较量
8.0 |2025年12月16日 |已完结
简介:

  影片前半场,一般幸福家庭生活叙述,与出场人物描述,主角是有线电视营运商,家中成员在一次意想不到的情况下,杀了警政署长的儿子。虽然没有飞天遁地、以一人对抗十人的英雄,但这些叙述都是在为后半场铺陈,缺一不可。请耐住热血,用心看完。
  影片后半场,主角如何顽抗警察,如何挽救家庭,宛如上帝般创造了日期,不在场的日期。这一连串的为什么…为什么会这样,…为什么会那样,整个剧情令您离不开沙发,憋尿也要看完知道为什么。
  没有帅哥,没有美女,剧情贴近生活,又那么不可思议,看完后,最大的收获是:你又多一位偶像了。
  虽然本片网络搜寻的知名度不高。但好片是大家模仿的对象。山寨版的重拍片(Drushyma泰卢固语)7月份已上映。
  本片制作成本只有4500万卢比,票房收入却高达5亿印度卢比,成为史上最卖座马拉雅拉姆语影片,上映时间更是突破100天,获奖无数。——印坛字幕组

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简介:

  咪咪屡屡在女孩团体里冲突闯祸,乐可却总困惑于自己能够爱谁。即将迎来一场大赛的艾玛苦练多年滑冰,却始终无法克服最难的招式。在即将到来的三个礼拜中,三人仿佛经历一场场摇晃又旋转的时光。做爱与恋爱、相聚或分离、交心或冷战,不间断地演练与挫折,宛如踩进一个不时短路的青春循环。
  芬兰导演艾莉.哈帕塞洛以周记式的叙事结构,探究女孩成长过程中,时而直率、时而反复不安的情感特色,直接却不带批判。透过灵动的摄影与乐曲,将少女独有的亲密和芥蒂描摹得淋漓尽致。三个年轻演员各有鲜明个性,幽微投射欲望、亲子与人际难题,一次次将观众抛向点餐台、溜冰场、派对舞池,与城市的寂寥黑夜。随着影片起舞,仿似也重新回味了青春时代的温度和或许未完成的人生轨迹。
  Best friends Mimmi and Rönkkö want to live adventurous lives, loaded with experiences and passion. Emma, on the contrary, has given her whole life to figure skating. Nothing gets between her and success. But when the girls meet, life opens whole new paths, and they all rocket in new directions. While Mimmi and Emma experience the earth moving effects of first love, Rönkkö is on a quest to find pleasure. Three Fridays is all it takes to turn their worlds upside down.
  "It kind of became my mission to depict girls in a much more complex and realistic way than we are used to seeing in cinema. And to create a film where girls are valued as exactly who they are." – Alli Haapasalo

932
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魔鬼的陷阱
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更新时间:2025年02月24日
主演:Vítezslav Vejrazka,米罗斯拉夫·马哈切克,Cestmír Randa,Vít Olmer,Karla Chadimová,Vlastimil Hasek,Frantisek Kovárík,雅罗斯拉夫·毛奇卡,约瑟夫·赫利诺马兹,贝德里奇·卡兰,Jirí Belohoubek,Jirina Bílá,Monika Indingerová,Ladislav Kazda,Milan Kindl,伊里·弗斯塔拉
简介:

  In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.
  The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).
  Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.
  As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.
  Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.
  The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.
  Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.
  The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.
  The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

5047
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371
3.0
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更新时间:2023年10月10日
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