甜·秘密

　　改编自越南古老的民间故事，情节类似于童话《灰姑娘》。

　　来自非洲象牙海岸的单亲妈妈萝丝带着两个儿子让和欧吉斯特搬到了巴黎郊区。从80年代到如今，这个家庭经历了组建和分解，跨越时空，一同寻回亲情和记忆。影片分三个篇章来讲述母子三十年间的成长经历，分别从妈妈、大儿子和小儿子的视角切入这个普通家庭努力融入异乡生活背后的种种艰辛。
　　萝丝希望给孩子最好的生活，对个人价值也有所追求，在平衡自我和家庭时却常常感到力不从心，融入当地主流社会的努力有时也得不到孩子们的理解；哥哥让到了青春期，父爱的缺失也让他不知如何处理自己的感情，逐渐封闭自己；弟弟欧吉斯特在成长过程中目睹家庭的变化，对哥哥被送走的决定深感失望，成年后他选择独自生活，但内心却依然孤独。

　　This story is about a musician, Natalie, who moves to a big city and tries her luck at becoming famous. And here she finds not only a great opportunity for her career, but also a new love with another girl, Anna. They two are very different: one poor, the other one is rich, one of them writes music and sings, the other one cannot hear or speak…
　　They are united by love for each other, but their own fears stand in the way of their happiness. They both go through doubts and pain. When they finally find courage in their hearts, it seems like it's too late… But does true love have time limits?
　　HISTORY
　　The proposed film is based on short film “I LOVE HER” (2013).
　　The film participated in such film festivals as: Frameline39, San Francisco International LGBTQ Film Festival, MIX COPENHAGEN, Festival International Entr'2 Marches (Cannes film festival), Boston LGBT Film Festival, The Barcelona International LGTIB Film Festival.
　　//     The film also participated in film festivals held in Madrid, Paris, Seattle, Boston, London, Hamburg. In whole the film participated in 28 film festivals of 12 countries (France,USA, Canada, Switzerland, Germany, Serbia, Latin America, Turkey) and 3 continents (Europe, America, Asia).

　　豫剧电影《天职》主人公纪忠的原型是全国唯一连续两届获得“全国纪检监察系统先进工作者标兵”称号的周口市纪委书记杨正超，影片以其真实的事迹为创作蓝本，热情讴歌了新时期纪检监察干部亲民、爱民的公仆情怀和勇于担当、秉公执纪的英模形象。
　　电影版《天职》由河南国杰文化传播有限公司、国影宣文化传媒(北京)有限公司联合拍摄。影片由著名剧作家陈涌泉编剧，国家一级导演王冰河执导，江团结、党玉倩分别饰演男、女主角，中国戏剧梅花奖获得者李树建、著名豫剧表演艺术家张宝英等将倾情加盟。

　　A coal mine in the Donbas region is infiltrated by a haywire cult that invites members to sacrifice a finger to the "sacred ax"--but two rugged miners fight back when a sweet village girl falls into the fold.

　　年轻恋人兼剧场拍档携手编导新作，可惜旧心结未解，新分歧又浮现，她渴望沟通，他却紧闭心扉。二人犹如两架并行列车，方向相近却总是若即若离，随时分道扬镳。排戏期间适逢战争蓄势待发，演员各持立场而顿生磨擦，公演面临重大危机。
　　滨口龙介的漫长电影初尝试，与他执教的戏剧学院学生共同创作，通过绵密对白和诗歌，探讨人际关系复杂面貌，俯拾皆是《欢乐时光》《驾驶我的车》等日后代表作的元素。
　　电影上半部虚构创作及排戏过程，下半部则携来现实中的舞台剧演出，前后篇章虚实融合，耐心营造日常感，展现滨口创作轨迹。
　　电影将语言比喻为盛载想像力的列车，于各站停靠，连系起疏离的个体；深刻对话贯穿街头漫步和剧场时光，道尽亲密关系里的柔情、隔膜和矛盾。由黑夜拍至破晓的17分钟长镜头交谈，更尽显导演才华。

　　影片围绕着一位失去记忆的女作家Alina Reynolds(柯比饰)展开。她发现自己一直在纽约城区游荡，分不清楚时间、地点、季节。Alina的意识游走在想象的对话、自己的短篇小说片段，以及周围熙熙攘攘的城市之间。而一个充满魅力的黑人青年的出现，让她的生活有了准星。

　　据民政部估计，全国流浪乞讨儿童数量在100万-150万左右。在一些地乡村地区，买卖儿童几近市场化，形成了一个完整的地下黑色利益链。盲人小女孩晶晶（杜函梦 饰）一直被以郭伟（胡明 饰）为头目的犯罪团伙控制下在街头乞讨赚钱。一天，她在地铁通道里遇到了赵亮（李杨 饰）。赵亮是一名落魄摇滚大叔，整天装扮成盲人进行坑蒙拐骗。为了逃脱郭伟残暴的毒打，她在赵亮的带领下到了派出所，但民警王莉莉（于越 饰）根本找不到晶晶的家，晶晶却说赵亮是她的爸爸，万般无奈之下，赵亮只好暂时收留她。最终犯罪团伙还是找到了他们，并以晶晶“监护人”的身份把她带走，晶晶和犯罪团伙之间到底是什么关系？赵亮为了弄清楚这一切，踏上了一场未知的行程。而他和晶晶的故事才刚刚开始……

　　中年男人李强（葛优 饰）陷入了事业与家庭以及自身的三重麻烦：公司陷入三角债的泥潭，讨债的天天上门坐办公室里，欠债的经常约出去唱歌，白吃白喝白玩，可就是不跟他提还钱的事；家里老婆疑心他跟女秘书（林熙蕾 饰）有染，儿子（陈柏霖 饰）从美国回家度假，跟个哑巴一样，一句话都不说；他自己经常头痛，检查发现脑部有阴影，可能是癌。为了让整个生活有转机，也为了在自己可能死后给家人铺好后路，他决定要购买Frank（John Savage 饰）祖传的奶酪公司。
　　年过半百的Frank自有另一番不为人知的光景，祖传的公司入不敷出，跟妻子离了婚，女儿又进了戒毒所，于是挺儿走险企图来中国卖掉自己一文不值的公司然后逃之夭夭。
　　两个不同种族但又同样处于困境中的中年男人都渴望能解决自己遇到的问题，而现在又发生了千丝万缕的联系，而身边出现的女秘书、爆矿老板（刘桦 饰）等人物也都各有不为人知的心病，大千世界里的这些芸芸群生们将何去何从？

　　黄斌和陆发是一个抢港,台游客的退役军人，是一家强盗集团的成员，在一次分赃不均的内讧后，二人潜逃香港。在港偷了黑狼的部分军火，二人几经辛苦才找到了一个买家大圈。没想到大圈知道货的来源后，在交易时黑吃黑，但并没得逞。在混乱中反被陆发把钱抢走。其后黑狼得悉，威胁截斌等人交出军火，否则他会向戴女友美枝下毒手，戴唯有答应。在黑狼手下的伏击下，连场大火拼亦随之展开，究竟戴斌能否救回美枝呢？

　　A massive earthquake strikes the United States, which destroys the West Coast and unleashes a massive flood that threatens to destroy the East Coast as well.
　　If you're wondering about this film and why it's dubbed in Italian, then read the following comment from IMDb:
　　I have always wondered about the disappearance of "Deluge". Why for so many years, seemingly since it's release in 1933, this film vanished from the face of the earth. After seeing it, courtesy of the efforts of Mr. Wade Williams & Co., I'm still puzzled, but I have a theory. In 1933, "the code" was enacted that pretty much took care of sex and violence in Hollywood. While not an explicit film by any means, "Deluge" does deal fairly frankly with sexuality, lust and rape. I wonder if RKO discovered they had a film that they could not re-release, much like the fabled lost Warner Bros. comedy "Convention City". It's a shame for, while it is a dated film, I find it quite unique and surprising for it's era and a fairly successful attempt to create something different in an era when films were already becoming cookie cutter by-products of the studio machine (not that many of those cookies aren't tasty, mind you). And even though the only available copy at this writing is dubbed into Italian, I don't find that a hinderance. An excellent job was done in subtitling the film, and much of the film is visual anyway.

　　2018年是Sing Like Talking出道30年，他們的音樂以及粉絲所寫的信是這部電影的故事來源，2016年8月6日在東京日比谷的野外大音樂堂裡舉辦Sing Like Talking Premium Life第二彈，電影收錄了這次演唱會的片段花絮以及粉絲團所募集的真實故事，將兩者化為劇情合為一部音樂電影作品