塑料大棚

　　本片由三个不同年龄层的爱情故事组成，分别讲述了三个外国人和一个希腊家庭两代人之间的爱情故事。每一个故事代表了一代人对于爱情的认识与看法，故事之间分别独立存在，通过整个欧洲的经济危机串联起来，最终三个故事变成了一个故事。
　　Sebastian是一个65岁的德国老头，在希腊雅典的超市门口遇见了一位遭受经济危机的55岁已婚妇人Maria，两人由一开始的互相抱怨到最后相爱相知只花了短短几周时间，但是彼此已经刻骨铭心，这段爱情注定只能在阴暗中生根发芽。

　　女大学生圣山环菜在主播面试之后，刺杀了身为知名画家的父亲。因为她的外貌姣好，加上被逮捕后抛下的一句：「你们自己去查出我的杀人动机。」使得媒体不断渲染报导，为何前途光明的女儿会杀害了父亲？为何连她自己都不明白原因？
　　同时，临床心理师真壁由纪受出版社委托，计划将圣山环菜的故事撰写成书，因而开始研究这起事件。一个狐媚般的女孩、感情关系复杂……当周遭人物对环菜的可疑处指证历历时，由纪却发现，在环菜身上有块缺失的关键记忆。若找到记忆中那段初恋，是否就能解开杀父的原因？

　　系列电影《忘川茶舍》改编自简小扇的同名小说，其原著在网络上有着比肩《三生三世十里桃花》和《花千骨》的超高人气，并凭借“高虐”的故事情节，虏获了大批死忠粉丝。

　　时值国家内战、军阀割据的乱世时代，军阀少帅曹少璘（古天乐 饰）因杀害三条人命，被普城保卫团团长杨克难（刘青云 饰) 绳之于法。可曹家财雄势大，以强权震慑居民，曹家上校张亦（吴京 饰）得悉事件后，赶来普城取人，在城中遇上多年不见师弟马锋（彭于晏 饰），马锋是位武功高强的浪人，路见不平欲拔刀相助，可是却面临正义与兄弟情之抉择。

六年前五位学生组成乐队，最后一次演出恋人杨赞、江颐格没能出席，剩下三人吴珂、柴林、洪大方在路上被匪徒威逼着保管珠宝，没想到匪徒马上就被击毙了

　　在某杂志社担任编辑的小山田实里（荣仓奈奈 饰），不得已接受了身为空姐的好朋友爱子（中村由里 饰）的委托，要在夏威夷为爱子的新婚策划“二次会”。早已厌烦了编辑部的一堆闲事，她假公济私征得主编的同意，总算踏上了前往夏威夷的散心之旅。在当地，她通过爱子结识了周游在各大派对渴望嫁入豪门的拜金女小茜（高梨临 饰）、西装革履四处捕获商机的勉（濑户康史 饰）以及看似穷困潦倒却有着十足自信和尊严的知哉（加濑亮 饰）。风光旖旎的夏威夷就好像一场关于天堂的美梦，然而美梦终将醒来，所有在此徘徊的人总归要找到前行的方向。
　　愉快的日子即将过去，实里和新结识的朋友们相继启程……

　　Rosario works as a street seller on the fairgrounds of the suburbs of Naples. His dream to escape poverty latches onto the musical talent of his daughter Sharon. He turns into an impresario to make her a star of the Italian folk music.

　　The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements: water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive: Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.
　　The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,
　　the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.
　　Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.

　　夏洛特（简·西蒙斯 Jean Simmons 饰）和丈夫阿诺尔德（丹·奥赫里奇 Dan O'Herlihy 饰）之间的婚姻并不幸福，她一直怀疑自己同父异母的妹妹乔安（朗达·弗莱明 Rhonda Fleming 饰）和阿诺尔德之间有着不正当的关系。这种怀疑日日夜夜的折磨着夏洛特，终于令她精神失常，最终被送进了精神病院中。
　　经过了一段时间的调养，夏洛特出院回到了家中，这一次，她不希望再生出什么事端了，只想要过平静的生活。然而，阿诺尔德对待夏洛特的态度非常的冷漠，村里的人也都将夏洛特当成是一个疯女人一般的对待，只有房客雅各布（小埃弗伦·津巴利斯特 Efrem Zimbalist Jr. 饰）经常陪夏洛特聊天解闷。

　　In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.
　　The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).
　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.
　　As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.
　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.
　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.
　　Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.
　　The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.
　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

　　乡村教师普拉冬诺夫与妻子过着简单平淡的生活。一次聚会上，他遇到了自己多年未见的初恋情人索非亚，这勾起了他对往事的美好回忆。为了弥补自己在事业上的失败，也为了追寻往日的那段甜蜜恋情，普拉冬诺夫开始背着家人与索非亚约会。后来，他提出私奔，让索非亚同自己一起远走高飞，却遭到索非亚的拒绝。普拉冬诺夫终于明白索非亚已经不能离开属于她的那种奢华生活，这种婚外恋情只是这个女人寻求的一种刺激。在绝望和羞愧中，普拉冬诺夫跳河自杀，却发现命运再次和他开了个玩笑，河水只能浅浅地没过自己的膝盖。最后，妻子跑到河边安慰这位可怜的丈夫，两人重新回到了原来的生活。
　　本片以契诃夫年轻时创作的一部未上映的四幕话剧《普拉东诺夫》为基础，结合契诃夫其他一些小说作品改编而成。创作者准确地把握住契柯夫创作中所反映的时代精神和艺术形象的社会意义和历史意义。影片利用象征、衬托、对比和夸张等多种艺术手段表现主题，使喜剧情节中蕴含哀怨、姜婉的悲剧气氛。影片的摄影艺术极为出色。色彩、景物、光影等因素与情节溶为一体，使影片具有浓重的抒情韵味。本片获第25后(1977年)圣塞瓦斯安国际电影节金贝壳大奖。