.

　　一柳家の当主・賢蔵と久保銀蔵の姪・克子の婚礼の夜、二人の寝所である離れから、突然琴の音が鳴り響いた。離れに駆けつけた一同が目にしたものは、真っ赤な血の海に折り重なって倒れた賢蔵と克子の姿だった。銀造の招きで婚礼に出席していた金田一耕助は調査に乗り出すが、離れは完全なる密室で犯人の逃走した形跡も発見されなかった。そして、部屋の金屏風には血塗られた三本の指跡が残され、庭には一本の日本刀が突き立てられていた…。
　　「横溝正史シリーズ」の傑作テレビドラマ。古谷一行演じる金田一耕助が、新たな難事件に挑む。

　　Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter.
　　Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...

　　当小贩的武（卢惠光饰）突然人间蒸发，后报梦给妹妹娴往找其友民（李灿森饰），娴找到民后觉得事有蹊跷，於是报警求助。重案组李sir（李修贤饰）查出武被民及其同党四人骗取了数十万元，原来民恐怕被武识穿而决定先发制人，诱骗武到他家中并把他杀掉，民和友人利用速递车弃尸而逃。最后李sir成功把四人绳之於法。

　　为了探望患病的母亲（金成铃 饰），金书妍（朴信惠 饰）返回了家乡。自从父亲死后，金书妍和母亲之间的关系跌落到了冰点，她认为母亲应给对父亲的死负全责。金书妍不小心将手机落在了火车上，无奈之中，她只得暂时用家中的一台固定电话和外界联系。
　　一天，电话响了，在电话另一头的，是一位名叫吴英淑（全钟瑞 饰）的女孩。很快，金书妍就发现，这台电话似乎拥有穿越时间的特使能力，而吴英淑并非和自己生活在同一时代，而是十年前生活在这幢房子里的某个女孩。根据吴英淑的叙述，她被信奉邪教的母亲（李艾 饰）囚禁在家中，过着生不如死的日子，随着时间的推移，两个女孩之间逐渐建立起了友谊。而金书妍亦发现，就在不久之后，十年前的吴英淑将会葬身火海。