不二土夫子

　　Inspired by true life events, in the Oyo Empire in the 1940's, Elesin Oba, the king's chief horseman, succumbs to the lure of beauty and sexual desire on the very evening he is set to die in order to fulfil his lifelong debt of ritual suicide to accompany the dead Alaafin to the realm of the ancestors, he derails from a very important generational and spiritual transaction. This sets in motion a series of catastrophic consequences, in a spell-binding film of emotions, humour, and tragic role reversals that puts ancient beliefs and customs on trial in an ever increasingly post-modern and Western world.

　　花花公子阿兰（莫里斯·荣内特 Maurice Ronet 饰）在疗养院中进行了六个月的戒酒治疗。疗养即将结束，但他并不能肯定自己是否痊愈。他通过看书、抽烟、写日记、把玩手枪、剪贴报纸上关于死亡的报道来平复内心的恐惧与忧伤。他和美国的妻子分居，同时又与妻子的朋友莉迪亚（莱娜·斯克尔拉 Léna Skerla 饰）纠缠在一起。莉迪亚要求阿兰与妻子摊牌，与她生活在一起，但阿兰拒绝了。回到疗养院，阿兰在医生的鼓励下决定试着重新融入社会，接触自己的朋友们。在巴黎，他开始拜访昔日的朋友，却发现今时的人们全都背叛了从前的社会观、政治观，变得矫揉造作，没有人能够理解他，甚至对他进行明嘲暗讽。阿兰心中刚刚燃起的积极信念彻底地被摧毁了，他无法掩饰对这个世界的厌恶，再次陷入绝望之中。阿兰最后一次把自己灌醉，醒来之后，收拾完房间和行李，接了一个电话，读完一本费兹罗杰的小说，他拿出手枪朝着自己的心脏开了一枪。
　　本片获第28届威尼斯电影节评审团特别奖。

　　联邦调查局特工丽莎曾是高官安德杰保镖，二人相恋且有了一个可爱的女儿。安德杰答应与妻子离婚，但总是推脱。心情郁闷的丽莎无奈带着女儿去度假，不料女儿被人掳走。丽莎追踪到疑犯，却被闻讯赶来的警察带到警局审讯。救女心切的丽莎冒险逃出逃脱之后继续查找。而警方在调查中，发现没有任何丽莎带着女儿入境的记录，便发出通缉令缉拿丽莎。丽莎联系安德杰却被劝去自首，令她大惑不解。联邦调查局同事准备前来帮助她寻女，却在出发前被害。一切都是谜团，到底是谁掳走自己的女儿，杀害了自己的好友，男友为何不相信自己……

　　来日本学习手工制鞋的韩国青年Leon（崔珉起 饰）仿佛对周遭的一切都不感兴趣，他一门心思专注眼前的事，固守孤独而坦然随性。这一天，他在最喜欢的公园里邂逅了烂醉如泥的韩国女子宋娜（韩英惠 饰）。不知为何，Leon偏偏被这个看起来并不起眼的女性所吸引。与Leon一同工作的 日本女孩小风秋子（青柳文子 饰）憧憬着这个韩国男孩，宋娜的男友纪戊（JR 饰）就读某日语学校，他暗暗喜欢着老师幸田加奈子（木南晴夏 饰）。加奈子有一位正在交往的男友荒川巳喜男（芹泽兴人 饰），荒川坐在轮椅上，行动不便让他充满悲观情绪。以Leon为中心，七位男女各自经历着情感的波动……

　　年轻鲍比锹谁拥有焦虑症发现他的治疗狗奥兹实际上是600年的历史，并曾一度由古代强大的巫师所拥有
　　次。在他十二岁生日鲍比被推进到一个新的生命，当他得知他的忠实的宠物真相谁很快决定了男孩和他丧偶
　　母亲的命运。

　　弗耶科（内博伊沙·格洛戈瓦茨 Nebojsa Glogovac 饰）是一名高校教授，专门研究克罗地亚历史。在一场意外中，弗耶科身受重伤无奈住院，负责照料他的是一位名叫玛雅（克塞尼娅·马林科维奇 Ksenija Marinkovic 饰）的护士。在玛雅的精心照料下，弗耶科的身体情况渐渐好转，除了照顾他，玛雅还照顾着弗耶科生活不能自理的父亲。
　　弗耶科对于玛雅的无私奉献感到十分的感激，想要找个机会报答她。巧合的是，玛雅的丈夫安迪（德扬·阿西莫维奇 Dejan Acimovic 饰）是一名警察，即将参加克罗地亚宪法考试，但他对此是一窍不通。弗耶科决定帮助安迪补习克罗地亚历史，由此引发了一连串的意外。

　　婚姻失败对于已经三十多岁的女作家法兰西斯(戴安·琳恩 Diane Lane饰)来说，是一个很残酷的打击。幸亏朋友体贴窝心，专程安排她到意大利托斯卡尼去旅行一趟。想不到，托斯卡尼这个美丽得令人窒息的城市，竟然改变了法兰西斯的后半生。
　　法兰西斯在托斯卡尼看到了一个郊外别墅的广告。本来并无太多打算，然而接下来的种种巧合却让她和这幢房子接下了不解之缘。于是，这个来自美国的作家毅然决定放弃从前的一切，开始在异国他乡建立自己的新窝。
　　法兰西斯布置自己的新房，大大小小的琐事令她皱眉，各式各样的新人和新事物也令这个新房客应接不暇，新的恋情也在眼前铺开。阳光明净的托斯卡尼，让法兰西斯的内心渐渐丰盈。

　　在离别前的最后一晚，四个室友玩了一场游戏，因而揭开了一个将永远改变他们生活的秘密。

　　阿姆斯特丹一名20 多岁的酷儿面临着双重压力：她需要完成小说，同时纠结于是否要为爱情搬去蒙特利尔。什么才是她想要的生活呢？

　　沂蒙山区的一个偏远小山村，2009年夏天，迎接来了支教老师毛小亮。小亮新颖的教学方法，使孩子们学习进步很快。小亮因婚事与支教的矛盾，极不情愿地离开山村。日后，他却被孩子们的情感所打动。

　　In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.
　　The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).
　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.
　　As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.
　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.
　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.
　　Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.
　　The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.
　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

　　一个有这三格女人的不和睦家庭，一个年轻的男子，如何在赤裸灵肉的交织缠绵中，以一曲曲新盖奏鸣曲，重建起亲密关系？