巴黎奥运会开幕式暨特别节目

　　Vir Das dives deep into his childhood in India, the perils of outrage and finding his feet in the world for his fourth Netflix stand-up special

　　《天桥骄子》由BRAVO电视台构思，超级名模Heidi Klum主持，ELLE杂志将其取名为《天桥骄子》，作为艾美奖提名真人秀《PROJECT GREENLIGHT》的衍生剧推出。《天桥骄子》是一部时装设计竞赛型真人秀，同时由于节目环节创艺不断，推陈出新。参赛选手水平高。倍受广大观众的好评。
　　节目每集淘汰1或2名选手，选手在每季中将会接到规定的一个设计题目，然后选手时而单枪匹马，时而组队参加。各自发挥自己的最大潜能，目的只为一个：做出最为美丽漂亮的时装。

　　国家地理《突破世纪》系列记录片，共6集。分别从疾病、科技等各个领域讲述人类在面对各种挑战的探索，以及科学家们不断研究试图突破人类自身极限的故事。

　　杰里米、理查德和詹姆斯前往斯堪的纳维亚北极圈。男孩们驾驶着他们最喜欢的拉力赛车，开始了一场充满灾难的冒险，经历了冷战时期的潜艇基地、结冰的湖面赛道和滑雪场的混乱。

　　本系列节目将展示全球最强壮汉比赛选手的训练过程，比赛经过以及接受药检的实况，你也能看见选手比赛生涯最精彩表现的珍贵画面。 这些超越人类极限的选手将现身说法，节目中也将透过电脑动画解释他们的最精湛表现，帮助观众更了解这种复杂细腻的运动。节目中介绍的所有比赛项目，都包括破解相关迷思的「行家秘诀」单元，并揭发冒牌货的欺骗手段。节目中也将透过「真材实料」单元，深入说明各种惊人表现的幕後事实。人体力量似乎潜力无穷，当你自认已经达到极限，总是有人能打破纪录，达到一般认为非常人可及的境界

　　This docuseries examines the story of Belgian politician Bernard Wesphael, who was accused of murdering his wife, Véronique Pirotton, in 2013. She had been found dead in a hotel room in Ostend.

　　This show is quite possibly the biggest waste of videotape, electricity, and RF bandwidth in the 70+ year history of television. It's nothing but 60 minutes of some of the worst bile that can come out of human beings, male or female. Basically, it's nothing but pure bitchy, catty, c*nty, vile harpiness among the contestants, judges, and the fashionistas (or should I say fashionazis). Typically a lot of insulting, backbiting, and bitchy, unnecessarily anal-retentive criticism.
　　The thing that gets me about the show is how much the judges and fashionazis (and the pretentious & shallow fashion industry in general) nit-pick against the equally bitchy contestants about little, petty, trivial, frivolous, anal-retentive things about their appearance, personality, etc. Things that the *REAL* people in this world (which the fashion industry lacks, thankfully) wouldn't give rat's ass number 1 about. (Myself included.)
　　Crap like: "Oh, your left eyebrow is a yoctometer off center. That isn't gonna fly, and nobody will take you seriously in this industry because of it!" Or, "You're breathing wrong. Good luck with winning this competition." I'm just kidding here, but they usually end up saying things almost exactly like this on this show.
　　If getting into the fashion industry is this hard, painful, bitchy, insulting, nit-picky, catty, backstabbing, and anal-retentive as this show tries to portray, than thank the good Lord that He made me all fat, balding, hairy, and dumpy-frumpy-dowdy-frowsy-geeky-lookin', because I would never want to be required to have the caustic bitchiness and anal, pretentious attitude of any model or fashionazi (or any fashion industry worker), namely the people on this show.
　　And Janice Dickinson, mercy, do not get me started on her...
　　This show needs to die. It's this show (and many other "reality" shows like it) that proves that competitiveness (and the fashion industry) is truly the devil's tool...

　　现在，我们以每小时6万4千英哩的速度绕太阳运行；第二年，地球在运行了5亿8千4百万英哩后回到了航程开始的起点。在此片中，纪录片制作者凯特?汉伯和海伦?乔斯基跟随地球进行了一次完整的绕日航行，见证了这次奇异旅程带给地球的奇妙变化。从更替的四季到破坏性的气候现象，他们绕太阳环行感受由航行带来的极 致体验；他们也试图向世人解释在时间的长河中，地球轨道如何发生着变化，以及这些微妙的变化给地球带来了决定性的影响。 此纪录片首次展示了地球绕日环行的全过程，从大胆的空间想象到近在眼前的飓风，皆向观众展示了地球绕日旅行的史诗性历程。

　　Exploring the role and symbolic meaning of the Crown Jewels in the centuries-old coronation ceremony, The Coronation shows these objects of astonishing beauty in new high-resolution footage. The film tells the extraordinary story of St Edward's Crown, which was destroyed after the English Civil War and remade for the Coronation of Charles II in 1661. It has only been worn by Her Majesty once, at the moment she was crowned.
　　On 2 June 1953, on one of the coldest June days of the century and after 16 months of planning, The Queen set out from Buckingham Palace to be crowned at Westminster Abbey, watched by millions of people throughout the world. A ceremony dating back more than a thousand years was to mark the dawn of a new Elizabethan age.
　　Viewing both private and official film footage, The Queen recalls the day when the weight of both St Edward's Crown and the hopes and expectations of a country recovering from war were on her shoulders, as the nation looked to their 27 year-old Queen to lead them into a new era.
　　In the film, The Queen says: 「I've seen one Coronation, and been the recipient in the other, which is pretty remarkable.」
　　For audiences unfamiliar with the story of the Crown Jewels and the regalia, the film explains their contemporary relevance to the UK as a nation and to the enduring purpose and the work of monarchy. They are symbols of the relationship between the Sovereign and the people, and the duties and responsibilities of leadership.
　　The film also features eyewitness accounts of those who participated in the 1953 Coronation, including a maid of honour who nearly fainted in the Abbey, and a 12 year-old choirboy who was left to sing solo when his overwhelmed colleagues lost their voices.