在20世纪70年代的漫长炎热的夏天,四个男孩在一个被忽视的乡村天堂中自由漫步,直到一场悲剧袭击使他们对抗成人世界并永远改变他们的生活。
Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after. Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development. Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards. No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career. A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag. Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival. In 2000, the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry.
弗拉迪斯瓦夫·斯特泽敏斯基(Władysław Strzemiński)原是备受爱戴的大学教授与知名的前卫派画家。当斯大林提出“社会主义式的写实主义”,且被波兰当局奉为圭臬,要求上行下效时,他站在异议的那方,结果不但被撤销教职、剥夺艺术家身份,甚至连餬口饭吃的生存权也尽遭践踏。而自诩为小螺丝钉的人们,成了国家机器的暴力帮凶。
克恩郡巡警乔狄肯,小名狄克(丹泽尔·华盛顿 饰),被派往洛杉矶进行本该是趟简单明快的证据收集任务。取而代之的是,他被卷入一场缉捕正肆虐该市的连环杀手之行动。领导缉捕的是洛杉矶郡警长吉姆贝克斯特(拉米·马雷克 饰),对狄克的警察直觉大为惊艳,因而私自寻求他的协助。 但在两 人追踪主要嫌疑人艾伯特史帕玛(杰瑞德·莱托 饰)时,贝克斯特浑然不觉该调查勾起了狄克对过去不愉快的回忆,随之出土的黑暗秘密除了威胁案件调查外,可能牵连更剧。
River of Grass has all the elements of a conventional road movie: a car, a gun, criminal plans, and young lovers on the run from an angry father who also happens to be a suspended police officer. But writer and director Kelly Reichardt has instead taken these familiar elements and fashioned an anti-road movie, a deadpan film that is more existentialist comedy than crime drama. The young lovers in question are Cozy, the cop's daughter, and Lee Ray, a shady character from the wrong end of town. Lee Ray comes into possession of a pistol, and soon he and Cozy find themselves unintentionally involved in a shooting. Fearing capture by the law, the two make plans to leave town, committing a series of robberies on the way. However, they don't manage to get very far; indeed, the film's central premise is how the romantic myth of lovers on the lam proves disappointing in the face of a far more pedestrian reality. This well-received, low-budget indie was shot on location in South Florida, placing its story against an appropriately depressed landscape of sun-bleached strip malls, barren highways and overgrown, swampy fields; the title is another name for the Florida Everglades.
20世纪90年代初,官僚腐败、以权谋私的现象日益严重,普通老百姓的利益不断被蚕食,他们只能用自己的智慧和办法与不合理的现象做着无力抗争。羊年即将到来,马年农历最后一个吉祥双日子在即,各地突击结婚的情况升温。小个体户钱大宽(谢园 饰)和媳妇宝玲(马羚 饰)坐观社会乱象,自得其乐。住在同一院的严局长(许忠全 饰)仗势欺人,要抢占单身多年的模范教师年望秋(李志舆 饰)的住房给孩子办喜事。大宽夫妇打抱不平,决定也帮年老师举行一个婚礼,抢回房子。他们想方设法哄来了电视台主持人李茹春(陈肖依 饰),让她假扮新娘。 婚礼当天,小人物的抗争作战就此展开……
这是一部谍中谍式的电影,不过主角换成了狙击手。美国退役优秀狙击手鲍勃(马克•沃尔伯格 Mark Wahlberg 饰)正在阿肯色州享受退役后的休闲时光,不料,平地生波,他的前上司前来拜访他,希望他能接受一项新的任务――在总统街头演讲那天充当隐形狙击手暗中保护总统。虽然十万分不情愿,但禁不住上司的游说,鲍勃最终答应了。总统演讲那天,鲍勃正在仔细观察着四周情况时,突然会场遭到枪手袭击,总统身边的衣索比亚主教被杀。鲍勃被当成暗杀者遭遇警方追捕。心知成了替罪羔羊,鲍勃在身中两枪的情况下奋力逃走了。鲍勃此时唯一的出路就是找出幕后的真凶,为自己洗刷罪名。
身为全职妈妈的她酷爱阅读犯罪故事,当她调查一名女子的谋杀案时,却意外发现小镇居民最深藏的秘密。
电影取材自麦炳荣和凤凰女的粤剧戏宝《凤阁恩仇未了情》。 嫣公主(蔡卓妍 饰)一心远嫁藩国当皇妃,在漫漫的出嫁途中,与负责护送的程将军(林峰 饰)成为斗气冤家,岂料两人日渐生情。二人不顾此情天地不容,交换陪嫁明珠与家传翡翠,以作定情之时,却遇山贼来袭。混乱之中,嫣失足堕崖,程落入山贼之手。一对有情人失散,各有一段奇遇。程被山贼女首领祝三娘(容祖儿 饰)带回山寨,嫣大难不死,却失去记忆,被说书人凌感开(王祖蓝 饰)救起。 出走山寨寻找公主的程将军,一片痴情形影相随的祝三娘;流落民间失去记忆的嫣公主,平凡一生说书度日的失意才子。有一天,当他们相遇在一起,会发生怎样的故事……
台湾老兵刘燕生(凌峰 饰)到上海,寻找自己失散几十年的妻子乔玉娥(卢燕 饰)和从没见过面的儿子。乔玉娥当年和刘燕生失散三年后,和陆善民(徐才根 饰)组成家庭并生有两个女儿。刘燕生了解到乔玉娥和丈夫情感不好,就希望能带乔玉娥和他一起到台湾生活,并承诺拿出自己一生的积蓄,来补偿乔玉娥的丈夫和这个家庭的子女。但立刻引发这个家庭的剧烈震荡,激烈的争吵使几十年的亲人团聚变成了彼此的再次伤害,直到陆善民脑溢血生命垂危…… 乔玉娥无法抗拒分离的命运再次降临,只好在几十年前相同的上海码头,再次送走自己深爱的刘燕生……
影片讲述了在北京打工的王杰和斯斯蜗居地下室时发生的浪漫爱情故事。王杰和斯斯租住在同一个地下室,两个人互有好感。一次在超市的偶遇,王杰见斯斯买了很多物品,便主动上前帮忙。从那之后,两个人便有了交往。在此期间,斯斯被老板王总骚扰,王杰被前女友波波纠缠,让这段感情增加了许多变数,最终二人经受住了层层考验,走到了一起。剧中,王总趁机强暴斯斯,王杰破门解围;前女友波波设计,欲夺走王杰,斯斯捍卫爱情;隔壁邻居夜伴销魂,男女主角欲火中烧等一系列的精彩事件,使这部小人物的爱情故事多了一些无奈、幽默与情趣,同时也反应了蚁族群体充满正能量的蜗居观。
发明家福克斯(Harrison Ford 饰)出色的创造力令长子查理(River Phoenix 饰)深深崇拜,但愤世嫉俗的性格让他难容于人,有感美国社会堕落,福克斯携一家五口远赴蚊子海岸,在那里买下了河道边的荒凉村落杰瑞尼莫,要开辟出自己的乌托邦城市。福克斯一家与当地黑人合力,很快建造出了全新的村镇中心,他们有了水力驱动的洗衣机、灌溉系统,福克斯制作了庞大的制冷设备,将现代文明引入蛮荒,河上游的斯帕尔德牧师对福克斯的无神论大为光火,但却无能为力。不久,三名持枪歹徒闯入福克斯的村子,为将他们赶走,福克斯将劳动成果毁于一旦。为防止家人返回美国,福克斯谎称美国爆发了核战,满怀幻灭感的一家人在河道上飘荡之际,福克斯发现了斯帕尔德的教堂……
低配绑匪遇上了极品人质,威逼不成,反被人质利诱,替人质办了三件事的荒诞喜剧。