美声

　　It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.
　　Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.
　　When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."
　　Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.
　　Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.

　　小喜（金喜善 饰）的父亲早逝，然而，这么多年过去了，善良单纯的小喜却一直相信着，父亲其实是去了火星，因此，每当想念父亲之时，小喜都会写下寄往火星的信件，而回信的责任，便落在了小喜的青梅竹马胜在（申河均 饰）的肩头。
　　之后，小喜离开了家乡外出闯荡，并且邂逅了本以为是一生挚爱的男子，可是，残酷的生活带给小喜的却只有失去和伤痛，这让小喜猛然醒悟，发现原来最爱的人其实是一直对自己不离不弃默默陪伴的胜在。怀揣着一颗伤痕累累的心，小喜终于在离家十七年之后重新回到了故乡，然而，这一次胜在却没有等他，因为他已经离开了人世，前往了那个名叫“火星”的地方。

　　崔民国（陈奕迅 饰）与老婆张静宜（白冰 饰）十分恩爱，但也深感房贷压力。某日，崔民国遇到了调香大师好友Tony（庾澄庆 饰），后者发现了他对气味的天分，拉他加盟公司。不过，由于老板（刘若英 饰）明令禁止招收已婚男人，所以崔民国只得隐瞒结婚事实。起初，他遭到了老板前任秘书的奚落，被女同事们嘲讽。但是，高薪水还是让他跟老婆有了交代，这对隐婚男女也对地下工作乐此不疲。在一次应对日本客户“回忆”难题时，崔民国挺身而出，精彩解围，得到了老板的赏识。此后，他被经常要求加班，哪怕节假日也不放过，引发老婆极大不满。在请教闺蜜——情感专家如小果（秦岚 饰）后，崔民国被老婆鉴定为出轨，夫妻关系闹得很僵。与此同时，崔民国却留意到老板对明星阿伦（林依伦 饰）的关注非同寻常……

　　《画皮》根植经典，奇幻为表象，以“人妖情”为切入点，讲述了女妖小容和书生王怀卿及其妻子阿若的痴缠虐情，开启了一段人妖在心色皮相、生死劫难之间的疯狂历程。

　　一直受异性欢迎，满足于「渴望被认可的欲望」的主人公Hiromi。玩弄对方的感情自己却毫发无损。享受着恋爱的乐趣，拒绝肉体关系，这种宛如游戏般的手法，另同一合租屋的双性恋晃和恋爱不断失败的彩极为震惊。着装并不暴露很多，隐约可见锁骨，具有通透感的连衣裙是她的战斗服。看上去是随处可见的女性，但是运用精心计算的言行举止，令无数男性落马，因此被彩称为「你真是“隐藏的Bitch”啊！」
　　某一天，在职场出现了在意的对象，Hiromi第一次面对自己的真心。在受到晃的训斥「不能光依靠男人。请好好做人」后，她开始寻找＜自己需要的东西＞……

　　传言巩族有一神物黑袍，穿上能金身铁骨、羽化升仙。觊觎已久的鲁王带兵剿灭了巩族，连夜出逃的巩嵘决心复仇。机缘巧合之下认识了鲁王的青梅竹马郡主琅芩，两人暗通情愫。鲁王眼线遍布天下，巩嵘被鲁王派出的死士追杀，自此下落不明，生死未卜。一年后，郡主琅芩被迫嫁给鲁王，即将成为王妃。就在鲁王给琅芩操办的寿宴时，出现了一位戏法绝妙的秘术师。琅芩大惊，原来此人竟是消失一年的巩嵘。风起云涌，一场腥风血雨再度袭来……

　　传说中，在马兰山的山顶上，生长着珍贵的马兰花，这种花能够给勤劳勇敢的人带来幸福。山脚下居住着王老爹（李保罗 饰）一家人，王老爹有两个女儿，大兰（王蓓 饰）好吃懒做，小兰（王蓓 饰）勤俭善良，小兰非常想要一睹马兰花的真容，为了满足女儿的愿望，王老爹决定登上马兰山，为小兰去采一朵马兰花。哪知道在山顶，王老爹一个没站稳，摔下了悬崖，幸运的是，这一幕被马郎（刘安古 饰）看见了，他救下了王老爹。
　　通过交谈，马郎得知了王老爹正是自己爱慕的姑娘小兰的父亲，于是以马兰花为信物，向小兰求婚，这可乐坏了王老爹，与此同时，黑心狼（董明 饰）也觊觎马兰花的魔力，开始打起了算盘。

　　三峡建设工作正在进行中的奉节县城，迎来一男一女两个山西人。
　　男人韩三明（韩三明 饰）来自汾阳，是名忠厚老实的煤矿工人，来奉节为寻十六年未见的前妻。前妻是他当年用钱买来的，生完孩子后跑回了奉节。寻找前妻的过程中波折不断，韩三明决定留下来做苦力一直等到前妻出现。女人沈红（赵 涛 饰）来自太原，是名沉默寡言的护士，为寻多日不曾与自己联系的丈夫而来奉节。丈夫与她的夫妻关系早已是有名无实，这点她虽然深知，仍想让丈夫当面给她个说法。沈红的找寻过程也不是一帆风顺，丈夫在有意无意地躲着她。韩三明和沈红虽不认识，却因为要做相对意义上的“拿起”与“舍弃”抉择，在冥冥之中有了某种神秘的联系。
　　本片荣获2006年第63届威尼斯国际电影节金狮奖。

铁憨憨篮球少女高冉（管乐 饰）一记扣杀，直接干翻脆皮打工人张扬（周澄奥 饰），将张扬的设计成果毁于一旦！为了弥补他的损失，高冉只能亲自上阵充当张扬的模特。就这样，在相互帮助和激励的过程中，两个人擦出了爱情的火花，不仅解决了问题，还上演了一出轻松幽默的爱情故事。

　　A fast-paced comedy, Aatmapamphlet tells the twin story of a childhood love and that of momentous social change in 1990s India. Bold, moving, and insightful, this directorial debut places friendship over political factions and love above everything else.

　　1936年，英国小伙子蔡斯科特（休•丹西 Hugh Dancy 饰）遵从父命来到了英属殖民地沙月拉，这里的土著首领别兰塞以盛情款待了这个异乡人，并且给他派了一位特殊的女仆——“字典情人”希丽玛（杰西卡•阿尔芭 Jessica Alba 饰），她除了服侍他的衣食起居之外， 还要担任他的语言教师，两个人在相处中逐渐产生了感情。
　　当蔡斯科特跟英国长官亨利（鲍勃•霍斯金斯 Bob Hoskins 饰）谈论“字典情人”的时候，对方却言辞激烈地劝他不要以身试法。此后，父母为他圈定了一桩婚事，未婚妻来到了这片土地，并且开始进入他的生活。究竟是遵循惯例，还是突破传统，蔡斯科特面临痛苦的抉择……

　　南太平洋瓦努阿图的坦纳岛上，年轻女孩瓦瓦（玛丽·瓦瓦 Marie Wawa 饰）爱上了部落首领的孙子戴恩（蒙哥奥·戴恩 Mungau Dain 饰）。可部落战争爆发时，她发现自己变成了休战的联姻“贡品”。违背家族意愿还是追随自己的内心，她必须做出选择。
　　影片荣获2015 年威尼斯影展国际影评人周单元最佳摄影奖，代表澳大利亚征战2016年奥斯卡最佳外语片，并入围前5强。