岸边野裕里（松隆子）在姐姐远野未笑的葬礼上，遇到了姐姐的女儿远野鮎美（广濑铃）。无法接受母亲亡故的鮎美，也无法打开母亲留下的最后一封信。裕里参加了要和大家报告姐姐往生的同学会，巧的是，她的初恋对象镜史郎（福山雅治）也来了，两人在一封封书信的联系中串接起三人当年的故事。
It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them. Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries. When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact." Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance. Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.
那次操场之遇，白十娘开始寻找自己的白马王子高亮，也是那次以后，她心里悠然产生了一种生理和心理的美妙感觉和情愫，从此，她在大学校园里一直寻找那个男生，可快要毕业了她依然没有找到，可那个人常常会闯进她的梦中与她相遇，一种奇妙神奇的力量让她坚持要找到他，为了寻找到自己的爱情王子，同宿舍的四位女生决定来一场寻找王子的爱情预约，也是一场人生的赌局.......
1979年，尹小恩（金荷娜 饰）是新罗大学英语系三年级的学生，她一直暗恋着自己的前辈东熙（朴永宇 饰），她对美好生活十分憧憬，但东熙喜欢的是另一个学生。 一次偶然，小恩发现了一台老式的报话机。一天晚上报话机突然传来另一个男生的呼叫。惊讶不已的小恩开始与对方通起话来。交流之下，小恩才发现原来男生也同样就读于新罗大学，叫池仁（刘志太 饰）。两人随后相约第二天在钟塔下见面，小恩苦苦等待，但对方并没有出现。这边厢池仁在大雨中也等不到小恩的前来。晚上通过报话机交谈的时候，都互相埋怨对方。 到了第二天的晚上，他们才明白，原来他们来自不同的时空。小恩生活在1979年，池仁则是在2000年，跨越时空的交谈令彼此惊叹不已。那一晚，他们把自己的感情事都向对方倾诉了，不知不觉中，两人的感情加深了。 池仁告诉小恩，原来自己的父母也是新罗大学的学生，而且那就是东熙与东熙的恋人善美……
艾莉森（凯瑟琳•海格尔），20出头，漂亮性感，是个颇有前途的娱乐新闻记者，最近还得到老板赏识小小升职了一把。班斯通（西斯•罗根 饰），游手好闲，生活杂乱无章，成天只知道和狐朋狗友厮混。 某天晚上，春风得意的艾莉森在酒吧遇见了班斯通，二人酒后乱性，发生了一夜情。原以为酒醒之后，他们的生活就会按照以前的轨迹继续下去，谁知道艾莉森竟然怀孕了，两个自由自在生活惯了的大孩子，面临着逃避责任还是承担后果的艰难抉择。 经过一番思想斗争后，艾莉森和班斯通决定担负起为人父母的责任，把孩子生下来。他们开始像别的情侣一样，试着约会、相处，融入对方的生活，但是他们越是了解对方，对未来的生活就觉得越迷茫。即将出生的孩子，更是他们人生的一道难题……
웹드라마지나온 10대를 이야기하는 것은 쉽지만, 우린 지금 처음으로 10대를 보내고 있으니까. 고민 없을 나이라고 하기엔 모든 순간이 너무 진심이었으니까. 10대 공감 로맨스 웹드라마 [에이틴]
祺（任达华 饰）是一名职业扒手，这天出门前，家里飞来一只文雀，放生也不肯走，逗留昏暗屋内。祺与伙伴们午餐时问起自来雀的象征意义，伙伴说这是惹祸上身的前兆。当然，这是玩笑话。 祺带着兄弟四人在香港街头偷窃讨生活，四人共骑一辆自行车，歪歪扭扭，别有一番兄弟情趣。祺闲来爱拍摄街头风情，这日一名急匆匆跑过的女子甄珍妮（林熙蕾 饰）吸引了他的目光，他迅速拍下她的倩影。 无独有偶，他的另外三位兄弟，先后被同一位风情万种的女子缠绕，这女子总是步伐匆匆，但兄弟四人都着迷于此。直到他们被人狠狠教训。才明白珍妮是富商傅先生（卢海鹏 饰）的情妇，她想从傅先生那里取回自己的护照，过回自由的生活。 这四名兄弟，决定为她，冒险一回。不为什么原因。然而傅先生也是江湖老手，一场较量正在开始。
继《一个复杂故事》后执导的第二部爱情电影。善良憨直的小学教师阿乐，是精神分裂症康复者，虽然渴望爱情但从来不敢恋爱。偶然机遇下，他在街头偶遇了清丽脱俗的欣欣，一见钟情却挣扎应否透露病情。踌躇之下，不幸再次病发，被幻觉缠绕。他更发现她的真正身份，竟然是个功于心计的心理辅导员？二人发展出一段悬疑曲折的禁恋，疑幻似真。
tvN独幕剧系列第六部 讲述一个少女长大成人后，偶然发现自己学生时代的文集的故事，描写十七岁的记忆及初恋故事，将于1月6日首播
A cynical journalist decides to take a train from Washington, D.C. to Los Angeles for Christmas to get inspiration for a story in honor of his late father. He gets to know the other passengers and runs into an old flame while aboard.
死神来到人世，住在一幅没有门户的围墙后面，死去的亡魂穿过围墙去到异界。 一对情侣遇上了死神，男的被他带走，女的哀求死神放过她的情人。死神给了她三次保住爱郎性命的机会，于是她在中世纪威尼斯、古代波斯与幻想的中国经历了三次生离死别……天马行空的画面让《命运》迟了两年才登陆美国，只因大明星道格拉斯·菲滨氏买下此片美国版权，在自己的大片《月宫宝盒》中借用其中精彩特技，等到《月》片映期结束，才安排在美国上映。
Rick Stone is the world's biggest action star but unfortunately, he is also the prime suspect in his wife's death. He must enlist the help of a conniving tabloid reporter named Dana Fields and the trust of his mistress Stephanie to try and clear his name.
