恶魔犬

　　Teenaged siblings Girly and Sonny lure young men back to their home to meet the eccentric Mumsy and Nanny. There, the men are forced to take part in strange games, the rules of which are never defined - and if they refuse, or transgress the unwritten rules, they're killed. But they may have met their match in New Friend, their latest victim, who starts to manipulate the foursome, setting one against the other.
　　Bizarre combination of late sixties avant garde and sleaze. Director Freddie Francis had made horrors for both Hammer and Amicus but this is nothing like any of them. Shot on location with an atmosphere mixing playground horror and conservatory theatre that is downright weird and unsettling. The great lost girl of sixties British horror, Vanessa Howard, shines as she does in those other rarely seen gems Corruption [1967] and What Became of Jack and Jill [1972]. If Harold Pinter had made The Texas Chain Saw Massacre [1974] for the BBC this could have resulted. Excellent and unique.

　　当威廉，一个50多岁的笨手笨脚的男人，和布鲁克林，一个6岁的孩子，试图摆脱一个看不见的邪恶，布鲁克林决定告诉威廉四个道德上的，但非常可怕的故事，以分散自己的注意力，从迫在眉睫的危险。第一个故事讲的是一个贪婪的房地产经纪人大卫，他烧毁了一套公寓，把最后剩下的房客布拉德福德一家赶出了他们的家。第二个故事涉及一些兄弟会的男孩，他们发起了一个白人至上的政党，和美国恐怖分子，神经病约翰尼，谁结束了党的暴力。第三个故事围绕着挣扎的歌手，切拉和她的富有的雇主玛丽·巴士底利亚小姐展开，切拉想杀了她，用她的钱来进一步推动她的事业。第四个故事讲的是一个小偷，他杀死了一个受害者，并在罪过后被诅咒。

　　喧嚣吵闹的夜店内，李为（戚玉武 饰）、迪安（范逸臣 饰）、小鹿（邓家佳 饰）、艾米（周秀娜 饰）、紫涵（徐洁儿 饰）等5名好友凑在一起，讲了3个离奇、怪异而又恐怖的故事：
　　“失踪”：某双胞胎姐姐为了找寻失踪的妹妹，请来私家侦探协助调查。与此同时，双胞胎连环杀人案接连发生，这对姐妹陷入了一个阴森血腥的谜局之中；“单行道”：离婚的记者带着年幼的女儿去郊外采访一个科幻小说家。随着神秘的极光的出现，记者仿佛进入了时光隧道，又仿佛堕入了平行世界；美丽的护士小鹿来到某精神病院上班，这里有各种举止古怪的病人，而医院的背后也隐藏着惊天的秘密……

　　码头旁的一艘船中，发现一名受瘟疫感染致死的男性尸体。警探们发现惊人的证据指向受害者并非感染致死，而是遭人注射细菌，而这个人就在他的身边！

　　因调查的案件涉及政治人物，刑警星野一正（津田寛治 饰）被“发配”至调查一课。该部门主要负责即将超过诉讼期的悬案，属于献少人问津的清冷部门。星夜不改追查真相的本性，开始查阅历年文献。一宗14年前的案件偶然映入他的眼帘：某捷克贵族后裔美夜子•罗君贝尔克（杉本彩 饰）的女佣被残忍杀害，嫌犯至今下落不明。一方面为美夜子的美貌所吸引，一方面决定让死者的冤屈昭雪，星夜开始着手此案的调查。他走访美夜子的别墅，得知真正的罪犯是一个名叫黑沼右京（要潤 饰）的年轻实业家。他偷偷潜入黑沼的府邸，却见到难以置信的一幕。由此，星夜开始逐步了解事件的真相，也慢慢了解到美夜子和黑沼真实的身份……

　　在洛杉矶地区的深夜，一连串凶杀案件引发了恐慌。尽管警方投入了大量警力，但仍未能取得任何进展。然而，一个偶然的机会改变了一切。约翰（詹姆斯·斯派德 James Spader 饰），一名医学院的学生，发现了他的孪生哥哥的前妻遭到谋杀，约翰怀疑杀人凶手就是为她实施过堕胎手术的诊所医生杰克（Rex Ryon 饰）。
　　杰克极力为自己辩护，但约翰并未完全相信他的话。此时，约翰的哥哥瑞克（詹姆斯·斯派德 James Spader 饰）突然产生了一种强烈的心灵感应，感应到了弟弟被害的消息。瑞克决定不顾一切开始追查真凶。他找到了约翰生前的好友克莉丝（辛西亚·吉布 Cynthia Gibb 饰），她也加入了这场危险的调查行动之中。

　　Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007
　　Author: TimothyFarrell from Worcester, MA
　　"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.
　　The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)
　　-from imdb

　　理查·基尔扮演的特工由于年龄的原因临近退休，就在他训练自己的接班人——一个年轻的女特工时，参与了一桩少女失踪案件的调查，而这起案件的嫌疑犯是一个正在假释期的强奸犯，结果在两人与嫌疑犯你来我往的交锋中，发生了一系列惊心动魄的故事。
　　幕后制作：
　　刘伟强直言在好莱坞拍片有是文化上的差别，要解决很多精神上的问题，一定要有一套圆滑的应付方法。他说：“他们喜欢欢有商有量，要门面功夫，但讲什么，我讲的他们又不明白。我会坚持自己的方法，我的东西好不就行了，个个都鼓掌，所以那几个外国监制都很没趣。”问他这样不怕开罪他们，搞得他们不再找他拍戏时，他豪气的表示：“要请我？就要听我的话！我相信自己的拍摄方法是能行的。全世界都是一样的，我能省到钱，就会当我是神一样来爱，好似今次原本要拍80组戏的，我40组就完成了。抱着我来吻啦，投资者都是想赚钱的。”他直言不会像吴宇森那样主要在美国发展，这一刻他还是不舍得香港这个基地的，好象之前好莱坞都曾再找他拍片，但他希望能停一停，明年再拍。

　　When go-go dancer Lucía nicks a fortune in designer drugs from her mafia employers, the mobsters’ dogged pursuit forces her to seek sanctuary with her estranged sister Rocío and niece Alba in “The Venus,” a decrepit apartment complex on the outskirts of Madrid. As terrible, rotten, no-good luck would have it, Lucía soon finds herself sole guardian to little Alba after Rocío suddenly flies the concrete coop, unable to handle the supernatural stress of living in a monolith that is apparently also host to a malignant evil — one that invades its tenants’ waking nightmares.
　　Taking a few cues from H.P. Lovecraft’s “The Dreams in the Witch House,” "Venus" piles on the blood and bombshells like a double bill of "Demons 2" and "The Sentinel".

　　内容描述一名精神病男子化装成圣诞老人在公路上洗劫，并以残酷的手法杀死了车主夫妇。他们的小孩侥幸逃生，但多年以后仍然受到此一暴力事件的惊吓。
　　「圣诞老人是凶手」这种角色设计，对儿童而言根本无法接受，成年人亦会对本片的血腥暴力场面感到不忍卒睹，但其诡异的叙事风格仍然具有特色。
　　该片在当年首映时曾引起美国家长的抗议，不过因此反而使它变成卖座片，甚至接连拍摄了几部续集。

　　几个年轻人晚上在郊外出了车祸，要等到天亮才有救援。几个人于是围着篝火聊天，每个人要讲一个鬼故事。