我的朋友，我的同学，我爱过的一切

　　婚姻究竟是否恋爱的坟墓呢？有人觉得一纸婚书等于一张长期饭票，亦有人觉得是一条末路。因此当不信婚姻的大卫（谢利奥康奴）被亲密同居女友（碧姬韦逊）提出结婚的计划时，他要面对他一生中最大的决择，他究竟最后选择去接受还是去逃避呢？

　　公车司机阿泰（刘冠廷/饰），是一个动作慢吞吞、连手表的时间、地震的感应都比别人慢的奇葩。他每天都会去邮局，找柜员杨晓淇（李霈瑜/饰）寄一封不知道给谁的平信。柜员杨晓淇和阿泰完全相反，是个凡事抢拍的超级急性子，唯独感情生活毫无进展，年近三十还是母胎单身。情人节前夕，杨晓淇被天菜阳光男刘老师（周群达Duncan/饰）搭讪，终于情窦初开的晓淇和刘老师天雷勾动地火；想不到一觉醒来，刘老师再无音讯、而且情人节居然已经过了？！每天来寄信的阿泰也再也没出现过...毫无记忆的杨晓淇，开始了一趟寻找真相的奇幻旅程...

　　根据同名少女漫画改编，描绘了4名高中生男女的青春爱情故事。山本朱里（滨边美波）是崇尚现实恋爱的女主角，山本理央（北村匠海）则是她没有血缘关系的弟弟。

　　韩小乐（付辛博 饰）在大理的咖啡馆遇见并爱上了美女吕雯，曾经的摩托车手吕雯因为一次意外导致脑部神经受损，记忆只能维持一天，韩小乐每天绞尽脑汁想出各种方式讨好心爱的姑娘“重新”追求吕雯，两人的爱情每天如初恋般上演。
　　如果相见不如怀念，能否让我在记忆里重新爱你一遍。如果韩小乐有一天能让吕雯的上一秒不再成为下一秒的纪念，那么那些一起路过的街头巷口，牵手看过的落日斜阳，是不是就可以重新被再放进心底。这是韩小乐想吕雯的第37天，如果你忘记，没关系，我记得，然后提醒你。37次想你只是开始，其实故事还在延续……

　　在伦敦追求音乐梦想的音乐才子古大白（李治廷 饰），因为一场意外陷入签证危机，将被遣送回国。已拿到绿卡的发小金天（白客 饰）突发奇想，企图在签证官华生（鲁伯特·格雷夫斯 饰）面前蒙混过关，而古大白也与新搬来的邻居赫敏（张榕容 饰）之间擦出恋爱的火花。但事情并没有想象中顺利：火眼金睛的签证官穷追不舍、大白的父母突然来访、金天也与女友出现感情危机… 各种突发状况让这对“伦漂”兄弟手忙脚乱，小谎言滚成了大雪球，在签证与真相之间，兄弟俩又将如何选择？

　　上海：21世纪全球贸易中心。每天都有更多的外籍商人来到上海，渴望了解到中国做生意的方式。这些外国人中有我们的同事，老板，邻居，客户……
　　当雄心勃勃的纽约律师山姆（丹尼尔·海尼 Daniel Henney  饰）被意外的派到上海时，他立即陷入了法律泥潭，使他差点丢了工作。但随着一位聪明性感的助理（朱珠 饰），一个机灵的上海记者（耿乐 饰），一位漂亮的迁居专家（伊丽莎·库伯 Eliza Coupe 饰），以及一个人脉广泛的老前辈（比尔·帕克斯顿 Bill Paxton 饰）的帮助，山姆可能有机会保住工作，寻找到爱情，并且学着去欣赏他美好的故乡……

　　本影片根据菲利普·K·迪克的短篇小说《规划小组（Adjustment Team）》改编。
　　天生就适合走上政治舞台的大卫·诺里斯(马特·达蒙 Matt Damon 饰)，是一名政坛的明日之星，他在信心满满的参选纽约州参议员期间，意外认识了认识美丽的芭蕾女演员爱丽丝(艾米莉·布朗特 Emily Blunt 饰)，两人一见钟情，正当情意正浓时大卫突然被一群穿黑西装、戴黑帽和墨镜的神秘人士绑走。这群自称是隶属于联邦的人生命运调整局的人，告诉大卫他命里该当总统，伊丽丝也会成为世界著名的编舞家，他们的相爱会使两人的前途都成为泡影。规划局想尽一切方式阻止两人再次相遇。知道真相的大卫是会追求自己的梦想而放弃爱丽丝？还是为了真爱，对抗命运调整局呢？

　　一个政治家在目睹妻子在一起恐怖事件中死于汽车炸弹后，一直在和自己搏斗……

　　一代大侠李慕白（周润发饰）有退出江湖之意，托付红颜知己俞秀莲（杨紫琼饰）将青冥剑转交给贝勒爷（郎雄饰）收藏，不料当夜遭玉娇龙（章子怡）窃取。俞秀莲暗中查访也大约知道是玉府小姐玉蛟龙所为，她想办法迫使玉蛟龙归还宝剑，免伤和气。但李慕白发现了害死师傅的碧眼狐狸（郑佩佩饰）的踪迹，她隐匿于玉府并收玉蛟龙为弟子。而玉蛟龙欲以青冥剑来斩断阻碍罗小虎（张震饰）的枷锁，他们私定终身。关系变得错综复杂，俞秀莲和李慕白爱惜玉蛟龙人才难得，苦心引导，但玉蛟龙却使性任气不听劝阻……

　　Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson
　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play "La Morte in Vacanza" by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.
　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.
　　To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.
　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.
　　(Howard Schumann, talkingpix.co.uk)
　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.
　　(Dennis Schwartz, homepages.sover.net)
　　I've heard DRACULA was advertised with the tag line "The Weirdest Love Story ever told!" (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.
　　(Dave Sindelar, scifilm.org)
　　See also the remake: Death Takes A Holiday (1971)

　　尽管全球通力协作，地球还是不可避免地要与太阳相撞了，英国记者报道这个即将到来的灾难。

　　加里·格兰特在片中扮演一位画家，秀兰·邓波儿饰演一个纯真的年轻姑娘，玛娜·洛伊扮演年轻姑娘的姐姐。年轻姑娘深情不渝的爱上了魅力四射的画家，但画家只想利用这种关系来接近小姑娘的姐姐。但这位生活稳定的女记者却出于傲慢和对其妹妹感情的双重顾虑而拒绝接受画家的爱。最后画家利用其过人的幽默感把这原本很糟糕的情势化为了快乐的结局。