夏有乔木雅望天堂

　　1919年，俄国内战。为躲避战火，斯拜罗斯（Vassilis Kolovos 饰）带着妻子戴娜（Thalia Argirioua 饰）和一双儿女，随着难民潮辗转来到希腊。十几年过去，俄国难民不断聚集，最终形成一个名为“新敖德萨”的小村庄。斯拜罗斯的养女艾莉妮（Alexa ndra Aidini 饰）如今已长成落落大方的漂亮姑娘，并和心爱的小伙同时也是她的非血缘兄长埃里克西斯（Nikos Poursanidis 饰）生下一对双胞胎。为了逃避养父的控制与霸占，艾莉妮与爱人开始漫无止境的逃亡。时间进入1936年，一家人暂时得以安定。为追寻音乐梦想，埃里克西斯告别妻儿远赴美国。在此之后，战争统治着这个世界，也摧毁了艾莉妮苦心经营的家庭。在混乱的大时代的背景下，他们随波逐流，生离死别……
　　本片是“希腊三部曲”第一部，并荣获2004年欧洲电影节国际影评人费比西奖。

　　二战中德国占领下的巴黎，剧作家、导演兼剧院管理人的犹太人卢卡斯•斯坦纳（海因茨•本南特 Heinz Bennent 饰）被妻子玛丽安•斯坦纳（凯撒琳•丹尼芙 Catherine Deneuve 饰）藏入蒙马特剧院地下室，伺机逃往非占领区。身为演员的玛丽安不得不肩负起剧院管理人的事宜，雇佣了男演员伯纳德•格兰戈（杰拉尔•德帕迪约 Gérard Depardieu 饰）排练卢卡斯的新话剧。随着德军战线的扩大，卢卡斯的出逃一步步成为幻影，只好靠地下室的采暖管道来听每日的彩排，暗中进行指导……
　　本片获法国恺撒奖最佳影片、最佳导演（弗朗科依斯•特吕弗）、最佳剧本、最佳剪辑、最佳摄影、最佳男主角（杰拉尔•德帕迪约）、最佳女主角（凯撒琳•丹尼芙）、最佳音乐、最佳舞台设计和最佳声音十项大奖，并获最佳男配角（海因茨•本南特）和最佳女配角（安德烈亚•费雷奥尔Andréa Ferréol）提名。本片同时获金球奖和奥斯卡奖最佳外语片提名。

　　要相信：熬过异地，就是一生。故事围绕赵一一（任敏 饰）和许嘉树（辛云来 饰）展开，高考之后，赵一一终于向暗恋多年的许嘉树表白，却阴差阳错开启一场异地恋。他们坚信：熬过异地，就是一生。可远距离恋爱的天然阻碍考验着他们，明明相爱，却不断缺席对方的生活。赛赫（陈宥维 饰）的出现以及闺蜜乔乔（周雨彤 饰）和李唐（李孝谦 饰）一波三折的爱情都让赵一一感触良多。当异地恋升级为异国恋，是继续坚持，还是一别两宽，各自成长的二人不得不面对自己内心的答案……

　　以中国草海为背景、国家非物质文化保护遗产古彝文化为线索，讲述主人公姿果（蓝燕饰演）失忆后，来到时光照相馆希望借由替人拍照来帮助自己恢复留住记忆，如同鱼缸里的金鱼一样被困在自己残缺的记忆里而不能自拔，姿果在找寻记忆线索的过程中邂逅了前来寻找丧妻留下‘神秘礼物’的于林峰（朱孝天饰演），在于林峰帮助姿果恢复记忆的同时两人也收获了一份爱情的清新浪漫文艺故事。

　　想演戏的孙纳（周迅 饰）与想导戏的林见东（金城武 饰）初遇见时，两人都正处于生活与事业的低谷，在相互鼓励和扶携中，他们渐渐有了共同的可以看见希望的未来，然而孙纳更想把现在的可能抓到手，狠心与林见东分了手，跟了可以给她戏的导演聂文（张学友 饰），成为人人艳羡的大明星。
　　天意弄人，十年后孙纳与也做了演员的林见东因为一部合拍戏又重遇。虽努力说服自己忘记过去，却欺骗不了自己的心，孙纳陷入两难中。而更戏剧的是，孙纳、林见东和聂文要同演一出剧情与他们之间情恨纠葛惊人相似的戏。

　　自恋敏感又才华横溢的歌手王子（Prince 饰）在享誉盛名的“第一街”舞台上光彩照人，然而最近他的事业出现了停滞：竞争对手“时代”乐队咄咄逼人；家暴的父亲令家中的气氛凝固；他的乐队也出现了不团结；而第一街经理莫里斯对王子的表现日益不满，考虑为这个送出了众多明星的舞台寻找更有魅力的歌手。追寻音乐梦想的少女罗尼亚（Apollonia Kotero 饰）邂逅王子，很快与其陷入恋情，另一方面，王子始终拒绝演唱乐队合作伙伴为他创作的歌曲，这让两位同队姑娘苦恼不已。面临事业的困境和父亲的死亡，王子选择用音乐冲破内心的桎梏……
　　本片是音乐鬼才Prince‘王子’的自传式剧情片。

　　传言巩族有一神物黑袍，穿上能金身铁骨、羽化升仙。觊觎已久的鲁王带兵剿灭了巩族，连夜出逃的巩嵘决心复仇。机缘巧合之下认识了鲁王的青梅竹马郡主琅芩，两人暗通情愫。鲁王眼线遍布天下，巩嵘被鲁王派出的死士追杀，自此下落不明，生死未卜。一年后，郡主琅芩被迫嫁给鲁王，即将成为王妃。就在鲁王给琅芩操办的寿宴时，出现了一位戏法绝妙的秘术师。琅芩大惊，原来此人竟是消失一年的巩嵘。风起云涌，一场腥风血雨再度袭来……

　　Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson
　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play "La Morte in Vacanza" by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.
　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.
　　To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.
　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.
　　(Howard Schumann, talkingpix.co.uk)
　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.
　　(Dennis Schwartz, homepages.sover.net)
　　I've heard DRACULA was advertised with the tag line "The Weirdest Love Story ever told!" (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.
　　(Dave Sindelar, scifilm.org)
　　See also the remake: Death Takes A Holiday (1971)

　　在关于爱情、失去和渴望的三个故事中，孤独的灵魂在大城市忙碌的生活中找到了意想不到的情感共鸣和陪伴

　　镇国侯郭家在公子郭赐新婚之夜惨遭灭门，郭赐被神秘老者救下，偶获神秘强大的麒麟之力。他改头换面，化名黄司，来到鱼龙混杂的无名客栈，表面上变戏法谋生，暗地里调查灭门案的真相，却意外得知未婚妻欣颜被韩揭囚禁在府中。在欣颜的里应外合之下，黄司查出将郭家灭门的仇人正是韩揭，于是联合客栈众英雄，设局将其诛杀。背靠青衣厂势力的韩揭誓死反击，黄司究竟能否报仇雪恨？

　　龙船河边女儿会上，龙船寨主的女儿阿朵与水手阿龙一见倾心，不久却因母亲龙船夫人要维护本寨利益而被迫许婚权贵。迎亲路上，阿龙冒死抢亲。两人誓死捍卫真爱，真情最终大家，机缘天成。