灰烬中被烧毁的耳朵

　　巨石强森饰演的灵长类动物学家一直与人类保持距离, 却跟极为聪明的银背大猩猩乔治有着深厚的感情。但是一次基因实验出错, 让这只温驯的大猩猩变成狂怒难驯的庞然巨兽。更可怕的是, 其他动物也发生了同样基因异变。他必须阻止这场全球性的灾难, 更重要是要拯救他的好友乔治。

　　In a dream Uncle Jack looks through a magic telescope owned by the ghost of a hermit and sees what life was like millions of years ago, including a battle between prehistoric monsters.

　　科学万能の現代、だが未だ地球上には解明できぬ謎が残されている……。東北地方に、婆羅陀魏山神という神をまつる村があった。訪れた調査隊はそこで生ける神・バラダキを目撃する。それは湖に棲息する中生代の恐竜・バランであった。急遽出動した自衛隊の攻撃を逃れ、バランは空へと舞い上がる。やがて姿を現したバランは、浦賀水道から東京上陸を狙う。３６ミリ機関砲さえ跳ね返すバランに対し、自衛隊はダイナマイトの２０倍もの威力を誇る特殊火薬をもって対抗するが……。ミニチュアワークは相変わらず冴えているが、“未知の謎”を主題にしているわりにはストーリーが平板。冒頭からバランの全身を出し、その破壊力の描写に終始している感がある。資料によっては「東洋の怪物」のサブタイトルも見受けられるが、フィルム・クレジット上には存在しない。

　　美国队长史蒂夫·罗杰斯（克里斯·埃文斯 Chris Evans 饰）带领着全新组建的复仇者联盟，继续维护世界和平。然而，一次执行任务时联盟成员不小心造成大量平民伤亡，从而激发政治压力，政府决定通过一套监管系统来管理和领导复仇者联盟。联盟内部因此分裂为两派：一方由史蒂夫· 罗杰斯领导，他主张维护成员自由，在免受政府干扰的情况下保护世界；另一方则追随托尼·斯塔克（小罗伯特·唐尼 Robert Downey Jr. 饰），他令人意外地决定支持政府的监管和责任制体系。神秘莫测的巴基（塞巴斯蒂安·斯坦 Sebastian Stan 饰）似乎成为内战的关键人物……

　　Two hundred years after Mary Shelley's novel the brilliant but mad Doctor (Thomas Kretschmann) has sustained his creature and himself over two centuries through genetic experimentation. In present-day America Detective O'Connor (Parker Posey) is investigating a series of horrific murders which leads her to the doctor and his creature. What she uncovers reveals the strange evolution the doctor and his creation undergo over the course of two centuries and the divergent paths creator and monster take in pursuing good or evil.
　　在玛丽·雪莱的小说两百年后，才华横溢但疯狂的医生使他自己和他的怪物从两个世纪前的当初的实验一直幸存下来。如今，美国探员 O'Connor 在调查系列谋杀案时，被引向了医生和他的怪物，并揭露出在长达两个多世纪的漫长岁月中，医生和他作品间的奇特演变和他们踏上善与恶的不同道路。

　　主演龙树，谢蒂。谢蒂是女神转世，带着神的光辉诞生在五星连珠时。阿修罗被神屠杀，恶魔（桑卡尔）通过苦修获得湿婆神的恩赐。他需要和谢蒂结婚，然后献祭。才能获得神秘的五种力量。才能称霸11重天。龙树是湿婆的信徒，却父母双亡。心里充满对湿婆的仇恨。日全食之夜。恶魔能得到力量吗。龙树能得到爱情，战胜敌人吗？

　　《未来世界》由弗兰科和Bruce Thierry Cheung联合执导，刘玉玲、米拉·乔沃维奇、玛格丽塔·莱维瓦、苏琪·沃特豪斯等参演。设定在数十年后的将来，一位来自“绿洲”的年轻王子踏上一段冒险旅程，穿越“荒原”为濒死的母亲寻找解药。在途中他遇见了Ash——最后一个有知觉的、毁灭人类的机器人。

　　A bunch of young people are invited to a Caribbean cruise on a gangster's yacht, to distract the attention of the authorities. Unfortunately, a mutant cat which escaped from a test laboratory also gets on board, and kills most of the passengers.

　　Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.
　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.
　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.