白云之下

　　一个布鲁克林失败的作家弥敦道·费舍尔到佛罗里达州看望父母，却发现母亲有阿尔茨海默病，而他的父亲最近中风了。根据导演同名剧本改编，父母间的深爱令人感动。

　　A bit of color for once, all the better to see the red flags with, not to mention the obvious aerial file footage of Warsaw. The story concerns Jozef Malesa, the mason or bricklayer of the title. He was once the darling of the party, the son of two old party activists, a worker of heroic reputation, his own commitment to The Movement unquestioned. He was chosen to be destined for great things, specially educated and pushed forward to positions of responsibility in the Party. Eventually he decides, because of the ethical pressures which he feels from the obstructionism of the bureaucracy from above, he asks to return to be a simple bricklayer. He is disturbed with the way the Party deals with people, especially their lack of direct contact. He thinks workers know better than the leadership many times but that's not the way power flows. He is uncomfortable with the compromises to his idealism. He remains committed to social justice and joins his friends for the May Day rally where his comfort and confidence in his place in society cause him to defer to no man, certainly no rat faced men in overcoats with red armbands. His great pleasure in life moreover is laying brick. He finds the work satisfying and fulfilling which is why he was such an obviously superior worker in the first place.

　　When an unsuspecting woman stops at a remote gas station in the dead of night, she's made the plaything of a sociopath sniper with a secret vendetta. To survive she must not only dodge his bullets and fight for her life, but also figure out who wants her dead and why.

　　Triumphs and Laments documents one of contemporary artist William Kentridge’s most ambitious and controversial projects: a colossal frieze along the banks of the Tiber river in Rome portraying the glories and tragedies of the Eternal City that was commissioned in the summer of 2016. The film, shot with exclusive access to Kentridge over the course of two years from his home in South Africa to the center of Rome, details the artist’s vision and his creative process in developing a work of art that will disappear in just a few years.

　　日出而作，日落而息，千百年来人类遵循着古老的生存法则，在严酷的环境中努力生存。
　　广岛濑户内海的孤岛之上，生活着一对沉默的夫妇（乙羽信子 & 殿山泰司 饰）和他们两个活泼懂事的孩子（田中伸二 & 堀本正纪 饰）。因岛上没有淡水，夫妇俩每天清晨便要早起，摇橹至对面岛上挑水，一家的吃穿用行与农作物的灌溉全靠夫妇俩挑水维持。春去秋来，严寒酷暑，每一天都是崭新的开始，每一天都做着永远做不完的农活，喜怒哀乐，全部随着清水融进恒久沉默的大地……

　　影片讲述1962年，汉森饰演的非裔美国数学家与斯宾瑟和梦奈两位“同事”组成智囊团，为宇航员约翰·格伦成功绕地球轨道飞行做出贡献。

　　卡萝是位脱口秀节目的女主持人，她对员工同事苛刻，对家人冷漠，甚至为了现在的事业失去了爱情。圣诞前夜的特别节目开始直前，卡萝躺在沙发上睡觉，去世的玛拉姑妈的灵魂来提醒卡萝，说会有三个圣诞精灵来拜访她。十二点整，第一个精灵来了，他带着卡萝回到了过去，有儿时的成长场景，还有卡萝和约翰的恋爱经历。不久第二个精灵带着卡萝到了她的助理家，她的姐姐家还有约翰的工作地点。最后第三个精灵带她来到了未来，当看到未来自己悲惨的下场，卡萝幡然醒悟。卡萝从梦中惊醒，开始改变自己，她的改变挽回了陷入危机中的亲情，友情。最终爱情也回到了她身边。

　　町田君是家里的长男，承担了全部家务，包括照顾弟妹。 町田君是班里的学生，成绩真的很一般，文法都不太会。 町田君是个温柔的人，不假思索给予援助，这能算一项特长吗？

　　一名针对小女孩作案的连环杀手（Peter Lorre 饰）出没，城中人心惶惶。警察全体出动，频繁突击检查。黑帮首领（Gustaf Gründgens 饰）因生意受到严重影响，决定利用乞丐的隐蔽性布下天罗地网。卖气球的盲丐（Georg John 饰）通过《在妖王宫中》的口哨声辨出了杀手，他的同伙（Carl Balhaus 饰）趁机将“Mörder”的首字母“M”标记在其背上。虽然警方锁定了杀手的住处，但杀手被乞丐围困于商业大厦，成了瓮中之鳖。深夜，在黑帮私设的法庭上，杀手会为自己作出怎样的辩护？

　　罗莎妈妈有4个孩子。她在菲律宾首都马尼拉一处破旧的居民区经营者一家小杂货店。为了维持生计，罗莎和他的丈夫Nester开始倒卖麻醉针剂。一天，他们被警方逮捕。罗莎和她的孩子们愿意做任何事以从腐败的警察手中换取自由。

　　故事发生在1930年代的湾城，一位金发美女客户希望马洛帮她寻找失踪的前男友，一个隐藏着的巨大秘密即将浮出水面。
　　影片改编自本杰明·布莱克以马洛为主角的小说《黑眼金发女》。

　　香港最后一座渔村里的苍白少女，在父亲形同牢笼的过度照顾下。一天，她在旧皮箱中发现了母亲的遗物，开始思索自己的身世。到晚上，她从家中溜出去见坂元。坂元是一位栖身于废弃村屋的流浪者。屋内有一间暗房和一面镜子，让她从另一个角度看世界。同时，村内出现一批心怀不轨的游客。她一边追寻离家母亲的踪迹，也试图聆听自己内心的声音。渔村会如何？村民将如何反应？
　　《香港三部曲》监制白海初执导筒的《白色女孩》，邀来四座金马奖最佳摄影杜可风联合执导兼掌镜、日本男星小田切让，与金马奖最佳男配角得主白只携手演出。