扫毒2天地对决

　　文革中，少女小菊一家遭人迫害，小菊本人被吊死在自家，凶手将现场伪装成自杀……一晃十几年过去，一部电影正在紧张的拍摄，录音师霍峰（陈希光 饰）对现场效果不甚满意，带女主角于红（潘婕 饰）回住处做音效。霍峰所住的旧楼面临拆迁，大多数住户早已搬离，只留下老领导老林、无业青年由飞以及霍峰三家。于红在楼内看到异样幻象，霍峰的录音设备也采样到诡异的响动。二人调查这栋楼的历史，获悉小菊的冤案，始明白小菊那地下室的冤魂在人去楼空之时向当年的凶手索命。老林与由飞身上先后发生意外，于红发现导演郑磊（韩小磊 饰）亦与当年的凶案有关，并最终决定帮助小菊复仇。

　　十九世纪七十到八十年代，曾参加过普丹战争的丹麦军官Gunner Dinesen（维果·莫腾森），带着青春期女儿Ingeborg（Viilbjørk Mollie Malling）从丹麦来到阿根廷，加入阿根廷军队，参加征服沙漠之战，女儿却跟一个阿根廷士兵私奔，生死未卜，他从此踏上了荒漠里的绝望寻女之路。

　　两千多年前，汉王朝为抗击外族入侵，派兵镇守边陲。将军张安良（庹宗华 饰）率部活捉了外族的王子，希望借人质来诱敌。部下陆沈康（小田切让 饰）生性善良，抗拒血腥屠杀，还养幼狼为伴。但是，张安良对陆沈康颇为器重。一场激战后，张安良负伤离队，命令陆沈康统帅三军。由于大雪封山，陆沈康只得在卡雷村安营扎寨。他在帐中意外发现了一个异族女子（李美琪 Maggie Q 饰），两人发生争执。陆沈康一时失控，强奸了她，并将其秘密留在帐中。通过接触，两人慢慢产生了感情。女子讲了一个人变成狼的传说：公狼与母狼交配时，如果被人偷窥到，他们会一直追逐偷窥者，直到他死。这个传说会不会一语成谶，导致两人私情败露呢……
　　本片根据日本作家井上靖小说改编，是田壮壮首度执导历史巨制，王志文为小田切让配音。

　A young boy becomes trapped inside America's rigid immigration process. Feature adaptation of the 2016 short film, 'Icebox'.

　　広大な団地アパートのある東京の郊外。石川直子、英一夫婦はこのアパートに住んでいる。ある朝直子はバタヤ集落の燃えている音で目がさめた。白い西洋菓子のようなコンクリートの城壁に住む団地族、それと対照的にあるうすぎたないバタヤ集落。直子はブリキと古木材の焼跡で無心に土を掘り返す盲目の少女をみつけた。その少女は、夫の英一の大学時代の友人でこのバタヤ集落に住む伊古奈と呼ばれる男が連れている少女であった。犬のクマと少女をつれていつも歩いている男。服装はみすぼらしいが眼は美しく澄んでいた。長い金網のサクで境界線を作った団地とバタヤ集落とは別世界の様な二つの世界であった。夫を送り出したあとコンクリートの部屋で弧独の時間を送る直子に、眼下に見えるバタヤ集落の様子は、特に伊古奈という男は意識の底に残った。直子は夫を愛するように全ての人間を愛する事に喜びを感じていた。だから伊古奈にも、盲目の少女にも、クリーニング屋の小僧にも同じように善意をほどこした。直子の世話でバタヤから転業させようとした伊古奈は、社会から拘束されない今の自由さから離れられず、あいかわらず犬と少女を連れて楽しそうに歩いていた。そんな伊吉奈をみる直子の心は、単調な、コンクリートの中で他人の目を気にする自分達夫婦の生活に深い疑問をもち、夫との間に次第に距離を感じてゆくのだった。...

　　缅因州的夏天，事事变幻无常。鲸鱼再也不游近海岸，不象两位老寡妇姐妹年轻的时候。她们拥有一座海边住所，在这里她们已经度过了50个夏天。莉贝眼瞎了，看上去生命垂危；萨拉照看着她的姐姐，却对继续照顾她感到担心，对在她们海边钓鱼的一位俄罗斯老贵族也是三心二意。萨拉结婚46周年纪念日到了，俄国人送给她们一些钓到的鱼，萨拉则邀请他赴晚宴，莉贝也坐直了腰板。萨拉犹豫着现在是否到了卖掉这个地方，而给莉贝再找一处安身地方的时候了。这些老人们接下来还会有什么打算呢？

　　母亲去世之后，少女忆梅（汪玲 饰）沦为了孤儿。母亲临死之前，将忆梅托付给了远在台北的罗教授（朱牧 饰），就这样，忆梅在朱教授的家里开始了寄人篱下的生活。徐中枏（杨群 饰）是朱教授家里的家庭教师，他爱上了坚强的忆梅，与此同时，罗教授的儿子罗皓皓（刘维斌 饰）也喜欢上了忆梅，忆梅陷入了一段三角恋情之中不知该如何选择。
　　罗教授的妻子罗太太（李湄 饰）非常的讨厌忆梅，常常对她恶语相向，从来就没有过好脸色。一次偶然之中，忆梅终于得知了其中的缘由，原来，罗教授竟然就是自己的亲生父亲。

　　1947年，刘邓大军挺进大别山。为了强渡汝河，我军首长下令炸掉辎重，炮团长（王志刚 饰）违令不炸，被旅长方军（王丹华 饰）撤职。此时敌军长白建业（周楚 饰）已在汝河两岸布兵夹击，经过激战，我军与游击队会师。方军见到分别多年的母亲（苏辉 饰），知晓家中变故。深秋，敌人大面积封山，妄图用经济封锁置我军于死地。次年春，大反攻开始了，方妈意外发现方家坪区长来弟（于力 饰）正是自己多年前被人卖掉的孙女也就是方军的女儿。可情急中，还未相认，来弟就随大军走了。随着战事的推进，白建业深感大势已去，准备逃跑，得知消息的来弟疾速给部队报信，途中遭袭负伤，弥留之际，她拿出一只妈妈牺牲前留给她的耳环......

　　In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.
　　The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).
　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.
　　As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.
　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.
　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.
　　Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.
　　The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.
　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

　　“冰川三部曲” (Glaciation Trilogy) 的第三部~ 根据真实事件改编~ 1993年12月23日, 一名19岁学生持枪闯入奥地利一所银行向客人乱枪扫射, 令三人丧命, 事后该学生在自己的车上吞枪自杀~ 这宗银行血案, 集合了一班身份、背景、年龄各异的奥地利人, 电影以大堆零碎的片段, 追寻他们在凶案发生前的生活剪影~ 来自罗马尼亚的小孤儿流落街头, 辗转走上电视接受访问, 并得一对早前已领养了一位小女孩的奥地利夫妇收养~ 年老护卫员与妻子关系疏离, 沟通困难, 想向妻子示好却不懂如何开口; 独居老人受尽女儿的冷落, 想见见小孙女又不得要领; 行凶的青年原来是位乒乓球好手, 他买来一支别人盗来的手枪, 在圣诞前夕驾车到油站加油, 想要付钞时才发现没有零钱, 想到银行提款却又见大排长龙…

　　晶（有村架纯 饰）和丈夫修平（青木崇高 饰）以及养子骏也（归山龙成 饰）过着幸福和睦的生活。一天，忽然传来了修平的死讯，晶的噩梦开始了。带着骏也，晶回到了修平的故乡鹿儿岛，决定在那里开始新的生活，在那里，住着晶未曾谋面的公公节夫（国村隼 饰）。
　　节夫是一个非常内敛和严肃的男人，对于晶和外孙的突然造访，虽然节夫深感意外，但也没有多说什么，就这样一家三口就以这样的形式开始了在同一屋檐下的生活。修平儿时最大的梦想就是成为铁路驾驶员，而骏也在父亲的熏陶之下也对电车充满了憧憬，为了完成修平和骏也共同的梦想，晶决定以成为铁路司机为目标进行努力。