看不见听不见也爱你

　　越南人气少女CHI PU主演的首部电影。虽然是女同电影，其中的爱情曲折，让人有一种暖暖的感觉。无论你直与弯，只要“真爱”出现，逃不掉的..

　　胡丽叶塔（阿德丽安娜·尤加特 Adriana Ugarte 饰）和苏安（丹尼尔·格劳 Dani Grao 饰）相识于一列疾行的火车之上，之后两人相爱，结婚，生下了可爱的女儿安蒂亚（布兰卡·帕雷斯 Blanca Parés 饰），一家三口生活在幸福美满之中。某日，胡丽叶塔和苏安发生了争执，苏安一怒之下扬帆出海，却遭遇了风暴丧生海底，绝望的胡丽叶塔患上了抑郁症。
　　安蒂亚和好友碧亚（米歇尔·珍娜 Michelle Jenner 饰）共同照顾着魂不守舍的胡丽叶塔，一晃眼就是很多年过去，虽然胡丽叶塔的病情渐渐好转，但她对女儿的依恋和依赖却越来越深。在十八岁生日那天，安蒂亚不告而别，从此下落不明，胡丽叶塔在愤怒、委屈和惊恐之中疯狂的寻找着有关女儿的蛛丝马迹，但始终都是徒劳。

　　年轻美丽的护士罗嘉琪，同时也是人气爆棚的网红歌手，因为和电台主播银树的一次误会，导致银树成为键盘侠口诛笔伐的网络暴力对象从而失去了电台工作。
　　酒醉的银树一次恶作剧导致罗嘉琪遭遇车祸毁容，使得罗嘉琪原本成为歌手的愿望破灭，也没有勇气再次回到原来的岗位。
　　得知自己患有脑癌的银树，为了补救自己犯下的错误将真相告诉罗嘉琪，让罗嘉琪重新找回了人生的目标，用下半辈子折磨银树。在对银树实行了一些列啼笑皆非的复仇行动后，两人的感情变得微妙起来，然而银树的失踪使得罗嘉琪重新审视起自己的未来，决定重回医疗岗位。
　　回到工作后的罗嘉琪，却在医院中见到了寻找多时的银树。在罗嘉琪细心的照料下，银树苏醒却丧失记忆，罗嘉琪决定用“折磨”他的方式帮他找回记忆。故事最后，银树能否恢复记忆，两人是否又能走到一起，罗嘉琪有没有勇气脱下口罩直直面内心呢。

　　在一架飞机上，基雅（卡琳娜·卡普尔 Kareena Kapoor 饰）邂逅了名为卡比尔（阿琼·卡普尔 Arjun Kapoor 饰）的男子。让基雅感到意外的是，这个看上去铁骨铮铮的硬汉，竟然眼泪汪汪的害怕的簌簌发抖。原来，卡比尔害怕坐飞机，每次坐飞机的时候都是母亲安抚着他的情绪，然而故人已逝，卡比尔不禁触景生情。
　　为了安慰卡比尔，基雅紧紧的握住了他的手，一段浪漫的恋情就此拉开序幕。没过多久，基雅和卡比尔就决定携手步入婚姻的殿堂，可是，他们在家庭里所扮演的角色却仿佛调了个个儿，基雅每日出门工作赚钱养家，而卡比尔则坐镇家中主持家务。他们的朋友和家人们会怎样看待这段逆转的关系呢？

　　维也纳盛大的皇家婚礼之后，茜茜（罗密·施奈德 Romy Schneider 饰）开始皇后的生活。她慢慢地调整自己以适应奥地利宫廷生活，但她发现与皇太后苏菲（玛达·施耐德 Magda Schneider 饰）相处非常艰难。专横的皇太后恪守着皇室的陈规陋习，并不断地向弗兰兹（卡尔亨兹·伯恩 Karlheinz Böhm 饰）灌输应该怎样遵守皇室法规去经营帝国和家庭。茜茜的女儿出生之后，她和苏菲之间的矛盾进一步激化。苏菲依据皇室的规矩不让茜茜自己抚养女儿，而弗兰兹竟然顺从母意，让茜茜与女儿无法在一起。伤心失望的茜茜只身一人回到巴伐利亚。愧疚弗兰兹立刻追随而至，劝服茜茜和他一起返回奥地利。这时，苏菲也不得不改变主意同意茜茜抚养女儿。之后，茜茜伴随弗兰兹出访多国，在匈牙利她受到了热烈的欢迎，他们在匈牙利人民的欢呼声中加冕为奥匈帝国的国王和皇后。
　　影片获得第10届戛纳电影节金棕榈奖提名。

　　该片以人工智能服务“Wonderland”为切入点，讲述与看不到的爱人进行视频通话，从而得到心灵慰藉的故事。

　　讲述了在大学的青葱岁月里，学霸少女姚兰与社会少年王谦相识，王谦为了爱与责任努力学习考大学与姚兰共同成长，不料事与愿违追爱的路上荆棘遍布，历经坎坷终成眷属的青春爱情故事。

　　已婚男奉完（权海骁 饰）与在出版社工作的女人相爱，但最近两人分开了，他感到十分痛苦。这一天，奉完也像平时一样在夜色深沉的凌晨出了家门，到出版社去工作。但妻子发现了他的恋爱信件，追到了出版社。恰好雅凛（金敏喜 饰）到了出版社工作，奉完的妻子错以为雅凛就是那位与老公交往的女人。

　　Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson
　　If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play "La Morte in Vacanza" by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained.
　　[Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration.
　　To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming.
　　More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching.
　　(Howard Schumann, talkingpix.co.uk)
　　In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it.
　　(Dennis Schwartz, homepages.sover.net)
　　I've heard DRACULA was advertised with the tag line "The Weirdest Love Story ever told!" (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts.
　　(Dave Sindelar, scifilm.org)
　　See also the remake: Death Takes A Holiday (1971)

　　电影《纯情》讲述了一封在音乐节目直播过程中收到的来自23年前的信所引发的故事，描述了超越过去与现在的初恋和5名朋友之间的友情。片中，都暻秀饰演性格木讷但一片丹心的范实，金所炫饰演拥有天籁美声的少女秀玉。
　　据了解，《纯情》将在今年夏天拍摄，预计於2016年2月上映，拍摄地点在全罗南道高兴郡。此前都暻秀通过电影《Cart》、电视剧《没关系，是爱情啊》、《记得你》展现精湛演技。而童星出身的金所炫更有着丰富的戏剧经验，主演了电视剧《想你》《Reset》《Who Are You-学校2015》等热播韩剧。2014年金所炫主演KBS一集特别企划剧《不一样的哭泣》，并凭借此剧在年末KBS演技大赏中获得女子部独幕剧奖。此次电影中与EXO D.O.合作主演，是金所炫首次担纲女主角，金所炫也表示感觉演戏很幸福，只要跟着哥哥就对了 。

　　故事以桑德拉为中心，她经常去看望患有神经退行性疾病的父亲乔治。当她和她的家人在医院和养老院之间纠结，并试图为乔治找到一个安全的地方时，桑德拉意外地遇到了她早就失去联系的老朋友克莱芒，并很快与他开始了一段充满激情但又不确定的关系……

　　这是一部关于社交恐惧和情感障碍的故事。生活在奥立冈州的海岸小镇，弗兰的办公室日常了无生趣；偶尔侧听同事之间的对话，偶尔作作白日梦，偶尔思索死亡的意义，她自我孤立的状态，仿佛幽灵般地存在于人世。直到新同事罗伯特的出现，他的友善与爱意，打乱了她孤立平静的思绪。每次交谈，每个火花都搅乱她的每一根神经。然而，唯一阻碍他们之间的，是弗兰自己。本片以诗意且静謚的手法勾勒出爱、自我认同和观看世界的独特样貌。由知名英国女演员黛西·雷德利主演，内敛低调诠释呈现出人的内心与孤寂。