霹雳战士龙

　　电影《毛骨悚然的同居》是一部讲述可以看到鬼的郑世莉（金韶情 饰）和偶然成为鬼的宋志灿（郑粲右 饰）偶然同居后发生的恐怖浪漫喜剧电影。

　　年届不惑的女子伊琳诺·兰斯（莉莉·泰勒 Lili Taylor 饰）生活一塌糊涂，她牺牲自己的幸福，十几年里悉心照顾患病在床的母亲。母亲去世后，妹妹简（Virginia Madsen 饰）又图谋夺取她的房产。走投无路之时，伊琳诺从报纸上看到一则失眠研究所的志愿者征询广告，受征询金额的吸引，她决定报名参加。与之异同应征的还有西奥·多娜（凯瑟琳·泽塔·琼斯 Catherine Zeta-Jones 饰）与卢克·桑德森（Owen Wilson 饰），在发起人马洛教授（连姆·尼森 Liam Neeson 饰）的带领下，他们来到了一座建成已有上百年的庄园。
　　该庄园不仅历史悠久，而且曾发生过无数神秘的死亡事件。这里诡异阴森的气氛让伊琳诺等人倍感不安，而各种奇怪离奇的事件也让他们产生不祥的预感。似乎，莫大的危险正在前方等待着他们……

　　在邪恶的“waxwork”蜡像馆被火烧毁后，噩梦并没有结束，蜡像的残余黑暗力量仍在四处作孽，萨拉的父亲也因此丧命，自己则成为杀人嫌犯。为了彻底平息这场灾难，萨拉与马克决定独闯龙潭，再回蜡像馆找出这场事件的真凶，没想到迎接他们的依然是那些充满怪物、变态和丧尸的世界……

　　A large villa belonging to a collector that is about to be restored into a museum traps project workers who are carrying out a survey. A curse is released, killing the humans inside one by one

　　Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007
　　Author: TimothyFarrell from Worcester, MA
　　"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.
　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)
　　-from imdb

　　人在垂死之时究竟可以看到什么？是恐怖，还是惊喜？影片以一个复仇的故事慢慢展开，而主人公垂死的那一刻揭开了整个故事的谜底。

　　A year after the death of his wife, a man enlists her sister to help him bring her back.

　　一个雨夜，顾恒意外发现门口的地上有一幅怪异的画像和求救信号，以及延伸至屋内地下室的水脚印，而这让他踏入了噩梦的开始，原本顾恒有着幸福的三口之家，为了拯救身患绝症的大女儿顾妍，在妻子强烈的要求下，用试管婴儿生下了小女儿顾希，乖巧懂事的小女儿却注定是大女儿的牺牲品，在顾妍病情不断恶化的边缘，顾恒亲手将药递给了小女儿，一系列灵异惊悚事件就此开始……当水落石出后，真相与幻象纠缠，一切如梦幻泡影。残酷的现实和甜美的幻象，在心碎的顾恒面前，究竟哪个更可贵？

　　挪威是个拥有大量公路隧道的国家，但是由于隧道建设时缺少应急规划和救灾避难设施，隧道内的火灾往往是致命的。
　　斯坦好不容易在圣诞节前一天请了假，打算与女儿和女伴一起渡个假，但伊莉斯却因为满心都是去世的母亲，跟斯坦大吵一架，坐上了去奥斯陆的长途大巴。可就在伊莉斯坐的大巴驶入隧道后不久，大巴前面行驶的油罐车出事故导致隧道里的交通都堵塞住了，恶劣的天气让所有救援都不能及时赶到。而后油罐车还短路爆炸了，滚烫的浓烟瞬间填满了隧道。伊莉斯带着大家自救，到隧道里的检修小屋里避难。斯坦开车冲进了浓烟去寻找自己的女儿。隧道里遍布大量窒息的死者，伊莉斯他们避难的小屋里也逐渐被烟雾填满，终于，斯坦出现并救了伊莉斯和几位幸存者。返程路上，救援中心通知斯坦有两位小女孩就困在他们附近，斯坦让女儿和幸存者先走，自己独自去寻找两个姑娘。小姑娘找到了，但把所有呼吸装备都给了别人的斯坦却撑不住失去了意识，恍惚中他发现女儿伊莉斯回来了，她帮斯坦通知了队友和女伴，所有人一起从浓烟和塌方中救出了快要窒息的斯坦。
　　最终，虽然这场事故造成了极大的伤亡，但在救援队员拼死的行动下，还是挽救了一些宝贵的生命，而斯坦新组建的家庭也因这次生死经历而凝聚在了一起。

　　In the Post-World War II, in Los Angeles, a criminal shots and kills a police officer in the middle of the night. Without any leads, the chief of the LAPD assigns Sgt. Chuck Jones and Sgt. Marty Brennan to investigate the murder and apprehend the culprits. When the dealer of electronics devices, Paul Reeves, is caught selling a stolen projector, the police identifies the criminal, and connects him to other unsolved robberies. Using the witnesses of his heists, they draw their face, but the true identity of the smart and intelligent criminal is not disclosed. The perseverance of Sgt. Marty Brennan in his investigation gives a clue where he might live.

　　古镇民间传说画画有三大禁忌，所谓“三不画”：午夜不画、眼睛不画、鬼不画。午夜作画，可能引起阴气，招来鬼魂；画眼睛，可能将人摄魂；画鬼，这个鬼就会缠着你。画家陆风初来乍到，不相信这个传说，和妻子欧阳雪搬到镇里一栋古宅里，他每天都在画室创作到深夜，紧接着妻子就无故失踪，画室里也开始出现异象……

　　《去死吧！啦啦隊》美國導演克里斯席維森重返金馬奇幻影展的新作《愛的怪物論》，邀來《阿達一族》超酷女孩「星期三」克莉絲汀蕾琪領銜主演，當年鬼靈精怪的少女成了飽受風霜的單親媽媽，帶著兒子遠赴邊陲小鎮重新開始，原以為新生活就要展開，沒想到這次不僅要面對自己的心魔，還要挺身抵抗真正的「怪物」。影片巧妙致敬《迷魂記》與《剃刀邊緣》，更被美國影評譽為對怪物類型電影做出全新的演繹。