《四季中国》历时两年,跨越全中国24个省区市。为寻找二十四节气对当代中国的影响,摄制组探访中国的至北村寨漠河,至南城市三亚,体验45度高温的重庆,零下30摄氏度的哈尔滨。1500小时高清拍摄素材,24集各异的精美传统中国风动画,国际首席爱乐乐团度身定制原创音乐,全面打造体验类电视纪录片的良心之作。
日系アメリカ人映像作家ミキ・デザキが慰安婦問題をめぐる論争をさまざまな角度から検証、分析したドキュメンタリー。慰安婦問題について、デザキの胸をよぎるさまざまな疑問。慰安婦たちは性奴隷だったのか、本当に強制連行はあったのか、元慰安婦たちの証言はなぜブレるのか、日本政府の謝罪と法的責任とは……。この問題を検証すべく、日本、アメリカ、韓国、肯定派と否定派それぞれの立場で論争の中心にいる人びとに取材を敢行。さらに膨大な量のニュース映像や記事の検証を交え、慰安婦問題を検証していく。
1949年以前,北京的地名是北平。“北平”这个地名随着新中国的诞生而成为历史,但位于北平以北的“平北”这个名词,却承载着浴血抗战英烈的壮举而历久弥新。 八十多年前,内忧外患的中国狼烟四起,北平已放不下一张书桌。 具有民族担当的中国共产党人组织北平学生抗日救亡。参加学运的骨干后来成为八路军知识分子团的骨干力量,为开辟平北抗日根据地血染长城内外。 平北抗日根据地处于华北抗战最前沿, 对平西抗日根据地起了“挡箭牌”的作用;并成为冀东抗日根据地的交通站及战略依托点,牵制、抗击了大量华北日伪军,对晋察冀乃至华北抗战的胜利都具有重要影响。 该片讲述1938年至1945年间,八路军3次挺进平北,以及八路军中唯一的知识分子团----晋察冀挺进军第十团,以极大的牺牲与艰苦抗争开辟平北抗日根据地的故事。影片以主人公白乙化为代表的一二九学运骨干和以段苏权为代表工农红军,在民族危亡的时刻挺身而出,胸怀民族大义和家国担当,高举青春战旗,深入敌人的心脏虎口拔牙,依据党的建设、武装斗争、统一战线三大法宝,在平北建立基层人民政权、建立抗敌军分区司令部,带领平北人民英勇抗战。
蜱,俗称壁虱,它们是现代的吸血鬼,被咬上一口就会感染疾病,肉眼难以发现,就连医生都难以诊断,这是全球最罕为人知、透过病媒昆虫传播的疾病:莱姆症。脸部麻痹、关节疼痛、脑膜炎,诸多综合型症状令病患痛不欲生,甚至失去生活能力。 「莱姆症」因艾薇儿登上国际版面,经过八个月才确诊,最后消失歌坛二年。
阿富汗年轻女孩在喀布尔学习阅读,书写和滑板的故事。
Director Jeanie Finlay charts a transgender man's path to parenthood after he decides to carry his child himself. The pregnancy prompts an unexpected and profound reckoning with conventions of masculinity, self-definition and biology.
This four-episode docuseries takes an in-depth look at the murders of Nicole Brown Simpson and Ronald Goldman and the trial that dominated the news cycle in the mid-1990s, from the chase on LA freeways to the riveting court proceedings. Featuring new and candid interviews with key individuals — including Goldman’s sister Kim, O.J. Simpson prosecutor Christopher Darden, L.A. police detective Mark Fuhrman, O.J. Simpson defense attorney Carl Douglas, and key witness Kato Kaelin — informed by 30 years of reflection, the series reexamines the true crime story that changed American culture .
影片是电影《我不是药神》拍摄纪录片,讲述了电影拍摄的整个过程。从开拍到结束,从不同层面展示影片拍摄中的经历。
Combining undersea exploration with innovative visualizations, DRAIN THE OCEANS reveals hidden evidence of amazing undersea mysteries. Not “artists impressions” but what is actually there — down to the very last rivet. And, for its fourth season, it embraces a gripping new style, telling stories purely through the words of explorers and archaeologists, putting viewers right by their side.
一部由六段分攝於不同時期的膠卷所組合成的編年記事。約拿斯.梅卡斯以第一人稱的日記體,闡述他自1940年代從立陶宛流亡至美國的心情。梅卡斯的鏡頭關照著移民社群的日常,也在他方尋找自己的家,如同片中的自述:「我是攝影機的眼睛,我是見證者,我記錄了這一切。我不知道,我是在歌唱還是哭泣?」
This new drama-documentary series draws on interviews with writers, actors, and biographers to explore how a young woman from a small village living in eighteenth-century England, became our best-loved novelist, creating characters and stories that have become part of our culture ever since.
It was the world's last Islamic empire - a super-power of a million square miles. From its capital in Istanbul it matched the glories of Ancient Rome. And after six centuries in power it collapsed less than a hundred years ago. Rageh Omaar sets out to discover why the Ottomans have vanished from our understanding of the history of Europe. Why so few realise the importance of Ottoman history in today's Middle East. And why you have to know the Ottoman story to understand the roots of many of today's trouble spots from Palestine, Iraq and Israel to Libya, Syria, Egypt, Bosnia and Kosovo.