再生巨流

　　一个布鲁克林失败的作家弥敦道·费舍尔到佛罗里达州看望父母，却发现母亲有阿尔茨海默病，而他的父亲最近中风了。根据导演同名剧本改编，父母间的深爱令人感动。

　　中年男子山下拓郎（役所广司）在亲眼目睹了妻子与人偷情的场面后，于愤怒中刺死了妻子，锒铛入狱，八年后，获假释出狱的他在千叶县利根河边开了家小理发店，因为当年的遭遇，他对人很难再信任，平时唯有的交流对象是所养的鳗鱼。山下无意间救下自杀的桂子（清水美砂）后，后者为了报答他留在理发店里工作，并因性格开朗为他招来很多客人，而他的性格亦渐渐阳光起来。
　　山下的前狱友高崎出狱后，来到利根河附近从事垃圾回收的工作，为将山下的平静生活打乱，他开始不断地揭露山下的“丑行”，而桂子的原情人堂岛也于此时寻来，要带桂子和她的钱走，虽然深知一旦与人发生冲突就必须回到狱中继续服刑，山下还是为了保护桂子勇敢地采取了行动。

　　程晖（李美凤 饰）有着一段平淡而又乏味的婚姻，但她自己偏偏又是个浪漫爱好幻想的女人，于是只能将心中隐藏的激情挥洒在日记本中。某日，程晖家中来了窃贼，警探高政（万梓良 饰）奉命缉拿，就此意外的拾得了程晖的日记，发现了这个外表冷淡的女人内心里的火热。
　　高政无法自持的想要接近程晖，不惜投其所好隐瞒了自己警察的身份，面对这个突如其来的高大男人，程晖心动了，两人之间的距离越来越近。在上一次的行动中，高政击毙了一名窃贼，窃贼的弟弟决定替哥哥寻仇，将攻击的目标放在了程晖的身上。为了救程晖，高政暴露了真实身份，程晖惊觉受骗，悲愤之中选择了离开。

　　改编自威利·弗劳廷所著同名小说，讲述一个女人为拯救家庭、防止家人被驱逐出家族的房子，冒着一切风险踏上一夜的惊险旅程，在波特兰的犯罪圈里筹集资金，期间她被迫直面自己黑暗的过去，最终获得自由。

　　拉斐尔是一个拾荒男孩，他在垃圾山每天靠筛分垃圾为生。然而一个幸运而又不幸的一天将他的世界就此改变。这天他无意拾到了一个小钱包，一个充满谜团、线索并足以改变一切的钱包。然而不久，拉斐尔和他的朋友便遭到了腐败警方的追捕，三个男孩便与警方展开了斗智斗勇的追逐。渐渐地，他们逐渐发现这里面是一个关于一位死去的男人未完成的使命，三个拾荒男孩决心接手这份使命，他们将要独自面对危机四伏的世界......

　　Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.
　　Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.
　　Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.
　　No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.
　　A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.
　　Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.
　　In 2000, the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry.

　　The lines start with “O Somma Luce” which is the title of the film and also the 67th line of the 33rd canto in “Paradiso” of Dante’s “Divine Comedy” to the end of “Paradiso”.  The film is completed with music and lines instead of emotions and narrations.  This is a recent attempt to combine film with literature.
　　The film begins with a black screen and the music of Edgard Varese. The BGM is “Deserts” that was recorded in 1954. After some moments of darkness, the music ends and a middle-aged man sits on a hill, reciting something. He is Giorgio Passerone, an Italian literature professor, and he is reading out of the last part of ‘Paradiso’ of Dante’s Divine Comedy. Jean-Marie Straub expressed how he thinks of Dante through a subtle accent and dialect. The director who had encoded many great artists and musicians including Bach, complete the combination of Dante and Varese, which could seem strange. (Lim Kyung Yong)

　　文革期间，下乡女知青乔叶叶（李羚 饰）不识敌我，村支书带她甄别全村的“四类分子”，当来到所谓“坏人”金召（王咏歌 饰）家时，金召的坦荡和热情深深打动了乔叶叶。知青组长宋侃（丛林 饰）怕乔叶叶不能胜任繁重农活，把她调到伙房帮厨，厨师盼雨（梁冠华 饰）憨厚朴实，对叶叶很有好感，尤端阳（陈青 饰）认为这正好体现知青与贫下中农打成一片，在明知宋侃也对叶叶有意的情况下，她仍撮合盼雨与叶叶结合。新婚不久，盼雨病逝，而叶叶却有了身孕，洽逢文革结束，知青大返城。宋侃和端阳考上大学远走高飞，叶叶则面临孤立无援之境。金召平反后坦露了对叶叶的爱意，叶叶对此十分感激......

　　年轻的正德皇帝，在御书房听太傅梁储讲学，窗外传来宫女妙曼歌声，词意称颂江南景色美丽，人物俊秀，不禁悠然神往。适值殿前侍卫将军周勇乞假返回江南故乡，正德心生一计，命周勇护驾陪行，微服私游江南。
　　君臣策马同行，游览江南景色。正德向来寂处深宫，难得逍遥自在，心怀为之大快。一天来到梅龙镇，镇上正在举行酬神盛会，人山人海，鼓乐喧天。正德与周勇挤在人丛中观看，游行景艺巧妙新奇，目不暇给。突然朵朵鲜花从天而降，正德伸手抢接，惹得扮演「天女散花」的少女嫣然一笑。正德神摇魄荡，一缕深情系在少女身上。
　　回到客店，少女的笑容深印在正德脑中，辗转反侧，无法入寐。翌晨起来，独自漫步。丛林中酒旗高挑，正德信步入内，却和昨天所见少女相遇。原来她是酒家店主李龙的妹妹李凤，不禁喜出望外。酒保大牛上前拦阻，声言今天店主有事外出，暂停沽酒。李凤见正德年少俊雅，芳心窥慕，借故遣开大牛，殷勤款客。正德乘势倾露爱意，李凤羞不自胜，半迎半拒。
　　两情缱绻，良宵苦短。太傅梁储奉太后命跟踪前来，促帝返京。至是，李凤始知心上人乃当今帝主，芳心悔恨。正德赐赠玉佩，声言回京后立即迎娶，册立为后。
　　正德去后，消息杳然。一年易逝，李凤产下麟儿。梧桐叶落，转瞬又是深秋。邻里以李凤未嫁产子，时加讥讽。李凤羞愤欲绝，更因忆念良人，积愁成病，玉颜枯萎，奄奄一息。酒保大牛见状，大抱不平，愿跋涉长途，上京面圣。途中盘费用尽，卖唱乞食，终于抵达京城。值太傅梁储入朝议事，大牛拦舆哭诉，太傅心有不忍，允代设法。
　　正德聆太傅启奏，如梦方觉。前尘往事，复现心头。即命周勇飞骑往迎李凤进京，并奏请太后，册立李凤为贵妃，李凤车驾进京，正德亲自出迎，惟李凤病态之深，加以沿途劳顿，无力支持，竟作香消玉殒。正德抱爱人芳骸入殿，珠泪盈睫，深悔当年孟浪。每抚李凤所遗佩玉，犹自唏嘘不已。

　　北方某山区，青松岭生产大队。清晨，年轻姑娘秀梅（刘晓梅 饰）和青年大虎（王友来 饰）偷偷把生产队的大车赶出来练车，不料马惊了，多亏饲养员张万山（李仁堂 饰）拦住惊马，才没发生意外。车把式钱广（李树楠 饰）挑唆秀梅的哥哥大队长周成（张宝茹 饰）不让年轻人学赶车，结果助长了钱广的威风。新任党支部书记方纪云（朱龙广 饰）来到青松岭后，发现周成只抓生产，缺乏政治头脑，就决心把鞭杆子从钱广手中夺过来，掌握在自己人手中。不久，村里成立了赶车训练班，请万山大叔手把手教青年人学赶车。钱广对此怀恨在心，在辕马跑的浑身是汗时，故意给马饮水，结果马病了，他把责任推到秀梅身上。爱马如子的万山大叔精心喂养病马，终于把马治好了。马车又奔跑在社会主义大道上。

　　讲述了香港警界的四名华人探长的故事。

　　Arick是一个在迈阿密工作的实习律师,为了给主管留下好印象,他接了一份自己难以胜任的工作--开车送主管的侄女和她的宠物猪去洛杉矶,一路上他们遇到了搭便车的人,汽车故障和许多印象深刻的当地人,总之各类事件层出不穷,经过这一旅程后,ARICK明白了,其实世界上还有很多比当一个成功的律师更加重要的事情...