哈姆雷特1996

　　It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.
　　Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.
　　When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."
　　Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.
　　Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.

　　冷面杀手十七与渔村少女千晓因神秘时轮结缘，一个想“离职”找自由，一个想“离岛”寻精彩，他们决定暂时合作成为“一日时轮搭子”，在繁华的大都会开启了一场有惊有喜的浪漫奇遇。在这个过程中，十七和千晓的关系悄悄发生着变化，从最初的冤家对头逐渐变成了默契搭档，两颗心在不经意间靠近的同时，殊不知时轮背后的秘密，也在悄然影响着两人的命运……

　　艾格尼丝（哈里特·安德森 Harriet Andersson饰）、玛丽亚（丽芙·乌曼 Liv Ullmann饰）和卡琳（英格里德·图林 Ingrid Thulin饰）虽然是三姊妹，各人内心却有着积重难返的隔膜和疏离。艾格尼丝身患绝症，生命将近，守护在她身边的是女仆安娜。艾格尼丝没有得到过母亲完整的爱，死前妄想让关系紧张的姐妹变得珍爱彼此，却一再事与愿违。
　　玛丽亚是最得母亲宠爱的孩子，因此遭到姐妹的嫉妒。她的感情生活处理的一塌糊涂，在丈夫和情人之间徘徊周旋。她对爱越是拥有，就越是贪婪。
　　卡琳的生活更是充满压抑。和丈夫的关系陷入僵局，令她沉沦于自虐。
　　和好的愿望太过遥远，她们想摆脱生活的阴影，重新拉近彼此的心，却发现隔膜似乎不可打破。

　　The tree finder for Chicago’s renowned Radcliff Tree lighting is left desperate to find the perfect tree. A letter from a boy promising his tree is perfect for the ceremony sends her to a small town where she learns that his dad is not willing to part with the tree.

　　After she inherits an Italian restaurant in Brooklyn, manager Amy teams up with a blacklisted master chef looking for a second chance. They discover that the most important ingredient for any recipe is always love.

　　Brief Meetings is about a love triangle between three very different people. Nadia, a country girl, falls in love with Maskim, a roaming guitar playing geologist, and in her search for him she ends up working for Valentina, his long-distance, bureaucrat wife. Nadia begins to work as a maid for Valentina, but as they spend time together they have flashbacks to their brief meetings with Maskim. These flashbacks occur throughout the film and both Valentina and Nadia have them. Finally news arrives of Maskim's return to Valentina. On the day of his return Nadia cooks a meal for them both and leaves before they arrive, Valentina never knew of Nadia's encounters with Maskim, and Maskim will never know of Nadia's time with Valentina.

东海龙女阿若一心寻找心爱之人，不计一切代价来到了凡人王生身边，而狐妖小蛮想要得到龙女身上的至宝灵叶，设计抓破了王生的心，阿若不得已用灵叶为王生补心，于是两女以王生为中心展开了一场”夺心”的较量。

　　影片讲述了离开苗家多年的阿榜，回到故乡山寨，起初不适应山里的生活，后来在姐妹们和苗族小伙合当、台湾帅哥冠筠的帮助下，置身在“姊妹节”浓郁的节日气氛里，感受到民族文化的魅力，回归到淳朴精神家园的故事。

　　天使塞斯（尼古拉斯•凯奇 饰）拥有天使应该拥有的一切法力，还能永生。他的使命就是每天游荡在医院里将已去的人们带到另外一个世界，他却爱上了医院的医生梅姬（梅格•瑞恩 饰），为了能够和心爱的人在一起，塞斯放弃了天使的身份，放弃永生，坠入了凡间。然而，他却并不明白，等待他的，除了动人的爱情，还有弄人的命运。

　　苏莹（王丽坤 饰）和程峰回（郑元畅 饰）是即将步入婚姻殿堂的恋人，就在苏莹沉浸在幸福之中时，一个神秘人的出现将她的生活搅得一团糟。根据神秘人提供的种种线索，苏莹震惊的发现，原来程峰回的真实身份是苏莹曾经的同学林强，而可怕的是，在苏莹的记忆里，林强早已在一场大火中丧生。
　　曾经的青葱岁月中，苏莹和名叫江重云（金泛 饰）的男孩之间有过一段甜蜜青涩的感情。江重云总是在背后默默保护着苏莹，而他本人却不愿意承认，这让苏莹十分感动，两人计划考上同一所大学，携手步入美好的未来。化学实验室里一场突如其来的大火将苏莹和江重云的所有幻想都焚烧殆尽，火灾中的遇难者正是林强。

　　西佳敬（北野武饰）是一名警察，几年前女儿不幸死去，现在妻子（岸本加世子饰）患白血病已到晚期。好意让他去探望妻子的搭档堀部（大杉涟饰），则在任务中严重受伤，导致下半身瘫痪，与轮椅为伴。后来西在一次逮捕行动中处理失当，又导致后辈田中（芦川诚饰）丧生。引咎辞职的他，想着供养田中的寡妻（大家由佑子饰），接近并安慰老友堀部，黑社会紧追着他索讨利息，这一切都令西感到不堪重负。他决定铤而走险，做件冒险的事情，将一切做个了结。最后，西陪妻子做一次没有归途的旅行。