天桥骄子 第十三季

　　"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.

　　Recorded during her Speak Now World Tour in 2011, this live recording collects 16 performances from the country-pop starlet, including all 14 songs from her 2010 studio outing Speak Now, as well as covers of Train's "Drops of Jupiter" and Kim Carnes' "Bette Davis Eyes." The DVD/Blu-ray disc that accompanies some editions of World Tour Live: Speak Now features 18 performances, as well as home movies and rehearsal footage for the show, which was an elaborate affair that utilized dancers, aerialists, numerous costume changes, and a mammoth, multi-stage setup that more closely resembled a high-profile Broadway musical than it a did country music concert. ~ James Christopher Monger
　　This combo includes a DVD and CD. The DVD gives fans the complete Taylor Swift Speak Now concert experience, showcasing performances of all 17 songs from her Speak Now show, plus additional bonus content. The CD contains over 75 minutes of music, including live versions of favorites from the Speak Now album. The performance is a theatrical presentation of a Broadway experience. The show features elaborate costumes, dancers, aerialists, changing sets, and innovative choreography and instrumentation showcased on a multi-level stage. Taylor plays 5 different guitars in the show, including electric, acoustic, and 12-string. She also plays 2 banjos, the ukulele, and the piano, and changes costumes 9 times over the course of the evening. She moves around the venue and uses different stages, giving every audience member a great seat.
　　Liner Note Authors: Paula Erickson; Grant Garner.
　　Recording information: Atlanta, GA; Love Shack, Nashville, TN; Nimbus School Of Recording Arts, Vancouver, BC.
　　Directors: Taylor Swift; Baz Halpin; Ryan Polito.
　　Editor: Sharon Everitt.
　　Photographers: Christie Goodwin; Austin Swift.
　　Personnel: Taylor Swift (vocals, guitar, banjo, ukulele, piano); Mike Meadows (guitar, banjo, mandolin, background vocals); Caitlin Evanson (guitar, fiddle, background vocals); Paul Sidoti (guitar, keyboards, background vocals); Grant Mickelson, Jody Harris (guitar); David Cook (keyboards); Al Wilson (drums); Daniel Sadownick (percussion); Marlyn Ortiz, Shannon Beach, Charity Baroni, Meredith Ostrowsky, Justin Boulet, Fernando Miro, Dom Kelley, Claire Callaway (dancer); Liz Huett (background vocals).
　　Audio Mixers: Justin Cortelyou; Chris Rowe; Robert Allen; Bob Ezrin; Brian Virtue .

　　《无厘头科学研究所》将冷酷的科学与一些有史以来最疯狂、最壮观、最痛苦的无厘头片段结合在一起。如今系列迎来第六季，达拉斯·坎贝尔再次向观众介绍了来自世界各地的勇士，以及他们引发的全新灾难，剧中用定制动画和超级慢镜头解释了他们的失败和羞辱背后所蕴含的科学原理。当我们分析到底是什么出了问题？以及为什么出错时？画面会暂停、重放，再重放。达拉斯会进一步解释在这些愚蠢的灾难中，物理，化学和生物学所发挥的作用，他的研究覆盖一切，从加速到空气动力学，从流体压力到燃烧，从人体解剖学到可燃性……《无厘头科学研究所》第六季的每一集都会播放50到60段无厘头灾难，看看这些普通人在做寻常事的时候都犯下了怎样无厘头的错误，并用事实证明人类在做任何事情时都能找到很多方法羞辱自己。

　　《辣妈庄园》 Milf Manor 这是一档十分「热辣」的综艺。 看看这正跳着舞就脱掉上衣的肌肉猛男。 还有为此尖叫不停的女士。 这哪儿是恋爱综艺啊,根本就是魔力麦克的现场吧。

　　“Hacks” explores a difficult mentorship between Deborah Vance (Jean Smart), an old-school Las Vegas comedian whose material is a bit passé, and the entitled, but ambitious 25-year-old writer (Hannah Einbinder) she hires to make her act more relevant.

　　在這部歡樂、真切又瘋狂的脫口秀特輯中，萊絲莉·瓊斯帶觀眾回顧自己成人以後的經歷，包括誘惑王子的計畫與睡眠呼吸中止症的抗戰過程。

　　In trying to comprehend our universe, just how big is big? How far is far? This users guide to the cosmos will bring the incomprehensible down to a human scale such as Venus melting a tank, the density of a black hole compared to 1000 cars in a Coke can, and the comets in the Solar System equated to grains of sugar weighing half a ton.

　　迈克尔·彻在奥克兰重返舞台，探讨了美国的爱国主义、黑人领导、嫉妒心强的前任、出逃的熊和心理健康等众多话题。

　　节目迎来首位双性恋主人公。十六位嘉宾，男女混战，抢夺佳人芳心。更有往季嘉宾，重返节目参与竞争。各出奇招，只为夺得“初印象”玫瑰。@亿万同人字幕分享