爱是永恒

　　It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.
　　Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.
　　When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."
　　Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.
　　Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.

　　生于1979年的宝贝（周迅）少时总梦见自己会飞，当她对自己从何处来感到困惑时，通过母亲之口知晓被捡于垃圾箱，这令她自此不断生出奇思怪想。在中国改革开放的进程中，宝贵渐渐长大，见证城市的飞速发展。
　　某天，一头乱发的宝贝捡到一卷“自拍带”，发现带子中的男人和她一样也“想飞”后，她开始满世界寻找他，期望用自己的精神拯救他的灵魂，两人能有美好的未来。“自拍带”中的男人叫刘志（黄觉），是个每日在都市中辛苦讨生活的白领，精灵古怪的宝贝的出现令他早已麻木的心重新点燃激情，两人迅速坠入爱河，然而，生活中除了风花雪夜的浪漫爱情，更多是零零碎碎的平庸无聊。

　　Two college freshmen pull a "Turkey Dump" and break up with their high school sweethearts over "Drunksgiving" - the one chaotic night before Thanksgiving in their hometown that puts their codependent friendship to the test.

　　索努（卡提克·亚利安 Kartik Aaryan 饰）和提图（桑尼·辛格·尼贾尔 Sunny Singh Nijjar 饰）是从小玩到大的青梅竹马，彼此之间的感情非常的要好。索努是一个能说会道眼明耳聪的机灵鬼，深受女士们的喜爱，而提图个性老实腼腆，总是会受那些坏女孩的利用和欺骗。
　　一天，提图告诉索努，他要和一个名叫斯威迪（努西拉特·巴努查 Nushrat Bharucha 饰）的女孩结婚，在提图的描述中，斯威迪美丽善良，是完美的化身，可这个女孩在索努看来，不过又是一个想要利用和伤害提图的坏蛋罢了。为了搅黄这门婚事，索努找来了提图的前女友皮胡（伊希塔·拉吉 Ishita Raj 饰）。

　　西西里（松佳•里奇特 Sonja Richter 饰）和乔治姆（尼古拉•雷•卡斯 Nikolaj Lie Kaas 饰）是一对十分恩爱的情侣，即将携手步入婚姻的殿堂。一场意外的车祸夺走了乔治姆的后半生，未来的日子里，瘫痪的他只能在床榻上度过了，而车祸的制造者，是一位名叫玛丽（帕普丽卡•斯汀 Paprika Steen 饰）的女子。
　　为了不拖累西西里，乔治姆开始拒绝接受她的一切帮助和关心，粗暴的对待她，虽然西西里明白乔治姆的初衷，但依然感到万分心碎。这对陷入绝望的情侣让玛丽感到十分自责，她把西西里介绍给了自己身为医生的丈夫奈尔斯（麦斯•米科尔森 Mads Mikkelsen 饰），希望奈尔斯能够使用专业知识帮助西西里走出痛苦。

　　1970年代末，在西北敕勒川牧场做了小半辈子牧马人的小学教师许灵均（朱时茂）一路风尘来到北京饭店，与30年未曾谋面的父亲、旅美华侨企业家许景由（刘琼）见面。当年，追求个人自由的许景由无法忍受与妻子的错误婚姻，丢下妻儿去了美国。此次归来，他有心带许灵均回美国继承事业。
　　交谈中，许灵均不认为将自己融在集体中、时时以国家利益为重的行为是思想陈旧的表现，对于父亲的舒适生活，他并不艳羡。
　　回顾自己几十年来所走的道路，虽有幼年成为弃儿、青年被打成右派下放牧场的悲惨经历，却也数次从牧区质朴、善良的乡民身上感受到人间温情，而在艰难岁月中与四川苦命女李秀芝（丛珊）结为夫妻后，许灵均更是尝到苦尽甘来的心酸与甜美。他认为，国家在好不容易迈过“文革”这个大坎之后，个人更应该同亲朋一起，不离不弃地跟着她走向新生。

　　匈牙利新浪潮代表人物佐尔坦.法布里的代表作。
　　匈牙利历史上第一部入围戛纳电影节的影片。
　　根据小说改编，获戛纳金棕榈提名。
　　一对年轻人在游乐场相遇，他们整夜跳舞，男孩向女孩倾诉了衷肠，谁知却引来令人吃惊的回应...
　　本片的弥漫的哀伤情绪长久不衰。是匈牙利历史上第一部入围戛纳电影节的影片。

　　13岁，初恋。俩人无奈分开。
　　21岁，再会。时光却不再来。
　　31岁，现在。如果能再一次与你相遇。
　　这是一个被命运分离的俩人，直到再次相遇的宏大的爱情故事。

青年男子阿尔贝（瑟玛尔·侯奴 Cemal Hunal 饰）是一家餐厅的老板，有着很好的工作，事业成功，却过着离群索居的生活。他每天和不同的女人做爱，付她们钱，却从不留任何人过夜。他这样自由而孤独地生活着，自由却寂寞。直到他在二手书店邂逅了美丽的女子艾达（梅莉丝·柏坎 Melis Birkan 饰）。他对艾达一见钟情，并对她展开了热烈的追求。艾达自己经营着一家创意服装店，她从一开始就知道以阿尔贝这样的性格他们注定是分离的结局，但还是难以抵抗他迷人的魅力，与他陷入爱河。习惯了独住的阿尔贝一直无法舍弃自由的生活方式，难以完全溶入艾达，纵然她开朗、迷人，宛如天使。他挣扎，茫然，不知道该如何处理两人之间的关系......©豆瓣

　　安与詹姆士一直以来维持着看似幸福美满婚姻，然而一桩安肇事的车祸意外悲剧，惊爆了安不可告人的外遇奸情，但是爱妻心切的詹姆士挺身誓死保护安娜的名节，甚至不惜影响车祸肇事的责任，在调查整件意外的过程中，命运永远改变了他们三人之间的微妙关系。

　　非洲科特迪瓦女孩艾雅（妮娜·美罗 饰）来到中国一处热闹的非洲人聚集区，在一间专营茶叶出口贸易商行工作，邂逅茶行老板王才（张翰 饰），两人透过茶艺知识的学习交流，展开一段跨越文化相知相惜的爱情故事。

　　民国初年，平津一带有两个红伶，一是文武小生秋汉堂，一是坤伶罗香琦，他们在台上经常扮演一对，感情深厚，准备不久便结为夫妻。阮宝帆是个大军阀，当他看到罗香琦美貌绝伦，登时神为之夺。阮宝帆太太虽多却无半男一女，当香琦诞下一女，阮以买来一子换去此女。十几年后其女梅宝已亭亭玉立，且因卖唱认识表兄罗绍华，遂得与母香琦相认……