605
4.0

我来自北京之玛尼堆的秋天

导演:
岳丽娜
主演:
岳丽娜,朱铁,更登彭措,赵晓苏,仁青娜姆,充巴,阿吉,陈俐君,董方卓,刘格铭
别名:
未知
4.0
605人评分
国语
语言
未知
上映时间
未知
片长
简介:

  影片讲述了援藏扶贫干部、志愿者们响应党中央号召,从大都市来到高原藏区,为当地的扶贫事业贡献自己的爱心和热量,甚至生命的故事。在教育扶贫的战场上,他们秉承“一个也不能少”的理念将辍学的孩子带回课堂;在产业扶贫的战场上,他们亲力亲为带领藏族同胞发展种植合作社,为贫困村引进特色文化产业。肖宁月作为挂职县委常委、副县长,面对当地复杂的人文情况和迫在眉睫的脱贫目标,稳住了阵脚,带领各地扶贫干部,团结各方援藏力量,与当地村民一起,最终完成了脱贫目标。在这一过程里,这群“高原助梦人”也在坎坷中逐渐完成自我精神力量的提升,来自上海的第一书记在劳动过程中突发心血管疾病,他的离开给肖宁月等人带来了不小的打击,他们能做的是擦干泪水继续投入攻坚脱贫的战场,完成他未竟的事业。

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  名年仅16岁的少女非常厌倦学校和家庭的生活,选择了离家出走。她认识了宇和岛上的痴汉,又遇见了一个流动艺术团,还一度加入了他们的行列。只是不久以后,她又一个人上路了。少女不小心摔倒在路边,一个以卖鱼为生的中年男子木村把她带到自己家中,并很细心地照顾她,直到她安全康复。少女渐渐对木村产生了情意。由于参与赌博木村被警察拘捕,被放回的晚上少女亲了她。拿不定主意的少女哭泣着往家走去,却在路上听说邻居的姑娘加代已经自杀而死。对此少女并不觉得多么意外,她想如果自己没有出走也可能如此。她又回到木村家中,二人紧紧拥抱开始亲热,均有一种莫名的安全感。随后少女与木村结为夫妻做贩鱼的生意。在给妈妈的信中少女这样写道:“我很满足自己现在的生活,我认为这是我理想的生活方式。”
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魔鬼的陷阱
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简介:

  In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.
  The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).
  Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.
  As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.
  Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.
  The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.
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5047
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魔鬼的陷阱
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