迈阿密特别行动

　　天禾年间，天禁司首席侍神慕容锋捉拿叛逃天界的虎蛟。虎蛟在天牢意外被杀，而在赌坊逍遥的慕容锋却成了凶手。为还自己清白，慕容锋与唯一能为自己作证的凡间女子洛溪，一同前往天禁司，却不知道他们正在揭开天禁司禁地之中蠢蠢欲动的阴谋

　　故事围绕泰莎和哈丁这对情侣展开。迪伦饰演特雷弗，他是泰莎在万斯出版社的同事之一，并爱上了泰莎，这让哈丁感到非常沮丧。

　　故事发生于20世纪30年代的希腊，天真美丽的欧莎（佩内洛普·忒西莉卡 Pinelopi Tsilika 饰）爱上了英俊帅气的海军中尉斯皮罗斯（Andreas Constantinou 饰）。可是，斯皮罗斯有任务在身，即将远航，于是，两人许下了爱的约定，欧莎决定在小岛上静静等候爱人的归来。
　　然而，欧莎的母亲擅自决定将自己的女儿嫁给了一个名为尼克斯（Maximos Moumouris 饰）的船长，只因为后者有着雄厚的经济条件。虽然感到万分的不情愿，但母命难违，欧莎只得就范，可是内心里，她从没有忘记过对于斯皮罗斯的感情。一天，欧莎收到了一个令她崩溃的消息，自己的妹妹订婚了，而未婚夫不是别人，正是斯皮罗斯。

　　富家子弟学津（刘德华 饰）自命不凡，多次恋爱后均迅速对对方无感觉，经常在订婚分手。这次，学津看上了来自上海的女服务生文青（瞿颖 饰），文青大方得体，和学津以及他的家人朋友都很聊得来。于是，学津准备与文青一起乘豪华邮轮作远洋旅游，并在船上举行盛大的订婚仪式。学津有所不知的是，文青的大方得体、学识广博其实是她每晚都努力准备好次日的聊天话题的结果，而文青也开始逐渐厌恶这种生活，她感到十分疲累。
　　两人上船后，文青邂逅了服务生乐文（黄磊 饰）；而学津则在和一个叫红叶（石田光 饰）的女生针锋相对后，学津发现自己疯狂的爱上了对方。两人能否在船上找到属于自己的梦幻爱情？

　　在伦敦追求音乐梦想的音乐才子古大白（李治廷 饰），因为一场意外陷入签证危机，将被遣送回国。已拿到绿卡的发小金天（白客 饰）突发奇想，企图在签证官华生（鲁伯特·格雷夫斯 饰）面前蒙混过关，而古大白也与新搬来的邻居赫敏（张榕容 饰）之间擦出恋爱的火花。但事情并没有想象中顺利：火眼金睛的签证官穷追不舍、大白的父母突然来访、金天也与女友出现感情危机… 各种突发状况让这对“伦漂”兄弟手忙脚乱，小谎言滚成了大雪球，在签证与真相之间，兄弟俩又将如何选择？

　　高原雪山脚下，小提琴手文峰（李至正饰）与神秘女子朵拉（谭卓饰）之间一个浪漫的邂逅之吻，竟让文峰成为了万中无一的吻瘾者，他的生活自此因对吻的迫切渴求而陷入困境，只得再次踏上高原探寻答案。一个时空交错的凄美爱情故事就此拉开帷幕……

　　Ann、May、Connie情同姐妹，均是经纪。Ann做保险，父母早亡，自力更生，心地善良。May嗜财如命，为求生意与客人上床也可以。 Connie寄情赚钱也如客人乱搞为求生意。Ann认识代客停车的李铜，李从前不务正业，出狱后痛改前非，二人相恋但不如意的事情却发生了……

　　年过六旬的David（本·金斯利 Ben Kingsley  饰）是本地颇有声望的文化评论员，在电视节目上的谈笑风生让他魅力无穷。同时身为大学教授的他在课堂作业评分前从不与女学生乱搞以免被控性骚扰。David对感情自命不羁，现今生活的密友是20年前的女学生。不过自从他遇见24岁的Consuela（佩内洛普·克鲁兹 Penélope Cruz 饰）后情况发生了改变。他热爱她的青春与肉体所象征的意义，她就像画里完美的身体一样。但是他不敢相信他能永远拥有她，他认为总有更年轻更优秀的男子把她带走。于是Consuela每次邀请他见她的亲人和朋友时David总是拒绝，拒绝进入她的生活。当Consuela表示十分希望他出席她的毕业礼，David答应了，但最后一刻的却步让Consuela伤心欲绝。她一走两年。两年内David面对了密友的伤心、老友的离世，当Consuela再度出现在他生命里时，却带来一个更出乎意料的消息。
　　改编自菲利普・罗斯（美）的小说《垂死的肉身》。

　　该片讲述对爱情感到疲倦的女主人公和不懂爱情的男主人公之间活泼又矛盾的故事。
　　全钟瑞饰演曾经为爱情付出很多但现在对爱情感到疲倦的女主人公“子英”，孙锡久饰演不懂爱情的男主人公“宇利”。

　　Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson
　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play "La Morte in Vacanza" by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.
　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.
　　To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.
　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.
　　(Howard Schumann, talkingpix.co.uk)
　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.
　　(Dennis Schwartz, homepages.sover.net)
　　I've heard DRACULA was advertised with the tag line "The Weirdest Love Story ever told!" (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.
　　(Dave Sindelar, scifilm.org)
　　See also the remake: Death Takes A Holiday (1971)

　　本片根据人气小说APP连载的发行量超过23万部的同名小说改编，讲述因突发事故失去男友的女高中生不断穿越时空回到过去企图帮助男友的故事。

　　秦小汉是一个80后，也是个不会演哭戏的演员，尤其是在感情戏中，一次在片场拍摄感情戏因为哭不出来被导演痛批，深感伤自尊的秦小汉决定重回大学校园学习表演，不成想在学校遇到了不同性格的室友，还经历了一段刻骨铭心的感情，使秦小汉真正找到了演哭戏的灵魂——情感经历，秦小汉的感情之路和演艺之路都将何去何从？