影片简介 为了援助一位年轻的王子,赢得美丽的公主的芳心,辛巴达和他的同船水手决定联手,向这位法力高强的邪恶男巫宣战。 首先,辛巴达必须先设法取得五颗具有神奇魔力的石头,使受困的Basra城市由男巫邪恶的符咒恢复自由。然而,在这趟惊险的寻宝旅程中,可说是危机四伏,险象环生.... 当他接近亚马逊岛时,不幸被岛上女王所发现,并企图捕获他与鬼岛上的幽灵战士搏斗,此时,辛巴达该如何脱离险境,进而帮王子赢得美人心?
花花公子阿兰(莫里斯·荣内特 Maurice Ronet 饰)在疗养院中进行了六个月的戒酒治疗。疗养即将结束,但他并不能肯定自己是否痊愈。他通过看书、抽烟、写日记、把玩手枪、剪贴报纸上关于死亡的报道来平复内心的恐惧与忧伤。他和美国的妻子分居,同时又与妻子的朋友莉迪亚(莱娜·斯克尔拉 Léna Skerla 饰)纠缠在一起。莉迪亚要求阿兰与妻子摊牌,与她生活在一起,但阿兰拒绝了。回到疗养院,阿兰在医生的鼓励下决定试着重新融入社会,接触自己的朋友们。在巴黎,他开始拜访昔日的朋友,却发现今时的人们全都背叛了从前的社会观、政治观,变得矫揉造作,没有人能够理解他,甚至对他进行明嘲暗讽。阿兰心中刚刚燃起的积极信念彻底地被摧毁了,他无法掩饰对这个世界的厌恶,再次陷入绝望之中。阿兰最后一次把自己灌醉,醒来之后,收拾完房间和行李,接了一个电话,读完一本费兹罗杰的小说,他拿出手枪朝着自己的心脏开了一枪。 本片获第28届威尼斯电影节评审团特别奖。
讲述了72岁的花样青春"末顺"(罗文姬 饰) 与从未听说过的孙女"小公主"(金秀安 饰)出现后开始的令人不可思议的同居故事。
「うつくしいひと」は、熊本へロケハンに訪れた映画監督と若い女性が出会い、小さな旅をするさまを描く作品。橋本と高良のほか、映画監督役を務める政治学者の姜尚中や、石田えり、くまモンが出演する。熊本の町並みや自然などの地域資源を活用して撮影が行われ、監督の行定や出演者も全員が熊本県出身者でそろえられている。行定は「故郷、熊本で映画を撮ることができることを大変嬉しく思っています」「他の都市でも起こりえるような普遍的な出来事をあえて熊本の風景や情緒を活かして描くことで、熊本にしかない良さが生まれ再確認できることを期待しています」とコメントを発表している。
文革期间,下乡女知青乔叶叶(李羚 饰)不识敌我,村支书带她甄别全村的“四类分子”,当来到所谓“坏人”金召(王咏歌 饰)家时,金召的坦荡和热情深深打动了乔叶叶。知青组长宋侃(丛林 饰)怕乔叶叶不能胜任繁重农活,把她调到伙房帮厨,厨师盼雨(梁冠华 饰)憨厚朴实,对叶叶很有好感,尤端阳(陈青 饰)认为这正好体现知青与贫下中农打成一片,在明知宋侃也对叶叶有意的情况下,她仍撮合盼雨与叶叶结合。新婚不久,盼雨病逝,而叶叶却有了身孕,洽逢文革结束,知青大返城。宋侃和端阳考上大学远走高飞,叶叶则面临孤立无援之境。金召平反后坦露了对叶叶的爱意,叶叶对此十分感激......
“小暴风女”亚历山德拉·希普、尼古拉斯·汉密尔顿([小丑回魂])商谈加盟斯科特·斯皮尔执导新片[藕断丝连](Endless,暂译),故事讲述克里斯(汉密尔顿饰)、赖丽(希普饰)是对热恋的情侣,然而一次致命的事故迫使两人阴阳两隔。
有一天父亲(香川照之饰)突然来找阿笙(瑛太饰),告诉他有个素未谋面的姑姑死了,叫他去收拾下姑姑的房子。在河边的破烂小屋里,阿笙渐渐开始了解父亲口中的姑姑,到底有着怎样的一生。 小时候的姑姑川尻松子(中谷美纪饰)经常做着白雪公主似的美梦,她后来成为一名安分的中学教师,却因百口莫辩的误会被辞退了,之后和一作家同居,作家却因为太爱她而选择自杀,死前留下遗言:生而为人对不起。这件事对松子打击极大;之后与该作家的事业敌人同居直至,又忍受不住去找对方妻子的诱惑,结果惨遭抛弃;又是当上浴室女郎,甚至还杀人入狱,然而不管有意无意,她从不放弃生活的希望。不管生活再怎样破碎,她仍然本能地生存下去,这生存本身,足以打动任何人,包括阿笙。
偏僻、贫穷但素来清白的望鱼村突然出了个小偷,这使村民、尤其是村长吴二哥大为震惊。吴二哥恨自己没本事,不能带领村民们富起来,才出了丢人现眼的事。他痛下决心为村里寻找致富门路。 借鉴别村引进港台投资致富的经验,他号召村民们挖掘港台关系。可怜望鱼村世世代代竟无一人走出这穷山沟。 吴二哥一筹莫展之际,村妇水水拿来一张揉皱的报纸。一篇题为《脚手架上的时代壮歌——记环球建筑公司总经理王金良》的报道吸引住他的目光,王金良身穿西装、头戴安全帽、神采飞扬的照片更使他目瞪口呆。往事浮上眼前:15年前,孤儿王金良与水水偷偷恋爱.被当时的民兵队长吴二哥绑起来示众。当晚,王金良逃跑。可怜的姑娘水水日后不得已嫁给了一个跛子,忍气吞声度日。没想到15年后,王金良成了百万元的大老板。 经过村委会讨论决定,吴二哥决心说服水水,去请王金良这尊“财神”。他偷拿了老婆藏在枕头里的“棺材钱”,背着几天的干粮,和偷跑出来的水水上路了。 历尽千辛万苦,吴二哥和水水找到了王金良宽敞、气派的办公室。看到羸弱、憔悴的水水,王金良百感交加。他在酒店设宴款待吴二哥和水水,看着满桌的菜肴想起贫困的乡亲吴二哥咽不下去,他拿出黑乎乎的包谷粑粑,就着白水吃起来。 回到村里,水水照例又挨了跛子一顿打。吴二哥为讨王金良高兴,上山给王金良父母修坟摔断了手。 王金良终于带人回村考察,发现望鱼山上到处都有品质极佳的可作建筑材料的红色大理石。他在村里成立了“望鱼石材公司”,给村里大部分人都安排了工作,包括跛子,唯独没有吴二哥。 村长吴二哥显得更加苍老了,他蹲在斑驳的石碑下抽着烟,听着远处村民们修路的炮声,笑了。
唐府遭人陷害,唐伯虎化名广子畏来到京城,巧遇醉酒后的秋香。印度人日本人英国人为了抢夺夜光杯暗中拉拢华太师,印度人,拉哈尔企图用药物控制皇帝。这一切的阴谋最终在品酒盛会上,唐伯虎跟华伦争夺醉美人秋香时,被及时阻止……
翻拍自1957年Sidney Lumet的12 angry men。 一个车臣男孩被指控谋杀自己俄罗斯军官的养父,所有证人和证据均对他不利,12位陪审团成员对此展开了讨论,他们将决定男孩今后的命运。 12名陪审员来自不同的行业,不同的种族。刚开始的时候,每个人心不在焉, 对这起案件并不在乎,除了一个物理研究员之外,他们都认为男孩有罪。但是,物理研究员唤起了其他11个人对生命的尊重,他们开始认真讨论这起案件,讲述各自生活中的故事和经历,在决定男孩命运的同时,也审视自己的内心世界。 最终,当他们达成一致意见的时候,陪审团主持人(Nikita Mikhalkov 饰)的决定却出乎意料……
In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil. The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968). Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace. As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery. Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door. The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more. Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village. The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act. The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
讲述了即将毕业于儿童专业的大学生“阿英”(金香起 饰)成为独自养育6个月大孩子的“英彩”(柳贤静 饰)家的保姆后的温馨故事。
大学生王翼虎(王逸飞饰)开学第一天就整蛊了撞到自己的两名同学而一举成名,还因此结识了三个好友:御姐黑客张悦(马梦圆饰);张悦的校花闺蜜唐莹莹(王潇饰);电子器材达人李安然(李金龙饰);状元血统出身的学霸赵伟(刘鑫辉饰),并成为了亲密无间的好朋友。毕业前,几个人为了帮助唐莹莹摆脱追求者徐东宇(陈晨饰)的纠缠,设计徐东宇,让他在应聘之时出糗,失去了宝贵的工作机会,此后积怨多年。毕业后,莹莹却意外地选择了跟当初厌恶的徐东宇走在一起。已经鲜有交集的几人却因已为人妇的校花唐莹莹遭遇变故,聚在一起帮助她用以盗治盗的方式设计保险公司骗取赔偿。正当胜利在望,众人欢喜之时,却不料背后隐藏着更大的阴谋。