大体修复师吴悠，独自照顾失智母亲，生活被贫困与沉重责任压得喘 不过气。某日，他在殡仪馆遇见一名无人认领的女童遗体，灵魂悄然 现身，要求他「带我回家」。在完成修复工作的过程中，吴悠与小女 孩展开一段幽微而疗愈的旅程，也逐渐逼视自己与母亲之间被压抑的 伤痛与未竟的爱。
A documentary film focusing on the gay experience in Hollywood horror.
防弹少年团釜山演唱会纪录片。
In the very waters where Melville's Pequod gave chase to Moby Dick, Leviathan captures the collaborative clash of man, nature, and machine. Shot on a dozen cameras — tossed and tethered, passed from fisherman to filmmaker — this is a cosmic portrait of commercial fishing as it's never been seen.
《地表最大家庭（The World’s Biggest Family）》是來自加拿大的紀錄片：導演柏瑞（Barry Stevens）竟然可能有600個兄弟姊妹，全由一位醫師偷偷匿名用自己精子提供給不孕婦女受孕。柏瑞靠著DNA技術，發現了自己有一堆兄弟姊妹，讓他開始調查各國人工生殖狀況，才發現匿名捐贈精卵會有嚴重後果：遺傳疾病資訊缺乏，也導致不知情的兒女相戀。最重要的，柏瑞相信人人有權知道自己的故事。「連番茄都有清楚來歷，何況是人呢？」柏瑞贊成取消匿名捐贈制度。
本节目严格检视令人厌恶却有着迷的邪恶罪犯及杀人凶手。他们究竟在想什么？ 穷凶极恶的罪犯如何策划阴谋诡计，并从事不道德的行为？一起来探索。
漫游火星(Roving Mars)是由迪斯尼和Sassoon Film Design共同合作推出的作品，内容就是纪录2004年美国太空总署『精神号』(Spirit)以及『机会号』(Opportunity)两辆人造探测车在火星上的种种发现。当初『精神号』和『机会号』是在2004年1月上旬和下旬先后登陆火星，分别在星表面的两端登陆，两辆探测车登陆后立刻在火星的表面展开漫游探勘，并将所发现的图片传回地球。借着这次全球瞩目的火星任务，太空学家希望能揭开火星神秘的面纱，深入探讨火星的奥妙，以及引起众人揣测的火星上生命之谜。
What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.
影片纪录了《国家地理》杂志摄影师詹姆斯·巴洛格长达数年的南极冰川考察之旅。曾经一度巴洛格对于全球气候变暖的说法半信半疑，但这次考察改变了他的看法，通过他的摄像机镜头纪录，让我们意识到我们的星球已经面目全非、越发虚弱。巴洛格在一个由年轻人组成的探险团队的帮助下，通过直升机，木艇、雪橇等交通工具，跨越三个大洲旅行，为我们带来了震撼视觉和人心的影像和拷问。
A cinematic homage to Peter Rice, one of the most distinguished engineers of the late 20th century. Tracing Rice's extraordinary life and career, from his Dundalk childhood to his work on the Sydney Opera House,The Pompidou Centre and the Lloyd's Building, to his untimely death in 1992, Marcus Robinson uses stunning time-lapse photography and revealing interviews to tell the story of a genius who stood in the shadow of architectural icons. Until now.
女王邀请爱登堡老爵爷一同探讨如何使地球常青繁茂，王室成员和影星安吉丽娜·朱莉参与本片。
作为SEVENTEEN在首尔世界杯体育场的首次演唱会而备受期待的
清贫书生王子进（陈立农饰）进京赶考，被下凡取丹的小狐妖白十三（李现饰）盯上。只要杀了王子进，取了丹，就能晋升狐仙。但没想取丹路上，一人一狐竟成了最好的朋友。在历尽万险后，白十三该作何选择？
