威尔斯是一个罕见的多面手，广播剧、舞台剧、电影电视和广告，都干得非常好，他还懂魔术等杂七杂八的东西，这是一个深刻理解了各种媒介本质属性的艺术家，所以不管他决定干哪样，都注定将是划时代的，而电影是当时能给他提供最大空间和想象力的艺术。他的处女作《公民凯恩》被誉为是电影史上最经典的电影。 他是一个富裕之家的次子。十八个月的时候，就有心理学家宣称这是个天才，母亲教他读莎士比亚作品，从小又练习绘画、钢琴和小提琴。他还从父亲的公司里学会了魔术杂耍的本领。 电影介绍了他的成长史与其独特的内心世界。
跟随这部纪录片了解拉里退出舞台四年后复出的历程，了解她如何蜕变为如今的这位非凡艺人。
在经济高速发展的今天，人们执著于优渥的物质生活，而开始遗忘曾经的创痛。 广岛和长崎，两个曾遭受原子弹毁灭的城市，而今活跃在这里的年轻人们已经遗忘了半个多世纪前的战争和笼罩在祖辈头顶上空的蘑菇云。但对某一类人来说，这确是一段永生难忘的恐怖记忆。本片采访了经历过原爆的生还者，他们回忆了战争时期的生活、原爆的恐怖瞬间、爆炸后的残酷场面以及之后身心所遭受的无尽痛苦。与此相对，剧组还参访了当天执行轰炸任务的美国老兵，听他们谈论了投放原子弹时交杂矛盾的感受……
Doctrinal press-gang and seduction tool, political instrument of the Nazi Party, paramilitary vector in the preparations for war, the Hitler Youth becomes an instrument to deliberately sacrifice an entire youth.
2012年，荷兰哈伦小镇的一名少女在Facebook上为自己的16岁生日派对创建了一个活动，却错误地将私密派对设置成了公开。受好莱坞电影《X计划》的启发，荷兰青少年们将这个活动迅速传播开来，很快便有成千上万的人报名参加。 尽管警方和当地政府发出警告，但他们仍然认为不会有人来参加。由于没有为抵达哈伦的大量年轻人提供任何招待，派对很快就演变成一场全面的骚乱。
The Future of Work and Death is a documentary concerning the growth of exponential technology and where it is taking us. The film focuses on how future technology could significantly change the two inevitable features of the human experience; punching the clock and fading away. It explores how advanced automation, AI and technological singularity could be achievable in the next 30 years. How job obsolescence and technological unemployment could consequently occur and how digital immortality may not be a thing of science fiction. But what are the socio-political repercussions of these innovations and are we ready for them? Does working less mean living more and is ending ageing incumbent on us? Worldwide experts in the fields of futurology, anthropology, neuroscience and philosophy share their thoughts on these future advancements.
Brian Cox tackles some of the most challenging and intriguing questions facing science today by using his best material from past programmes and the latest scientific research. Episodes include… Space: How Far Can We Go?（太空：我们对宇宙的探索能走多远？） Brian believes we are at the start of a new age of space travel, where space flight is on the verge of becoming routine. In this episode, he explores the latest science and takes a new look at his old films and asks: how far can we go in our exploration of the cosmos? Aliens: Are We Alone?（外星人：人类是唯一的吗？） Brian Cox looks at our attempts to answer one of the most profound questions we can ask – are we alone in the universe? In this film, he explains why this search should be taken seriously. What Is Gravity?（什么是引力？） Brian takes a fresh look at the concept of gravity, revealing it to be far more than just the force that makes things fall to the ground. What is Time?（什么是时间？） Brian explores the enigma of time – a phenomenon that we take for granted but which, as far as physicists are concerned, is one of the biggest mysteries in the universe.
A year in the life of a dying shopping mall.
Created by the monarch, Dukedoms are gradually becoming extinct - the last one was created by Queen Victoria. In this one-off documentary Michael Waldman meets some of the last vestiges of this level of British aristocracy, and asks what has become of those who remain. In 2012 South African Bruce Murray found himself becoming the 12th Duke of Atholl and heading up the only private army in Europe - the Atholl Highlanders. If Camilla Osborne had been a boy, she would have inherited her father’s Dukedom, but now there is no longer a Duke of Leeds. The Duke and Duchess of St Albans don’t have a stately pile, but do have their coronets and coronation robes. One of the few Dukes to still sit in the House of Lords, The Eighth Duke of Montrose (pictured) is a hill farmer by trade. He continues the family tradition of being intimately involved in the political relationship between Scotland and England. The Duchess of Rutland was determined to make Belvoir Castle an efficient business, living onsite in one wing, with her estranged husband the Duke living in another. Their elder teen daughters are prepared for when the title is passed down to their younger brother. Whilst at Blenheim Palace, Lady Rosemary Spencer Churchill, daughter of the 10th Duke of Marlborough, revisits her childhood home. Her nephew succeeded to the title only recently and it’s a rather a different Blenheim to the one she remembers.
《海洋》耗时五年，耗资5000万欧元，动用12个摄制组、70艘船，在全球50个拍摄地，有超过100个物种被拍摄，超过500小时的海底世界及海洋相关素材，是史上投资最大的纪录片。 海洋是什么？这部电影告诉你答案。这是一部以环保为主题，令人心旷神怡、叹为观止的生态学纪录片。本片聚焦于覆盖着地球表面的四分之三的“蓝色领土”。导演深入探索这个幽深而富饶的神秘世界、完整地呈现海洋的壮美辽阔。真实的动物世界的冒险远比动画片中的故事来的精彩，接下来银幕展开——巨大的水母群、露脊鲸、大白鲨、企鹅等。毫不吝啬在镜头前展示他们旺盛的生命力，让人叹为观止。
本片为《发展受阻》的纪录片。一个大富之家因涉嫌经济犯罪，所有资产被冻结。早已习惯锦衣玉食的一家人如何适应这天翻地覆的转变呢？这部片的拍摄手法是使用纪录片的手法,偶尔会对故事里提到的事进行闪回。搞笑的是家族里的人的各种古怪事和相互算计以及通过闪回带来的幽默。 严格来说这不是一部好的纪录片。充满了太多的自恋、狂傲、焦虑和对世界的怒意。我会认为这是一部自吹自擂的粉丝纪录片，如果它不是关于《发展受阻》的话。如果。然而我怎么可能否认，《发展受阻》是我看过最聪明、最明智、最了不起的喜剧？因此我在看这个纪录片的时候只能激动地拍着桌子，天才们，你们实在是太谦虚了，你们对FOX和这世界爆出的粗口也实在太少了。而那些通过粉丝之口讲出的赞美，我也实在觉得不及事实之万一。 我想说这是人类有史以来最出色的喜剧。如果导演采访到我的话，我会这么说。一开始，我只认为它足以和《生活大爆炸》比肩，承担起这个高级幽默太过稀缺的世界王者的地位。但稍后，我立刻修正了看法。没有喜剧能够和《发展受阻》相提并论了。然而它没有红，它的收视率低下，它被FOX砍了。是是是，我们太了解电视和人均智商那一套东西了不是吗？作为密度叹为观止的高智商喜剧，《发展受阻》要求你全神贯注地观看，像坐在电影院看一部电影那样消化吸收它，——即使这样，你还是可能会因为笑这个joke的时间长达3秒而错过了另外五十个joke。它不仅需要你坐在电影院看，还需要你购置一套蓝光DVD，回家反复琢磨。剧组里的每个人都觉得它拍到第三季其实已经是奇迹了。更别提Netflix在时隔多年之后召唤出了原班人马续签了第四季。Oh，所以你大概已经明白，你需要先花上几天功夫看完整整四季的《发展受阻》，才能领会到我看这部纪录片时的心情。加油！
蜱，俗称壁虱，它们是现代的吸血鬼，被咬上一口就会感染疾病，肉眼难以发现，就连医生都难以诊断，这是全球最罕为人知、透过病媒昆虫传播的疾病：莱姆症。脸部麻痹、关节疼痛、脑膜炎，诸多综合型症状令病患痛不欲生，甚至失去生活能力。 「莱姆症」因艾薇儿登上国际版面，经过八个月才确诊，最后消失歌坛二年。
Follows the DC's history and legacy, highlighting the universe of characters, and the iconic comic book company's origins and its evolution.
