别闯阴阳界

　　童年的一起突发事件，令彼得·帕克（安德鲁·加菲尔德 Andrew Garfield 饰）和父母生离死别。转眼彼得成为一名高中生，他偶然发现父亲的公文包，并从叔父本（马丁·辛 Martin Sheen 饰）处得到线索，于是启程前往奥斯库公司拜访父亲当年的合作伙伴——科特·康纳斯博士（瑞斯·伊凡斯 Rhys Ifans 饰）。在公司内四处寻找线索的彼得意外被蜘蛛咬了一口，回程途中他的身体发生奇异的变化。在康纳斯博士德引导下，彼得不断了解并发掘体内着超乎寻常的能力，喜怒哀乐，各种意想不到的事情迅速向他袭来。直到某日，他便成了影响深远的超级战士蜘蛛侠。
　　而城市内也出现了凶恶的蜥蜴人，彼得不平凡的人生就此展开……

　　A geneticist wakes up from an accident with only fragments of his memory is forced to relearn who he is via his twin brother. But as he digs deeper, he discovers he might not be who he thought at all.

　　未来，地球水源枯竭。争夺水源的核战爆发，人类丧失生育能力。幸存者纷纷逃离地球。人类最后一个孩子龙翼和单身父亲龙克在荒漠靠着搜集残存的水艰难度日。
　　外星物种的到来宣告了地球毁灭的倒计时。面临绝境，父女两人将如何找到生存下去的希望……

　　伊兹很快就可以逃脱伦敦仅存的住宅小区“厨房”。但小班吉走进他的生活后他需要做出一些艰难的决定。

　　一个自由搏击冠军却被人在擂台上打得失禁，这是郭正男人生中的奇耻大辱。他从此成了一个害怕工作、混吃等死的“软饭男”，地位等同于女友阿绿的宠物金毛巴迪。郭正男听信电视购物广告，送巴迪去训练所改掉“破坏”的恶习，不料巴迪竟然在宠物专家八博士的实验室变成人形，居然是一个花美男！如此神奇的事件，到了郭正男这儿却一LOW到底。他居然只会利用人形巴迪的神奇嗅觉去“捡钱”。他没想到是巴迪俊秀的外表却吸引了女友阿绿的关注，巴迪隐隐成了自己的情敌。一场“饭票”危机来袭。当然神奇的变人事件其实并不是偶然，这一切都跟宠物专家八博士的一个阴谋有关……

　　海洋生物学学生西奥班登上一艘渔船出海考察，却遇上一种神秘可怕的生物，似有怪异的实体，并可以在人体中产生传染。当诡异的氛围在渔船上弥漫，西奥班不得不努力寻找生存下去的可能，试图和尚未传染的船员们团结在一起，共同应对怪物和人心的黑暗面。

　　核子战争浩劫一直是人类社会挥之不去的阴影，万一在哪一天真的爆发了核战，那将会是什么景象呢？这部尼古拉斯．迈耶导演的电视电影就是根据这种推测拍成的作品，用写实手法刻划美国堪萨斯州劳伦斯市发生核弹爆炸后的各种景况，从而探讨外在世界的变化和人性的内在演变，主题具省思意识，在1983年美国首播时曾造成极大轰动。几位主要演员：贾森．罗巴兹、乔拜兹．威廉斯、史蒂夫．加顿伯格、约翰．李斯可、埃米．马迪根等均有紧扣人心的精彩演出。

　　该片讲述了IF公司的研究基地在研发期间突然集体失联，项目负责人刘超带领科考小队深入地底矿脉进行调查，项目组田教授之子田力为寻找同样失联的女儿妞妞加入小队，一行人深入实验室发现项目组创造的改造蜂失控并袭击了实验室所有人，而营救妞妞的田力与队员也遭遇了一场惊心动魄的惊险之旅。

　　一个男巫把一个邪恶无比的存在释放出来，年轻的英雄必须完成一系列探险来阻止疯狂的巫师以及他召唤出来的怪物。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.
　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?
　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.
　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.
　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.
　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.
　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.