爱在屋檐下2001

　　It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.
　　Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.
　　When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."
　　Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.
　　Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.

　　长达半个世纪的爱情故事。
　　19世纪末期哥伦比亚的喀他赫纳，电报员Florentino Ariza（Javier Bardem 饰）爱上了富商的女儿Fermina Daza（Giovanna Mezzogiorno 饰），他用热情洋溢的情书打动了Fermina Daza的心，二人迅速相恋。然而，由于身份地位的悬殊，Fermina Daza不得不屈从于父亲，离开了喀他赫纳，在年轻的Fermina Daza看来，二人的爱情只是少不更事的幻觉而已。
　　几年后，Fermina Daza在父亲的安排下，嫁给了有好感的医生Dr. Juvenal Urbino（Benjamin Bratt  饰）。正值霍乱时期，一个医生丈夫不仅能带来优渥的生活，更是生命有力的保障。Fermina Daza渐渐忘记了当年的事情。可是Florentino Ariza却没有忘记，当年一无所有的青涩少年，继承了伯父的遗产，成为富有的船商，他经历着不同的女人，但是内心却对Fermina Daza念念不忘，他能做的事情，就是等待，等待重逢的那一天，纵然五十多年过去，对她的心意还一如往昔。

　　本片讲述了一起在煤渣胡同长大的铁猴（黄景行 饰）和铁蛇（敖犬 饰）兄弟情深，大哥铁蛇为人仗义有担当，是这帮胡同串子的依靠。铁猴爱街舞胜过爱生命，在小飞（孟美岐 饰）家寄养长大。害羞默默守护一起长大的妹妹小飞多年。
　　富二代何川（余建波 饰）因父亲阻挠失去自己的舞团和战友，不得不回到父亲的公司上班继承家业，但是内心却无法放弃对街舞的热爱。一次偶然的机会，何川与铁猴相遇，他们一个是自我感觉良好，追求更高艺术表达，决不妥协的街舞富二代。一个是出身底层，玩世不恭，不喜表达感情，在舞蹈中充满感性和爆发力，本性无拘无束的天才少年。出生迥异的两个人，就这样介入了各自的生活，两个人因舞蹈结缘，一起面对最黑暗的对手..

　　这是我国第一部瞄准情人节档期的影片。
　　这部电影讲述的是一个都市青年寻找昨日爱情的动人故事：优秀的外企白领(陆毅饰)对曾与自己有过一夜情缘的无名女孩(范冰冰饰)念念不忘，痴情的他认定那位无名女孩是自己此生最唯一的真爱并开始苦苦寻找……

　　大学生村官田野，在苗家阿妹石玲的帮助下，从“茶王”石天柱那里学得黄金茶的制作技术，充分利用当地旅游资源优势，因地制宜脱贫脱单，帮助九里乡八洞村村民建立美丽和谐家园的动人故事

　　文森特（理查·基尔 Richard Gere 饰）是行业内有名的建筑师，他和太太莎莉（莎朗·斯通 Sharon Stone 饰）结婚多年，两人之间感情一直十分要好，莎莉替文森特生了一个非常可爱乖巧的小女儿，这个三口之家可谓是旁人眼中的完美家庭。
　　然而，只有文森特自己知道，虽然生活平静而又幸福，但在他的内心深处，有一种空虚和悸动慢慢的浮现，和妻子之间的过于熟悉让他们再无秘密可言，看着枕边人，文森特时常会感到一种深深的疲惫感。在这个节骨眼上，一个名叫奥利维亚（洛丽塔·大卫多维奇 Lolita Davidovich 饰）的女人出现在了文森特的身边，神秘而又充满活力的她迅速吸引了文森特的注意。

　　Tony Manero（约翰·特拉沃尔塔 John Travolta 饰）是纽约布鲁克林区一个19岁的青年，白天在一个五金店打工，看起来是一个平凡的少年。然而到了周六晚上，Tony就是当地迪斯科舞厅光芒四射的“舞王”。Annette是Tony的舞伴，两人本来计划参加舞厅将要举办的跳舞比赛。然而当Tony遇见了Stephanie Mangano（凯伦·琳恩·高妮 Karen Lynn Gorney 饰）后，被她的舞技所打动。Tony向Stephanie求爱遭拒，但是Stephanie同意当Tony的舞伴，和他一起参加比赛。两人每天勤加练习。在比赛的时候两人奉献了精彩的表演，获得了第一名。然而Tony认为有一对搭档舞技更好，只是因为他们是西班牙人而只能获二等奖。于是Tony把第一名让给了他们。比赛结束，Tony再次向Stephanie求爱......
　　本片带动了当时的迪斯科热潮，Bee Gees的歌也风靡全球。

　　在世界各地留下足迹的录音师子淇（贺军翔 饰）离开香港，抵达北京，在这里，他偶遇了开着房车的神秘女孩白叶（李小璐 饰），后者邀请他上车。在攀谈中，两个陌生人发现彼此对于旅行的计划竟然惊人的一致，于是他们约定同行，并将在坝上分手。从长城开始，举止过火的白叶给子淇造成了不小的困扰，在唇枪舌剑和大胆的玩笑中，这个敬佩余纯顺行为的女孩一次次令子淇失去掌控。不久，子淇接到了白叶父亲的电话，始知道旅伴身患绝症，子淇在剩下的旅程中帮助白叶找到了传说中的树屋，然而此时白叶却神秘的死去……六个月后，子淇偶遇了和白叶一模一样的富二代作家晏青，才知道事情的真相……

跟随当代背景下的苦乐参半的关系故事，探索爱情的各个方面、色调和情绪。

　　Rick Stone is the world's biggest action star but unfortunately, he is also the prime suspect in his wife's death. He must enlist the help of a conniving tabloid reporter named Dana Fields and the trust of his mistress Stephanie to try and clear his name.

　　在遇见艺珍之前，李天明是不爱喝茶的人，他觉得茶过于平淡。在经历了事业和爱情的双重失败后，他对深谙茶道的艺珍一见钟情，遂喜欢上了茶道，也开始慢慢 追求艺珍······

　　看似平淡的一天，在银行工作的张英（金敏喜 饰）回到家中大哭了一场，与此同时在同一家银行工作的李东熙（李民基 饰）也在聚会中醉酒失态。原来他们是一对秘密进行办公室恋情的分手情侣，同事们都不知道他们的关系，两人虽然装作无所谓，但却在各种交集中为难对方。在一次女科长（罗美 兰 饰）为张英做媒的活动中，东熙终于忍不住嫉妒破坏了张英与男同事的相亲，从此二人的关系公之于众，也上演了各种啼笑皆非的趣事。随着两人都再次寻觅到新欢，二人也开始冰释前嫌，但由于公司的集体出游计划，新的事故又开始上演了，在搅乱了各种工作生活之后二人又重归于好，而同时女科长与男科长（崔武盛 饰）各自的婚姻关系也发生了新的变化。分手的情侣还能和好如初吗？爱情的温度在随时随地发生着变化。