264
6.0

偶像

导演:
肖朗
主演:
马容莉,高海博,朱子岩,陈泓雨,梁玉瑾,蒋耀吩,郑罗茜
别名:
未知
6.0
264人评分
国语
语言
未知
上映时间
未知
片长
简介:

  故事发生在南方某大学校园。一天夜晚校园礼堂灯火通明,座无虚席的观众热切聆听,悦耳的歌声在舞台上激荡着,唱歌的正是读研即将毕业的英俊潇洒的校园歌手杨可人,当他唱完向观众深深一鞠躬时,观众掌声雷动,他的独唱音乐会获得了巨大成功。
  杨可人急匆匆跑回宿舍打开电脑把这一喜讯告诉在网上相恋多时却只在视频上见过,而又从未在生活中谋面的女友:一位漂亮的女高音歌手赵兰,并要求与其见面。赵兰说她将举办两场音乐会,一是满足杨可人见面的要求,同时也是为感谢歌迷对她的厚爱。杨可人为终于能有机会见到自己朝思暮想的恋人而喜出望外,他极积准备着行装,却遭遇到了同宿舍的好友蒋大林的“挖苦”。
  大学校花沈惠民倾慕杨可人已久,发短信邀他在学园咖啡厅见面,然而急于去见自己心上人的杨可人根本没有看到短信,而这一信息却被暗恋沈惠民的蒋大林发现而去赴约……
  赵兰音乐会的现场气氛热烈、观众情绪高昂地等待着她的出场。杨可人也手捧鲜花进入剧场。当幕布徐徐拉开,美丽的音符从侧幕传出,人们在屏气凝神中等待着自己心中偶像出场时,一个意外的景象出现了:原来美丽的声音却发自坐在轮椅上的赵兰。杨可人惊呆了,观众沸腾了,人们心目中的偶像在瞬间倒塌了。
  赵兰同样经受了被嘲讽的痛苦和屈辱,让她真正意识到正视自己现实的必要性。然而不能接受这个现实的杨可人却倍感失落和愤慨他冲动地跑到赵兰入住的酒店去谴责她隐瞒自己是残疾人的事实从而欺骗了他的感情。赵兰表面平静地面对了杨可人的责难继而愤然反击赶走了杨可人,实则内心非常痛苦,她知道她失去了一个正常人应该享有的爱情,但是她没有停留在悲伤中,毅然决定继续演出并且在海报上加上“残疾人歌唱家”的醒目标识。
  失落的杨可人在海边疯狂地发泄着自己的感情,他实在不能接受自己热恋的偶像竟然是一个残疾人的事实。他一蹶不振地回到校园足足睡了三天,也让他的同室好友蒋大林担忧了三天。似乎一切趋于平静,杨可人开始了毕业论文的箸作,然而内心,赵兰的音容笑貌却时时在他的脑海中荡漾……

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  It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.
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  When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."
  Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.
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