明太子夫妇：幸福奇迹

　　高天乐与同是外资老总独女的徐雯雅已经订婚，然而开学第一天，同班的李弋南被高颜值的徐雯雅吸引，索要联系方式，却吃了闭门羹，于是心生怨气。恰巧他还被刚进教室门的高天乐夺去了风头，两人产生了一些矛盾。后来李弋南也向坤哥吐露出自己被高天乐这个富家公子哥抢尽了风头，很是苦恼。在送走了李弋南夏栀杰之后，坤哥又接到了银行下发的催款通知单，眼看着还款期限临近，坤哥心中无奈，怨气顿生，又想到了李弋南刚刚提到的高天乐，心中开始算计。坤哥因为欠下巨额贷款派人绑架了高天乐索要赎金未果，后来又策划一次绑架，绑架了女神徐文雅，高天乐得知徐雯雅造绑架，气氛万分，与李弋南一块玉绑票的坤哥展开一场搏斗。

　　十四岁的努尔正在法国南部享受暑假，他是四兄弟中最小的一个。他们一起住在市政厅，轮流照顾昏迷的母亲。母亲曾经喜欢意大利歌剧，所以努尔为她演奏，并培养了对这种音乐的热情。在社区工作和家里日益紧张的气氛之间，努尔梦想着逃离到一个遥远的地方。当他遇到一位教暑期课程的歌剧歌手莎拉时，他终于找到了走出困境并探索新视野的机会。

　　传教士沃利斯·德韦有着一个漂亮的妻子，他在德州传教，激励着大批信徒。但有一天他的生活发生了巨大变化：他发现妻子和另一年轻传教士偷情，一时气盛把年轻教士打成了植物人。他隐名埋姓，逃到很远的小镇，并从内心深处为自己的过去忏悔。在那里他又成了一个受人尊敬的传教士，不过后来还是被他妻子发现了。

　　清醒后的三火去找馆主理论，发现她有很多事瞒着自己。三火则打算带着江流儿等人离开天都城，却发现醉酒的老沙被白骨姬绑走，筹码则是与众人交换江流儿。颲与三火设圈套为抓获白骨姬，上演苦肉计大打出手。为套出情报众人决定带着白骨姬去找能够窥探记忆的窥心老人，却发现了白骨姬令人唏嘘的过往。

　　1980年代，南方某特区。运输公司第七修理小组聚集着全公司的“废品”，他们破罐破摔，整日喝酒打发时光。一天，刘敏（陈锐 饰）带公司宣传队开赴“废品”小组，平日懒散的肥翁（王忠超 饰）似打了兴奋剂，一厢情愿地爱上了宣传队员王幼纯（余娅 饰），而平日里嘴巴不离女人的天来（曹克明 饰）更是喜形于色。自尊好强的许明珠（林晓杰 饰）不屑与这帮无赖为伍，但刘敏决心借此机会改变第七小组的精神面貌。刘的举措得罪了人称“侠客”的吴滋安（张康尔 饰），最终导致“拳脚事件”，但刘敏正义刚直的性格受到众人的尊崇。深爱刘敏的许明珠劝他离开这个事非之地，刘敏拒绝了......

　　本剧通过男主角王晓帅患有阅读障碍的成长过程展开，上学期间经历了一次又一次挫折，在应试教育的体制下，王晓帅不断的突破自己，提升自己的学习能力，得到了家人和朋友的认可。同时也反映了在当今社会仍然有一部分人群患有阅读障碍，没有得到足够的重视或者误解，在此同时，本剧对哥哥王晓冉和弟弟王晓帅之间的爱与情，割与舍之间，直接的对这种先天病（阅读障碍）的认知与了解，充分说明它是可以完全治愈的。剧中哥哥王晓冉遇到挫折就逃避，遇到麻烦就不做，和弟弟王晓帅形成鲜明的对比，而弟弟王晓帅的成功，无疑不点醒那些遇到困难总想逃避，总想着走捷径就能成功，不劳而获的人。

Sammy Lagucci是一个可爱的失败者，他只想做他的女儿的保护伞。当他发现歹徒将他女儿带走时，他进入了证人保护计划以保护自己和他的家人。从大苹果公司前往威斯康星州的一个小镇，最初他很失望，但他敢于做一个即兴的戏剧表演让大家认识他，他有他的诀窍。他是偷偷在装病的，当他在新的地方名声大噪引起暴徒的注意时，一种祝福也随之变成了诅咒。

　　居住在北九州小仓市的美丽女孩柳田桐子（堀北真希 饰）和从小罹患脑膜炎而无法和人正常交流的弟弟正夫相依为命，日子虽然清苦，倒也有着普通百姓的平凡乐趣。谁知一场灾难突然向柳田姐弟袭来，正夫因某件事接收了邻居一个女人的钱，他被姐姐命令还钱时却发现对方早已被人残忍杀害。惊慌失措的正夫被巡警抓了正着，随后作为嫌疑犯接受审问。坚信弟弟无罪的柳田辗转找到不久前刚因为辩护冤案获胜而声名鹊起的律师大冢钦三（椎名桔平 饰）。大冢起初予以回绝，可当他得知一审结果和正夫死亡的噩耗时，心中沉睡已久的使命感却悄然复苏。迟来的辩护悄然展开……
　　本片根据松本清张的原作改编。

　　In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.
　　The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).
　　Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.
　　As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.
　　Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.
　　The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.
　　Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.
　　The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.
　　The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

　　退休发型师帕特·皮特森巴格得知一位老顾客的遗愿是让帕特为她最后一次整理仪容，帕特因此从小镇养老院出逃。接踵而至的是一段万花筒般的诙谐荒诞，同时又让人心绪翻腾的重逢之旅。面对年轻时的好友，帕特能否重新找回对生活的渴望和往日的艳丽风情？

When a baby boy shows up on their doorstep days before Christmas with a note written specially for them, Erin (Liebert) and Kelly (Barrell) must learn how to navigate their new relationship and career dynamics while unexpectedly caring for a newborn. As the couple spends more time with the baby as a temporary solution until he can be placed permanently or they can find his mother, they begin to realize that they want to adopt him themselves and go about navigating the complicated world of fostering to adopt all while their business is booming at the busiest time of the year, Christmas. Starring Ali Liebert, Katherine Barrell and Barbara Niven.