我们不说再见

　　从⼩在家暴⾥长⼤的⼥孩江晓⽉惧怕婚姻，毫⽆爱情信仰，⼏近堕落，遇到了青春期曾经暗恋的赵宇，戏弄他说⾃⼰得了⽩⾎病，没想到在赵宇得关⼼下，她感受到了爱情的美好，新⽣洗礼之后，晓⽉开始了阳光的⽣活。

　　马奇夫人（劳拉·邓恩 Laura Dern 饰）有着四个如花似玉的女儿，大女儿梅格（艾玛·沃森 Emma Watson 饰）拥 有着美丽的外表，和对于爱情的天真憧憬。二女儿乔（西尔莎·罗南 Saoirse Ronan 饰）满脑子塞着古灵精怪的念头，整天拿着蘸水笔东写西写，她的故事在全家上下都受到了热烈的欢迎。三女儿艾米（佛罗伦斯·珀 Florence Pugh 饰）渴望成为一名画家。最小的女儿贝斯（伊莱扎·斯坎伦 Eliza Scanlen 饰）虽然个性比起三个姐姐要来的内向的多，却拥有杰出的音乐天赋。
　　在马奇夫人的教导之下，四个姑娘渐渐成长为了拥有独立人格的杰出女性，她们热情、乐观、善良，每个人都在各自的道路上坚强而又坚定的前进着。

　　霍金（埃迪·雷德梅恩 Eddie Redmayne 饰）和简（菲丽希缇·琼斯 Felicity Jones 饰）相识于一场舞会上，两人初次见面交谈甚欢，颇有一番相见恨晚的意味。之后，霍金大胆的邀请简参加舞会，二人以此为契机，陷入了热恋之中。
　　不幸的是，一次昏迷令霍金被确诊患上了罕见的肌萎缩性侧索硬化症（ALS），医生坦言他只剩两年的生命，被病魔折磨的霍金陷入了抑郁之中，然而简并没有因此而抛弃他，恰恰相反，几经波折之后，两人踏入了婚姻的殿堂，简还为霍金生下了一个活泼可爱的孩子。霍金的身体迅速的虚弱下来，与此同时，他在学术研究上却取得了一个又一个成就。为了照顾霍金，简心甘情愿成为了他“背后的女人”，但是，这也恰恰成为了两人幸福婚姻里的第一道裂缝。

比尔（布鲁斯·威利斯 Bruce Willis 饰）是一名心理医生，这个特殊的职业让他接触过许多精神抑郁生活压抑的病人，他们的压力在无形之中也转嫁到了比尔的身上，终于，当病人蜜雪儿（Kathleen Wilhoite 饰）在比尔眼前坠楼身亡后，比尔意识到，休息的时间到了。
　　沮丧的比尔决定去找老友鲍勃（斯科特·巴库拉 Scott Bakula 饰）叙叙旧，不幸的是，在两人见面后没多久，鲍勃便被某个凶徒残忍的谋杀了，丝状可怖。为了查明老友死亡的真相，比尔展开了缜密的调查，在此过程中，一个名叫罗丝（珍·玛奇 Jane March 饰）的神秘女子浮出了水面，然而比尔不知道的是，当他逐步接近真相的同时，危险也在接近着他。

…

　　Will Penny, an aging cowpoke, takes a job on a ranch which requires him to ride the line of the property looking for trespassers or, worse, squatters. He finds that his cabin in the high mountains has been appropriated by a woman whose guide to Oregon has deserted her and her son. Too ashamed to kick mother and child out just as the bitter winter of the mountains sets in, he agrees to share the cabin until the spring thaw. But it isn't just the snow that slowly thaws; the lonely man and woman soon forget their mutual hostility and start developing a deep love for one another.

　　电影讲述了仙界蹲班生天意，因前世孽缘未了始终无法成仙，后擅自进入镇妖司导致雪女越狱下凡，在捉拿雪女过程中彼此互生情愫。天意得知雪女的悲惨身世，发现自己竟是害她沦为雪妖的负心汉。为了弥补三生三世前的过错，天意不顾生死进入黄泉，只为找到那朵有花有叶的曼珠沙华，拯救被怨恨折磨的雪女。一番磨难过后，二人终于成婚，天兵再次下凡捉拿雪女。最终，雪女为救天意牺牲自己，让天意明白了《捉妖录》上“天下无妖”的含义。

　　一名刺客手持木棍闯进太子府，行刺未果，却散布谣言，说自己握有太子谋反的证据。三皇子声称要助太子调查案情，进驻太子府，实际却命锦衣卫将太子府团团围住，任何人不得出入。太子明白自己又一次陷入郑贵妃精心布下的圈套中，面对渐渐显露的杀机，他无从化解……而此时，王恭妃却执意要将兰心梅儿贬黜回家，任她如何哭泣哀求也不愿收回成命。王恭妃究竟是在为太子雪上加霜，还是另有隐衷？

　　IT新贵Ben（张智霖）过著中产生活，一日科技股泡沫爆破，Ben失去工作，却不甘放弃既有生活方式。他在跑马地新兴蒲点认识IT公司主席千金Jenny（佘诗曼），趋之若鶩。龙（蔡一智）分租Ben的房子，希望找到梦中女神，直至开放美丽的Michelle出现，他又感到自卑。Ricky（苏永康）志在搜刮八卦料，初与三线女星敏仪合作制造新闻，最后竟然恋上。同时Jenny也渐渐发现Ben的企图……

　　平凡女孩筱原绘里香（二阶堂富美 饰）在升入高中后，经常与时尚的朋友们凑到一起聊些关于男朋友的话题。虽然夸夸其谈，但是绘里香却从来没交过男友。为了圆谎，她只得拜托好友三田亚由美（门胁麦 饰）帮忙。为了打消朋友们的疑虑，绘里香在大街上偷拍了某位帅哥的照片，并谎称是自己的男友。意想不到的是，这个帅哥居然正是绘里香所在学校的头号帅哥佐田恭也（山崎贤人 饰）！为了将谎继续编下去，她只能哀求恭也假扮男友。幸运的是恭也居然一口答应了，然而看似温柔阳光的恭也，实则是个促狭腹黑的大男孩。他提议让绘里香变成他的忠犬，以作为假冒男友的报酬。已是骑虎难下的女孩，只能违心地向恭也摇尾乞怜……
　　本片改编自八田鲇子于2011—2016期间在《別冊マーガレット》上连载的同名漫画改编。

　　阿伦（谭咏麟 饰）经营着一家小小的花店，在女友决定离开他后，阿伦很长时间都生活在心碎之中。阿兰从很久以前起就默默的暗恋着阿伦，借此机会她想要乘虚而入。于是，在哥哥一丈红的安排之下，阿兰灌醉了阿伦，和他发生了关系。虽然阿伦对阿兰没有任何感情，但负责任的他还是决定开始和阿兰交往。
　　阿伦带着阿兰前往日本旅游，在旅途中，阿伦邂逅了美丽的幸子，幸子一下子就牢牢的抓住了阿伦的心，阿伦向幸子展开了热烈的追求，很快，两人就坠入了爱河之中。看着自己好不容易弄到手的男人就要跑了，阿兰当然不会善罢甘休，与此同时，阿伦和幸子之间的感情也遭到了幸子家人的强烈反对。

　　Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson
　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play "La Morte in Vacanza" by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.
　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.
　　To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.
　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.
　　(Howard Schumann, talkingpix.co.uk)
　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.
　　(Dennis Schwartz, homepages.sover.net)
　　I've heard DRACULA was advertised with the tag line "The Weirdest Love Story ever told!" (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.
　　(Dave Sindelar, scifilm.org)
　　See also the remake: Death Takes A Holiday (1971)

　　音乐给人精神愉悦的同时，常常会成为人生的支点，这一点对于青年琵琶演奏家、音乐学院硕士研究生季静来说尤为重要。年轻而又美丽的女琵琶演奏家季静正在准备她的琵琶音乐会，这场音乐会对于季静来说不是一场普通的音乐会，这是她生命的最后重彩，是她生命的总结。季静痛苦的秘密，连她的导师雷德清先生和恋人阿桂都不知道。季静正在研读明清著名音乐家汤应曾的音乐古谱《十面埋伏》，这是汤应曾用毕生坎坷重新演绎的汉代古曲，里面包含着汤应曾对死亡的蔑视与崇敬。由于音乐会经费不足，季静不得不疲于奔命。同明朝的汤应曾一样，在世情与音乐间徘徊。汤应曾以生命为代价，重新写出《十面埋伏》，在《十面埋伏》的琵琶曲中，汤应曾在对一个一个死亡的追忆中，悲然死去。季静不愿死去，但死亡不以人的意志为转移。在最后的日子里，她几乎是在与汤应曾的交流中度过的。她在冥冥之中感受着汤应曾的每一次死亡和每一次死亡感受到的精神力量，这种精神力量让季静把自己对这个世界的最后一点爱溶入到个人独奏音乐会中，并献给她深深依恋的这个世界。从迷惘到坚定，一个美丽的弱女子用琵琶歌唱她的真善美，用琵琶演绎生命的辉煌与创造力以及对生命的珍惜。季静从中寻找到人生的最高境界——生命永存！