末日惊魂

　　在不远的将来，一名男子深入柏林阴暗的地下世界，寻找自己失踪的女友。虽然他无法说话，但在这个危机四伏的地方，行动远胜千言万语。

　　Robbins is sentenced to prison for the assassination of his general officer, a prison you leave only when you die. Since nobody ever leaves the prison, nobody knows what the prison is like. The prison manager realizes this and buys himself an island playground called "Absolom," where the worst prisoners are free to create an isolated barbaric society, and where the strongest men rule...a living hell. Robbins is sent to Absolom after he almost kills the prison manager.

　　自从一艘外星飞船在莫斯科切尔塔诺夫坠落以来已经过去了3年，普通女孩朱莉娅在接触到外星技术之后，成为国防部秘密实验室的研究对象。在研究过程中，朱莉娅表现出不同寻常的能力。隐藏在其中的力量不仅吸引了人类的注意，而且对宇宙的规模构成了威胁。

　　影片聚焦杰克·萨利与奈蒂莉一家的命运起伏，在前作的情感余波之上，深刻描绘一个家族在战火中如何成长、并共同守护血脉相连的情感纽带的历程，从而将故事推向更具张力的全新维度。此外，潘多拉的全新领域也即将揭晓——观众将首次邂逅“风之商人”这个崇尚和平的全新游牧民族，他们乘坐独特的浮空生物飞船穿梭于各部落间，交易货物、传递信息。
　　而更具颠覆性的是“灰烬族”的登场，这个以掠夺为生、性情凶猛的族群，与大地之母爱娃之间有着深刻的矛盾。他们的出现，将撕开潘多拉不为人知的黑暗传说。当弑亲之仇与部落恩怨交织，潘多拉的命运悬于一线——在这场跨文明的复仇之战中，人类与纳威族将如何抉择，才能真正守护各自的家园与未来？

　　在与朱丽叶·比诺什合作并入围威尼斯电影节主竞赛单元的首部长片《等待》中，皮耶罗·梅西纳就触及了死亡和悲伤的主题，而现在他要做出更进一步的探讨——爱人逝去之后，我们该如何面对别离，又要如何处理彼此之间的回忆？在他这部入围柏林国际电影节主竞赛单元的新片《另一种结局》中，男主角萨尔给出的答案是，求助于名为"另一种结局"的新技术，让女友的意识短暂复活，但这却是以另一个女人的身体为容器。在此过程中重拾的快乐或慰藉，究竟是让爱永恒了，还是逐渐消逝了呢？也许值得我们好好想想。

　　In an uncharted future, two hardened souls meet and confront each other with the things they have done and what they have become.

　　公元2035年，人类被12只猴子军研制的一种病毒侵袭，大部分人类都在这场病毒灾难中死亡，只有少数人侥幸逃生，但也只能在阴暗的地下，苟且偷生。
　　科学家们决定派人穿越时光回到1996年追查12只猴子军的来历。囚徒詹姆斯·科尔(布鲁斯·威利斯 Bruce Willis 饰)被 挑选为志愿者。阴差阳错，科尔回到了1990年，当他向当时的人们描述未来的那场大灾难时，被当作精神病捉了起来并被医生凯瑟琳·雪莉（玛德琳·斯通 Madeleine Stowe 饰）诊断为精神分裂症。科尔在病友杰弗里·戈因斯帮助下逃脱，回到了未来。因为没查清12只猴子军的来历，科尔再次被派回了1996年。
　　科尔这次发现了12只猴子军的起源地在费城，他找到了医生凯瑟琳，二人一起展开了追查12只猴子军的冒险之旅!

　　一个现代王国Illyria的公主Sam，性格叛逆，是王位的第二继承人。正当Sam对王位的漠不关心值达到人生新高时，她惊讶地发现自己有超能力，而且属于一个长期以来偷偷摸摸保护全国和平的秘密组织。影片聚焦Sam的历险：她加入了这个属于最高机密的训练项目，目的是训练皇室的次子女们来肩负拯救世界的任务。

　　一天晚上杰夫逊·里德被一块力量无穷的流星击中胸膛。这样一来，他就能飞行，能够在一刻钟左右掌握任何一本书中的全部内容，不过不幸的是他有恐高症。此刻他的朋友和家庭都指望他能够保护他们的社区免被可怕的“金贵”破坏。

　　故事发生在的二十三世纪，人类的科技发展已经到达了可以星际旅行的地步。
　　2230年出生于瓦肯星的男孩史波克（扎克瑞·昆图 Zachary Quinto 饰），因为母亲阿曼达·格雷森（薇诺娜·赖德 Winona Ryder 饰）是人类，经常遭到同僚的嘲笑和欺负。父亲萨瑞克（本·克劳斯 Ben Cross 饰）是瓦肯星的一名外交官，史波克从小就不断地在严肃的瓦肯逻辑教育和他的人类情感之间挣扎。长大后的史波克遇到了同样怀着远大志向的柯克（克里斯·派恩 Chris Pine 饰），两人虽矛盾不断但通过种种任务考验逐渐开始互相理解。
　　企业号的老舰长是克里斯托弗·派克（布鲁斯·格林伍德 Bruce Greenwood 饰），舰员则包括医疗官“老骨头”麦考伊（卡尔·厄本 Karl Urban 饰）、总工程师史考特（西蒙·佩吉 Simon Pegg 饰）、通讯官乌瑚拉（佐伊·桑塔纳 Zoe Saldana 饰）、舵手苏鲁（约翰·周 John Cho 饰），以及17岁的领航员——天才少年契柯夫（安东·尤金 Anton Yelchin 饰）。而来自未来的老年史波克（伦纳德·尼莫伊 Leonard Nimoy 饰）因穿越时空，告诉了柯克未来罗慕伦帝国的残余势力尼诺（艾瑞克·巴纳 Eric Bana 饰）也已经回到现在，并率领大队人马进行复仇，尼诺摧毁了史波克的家乡瓦肯星，下一个目标便是地球……
　　本片荣获第82届奥斯卡最佳化妆奖。
　　【媒体评价】
　　30年来最令人兴奋的星际迷航电影，它标志着柯克船长新传奇的开始，如果接下来的续集敢于保持这一部的快节奏风格，必将成为未来几年最不可忽视的票房炸弹。——《帝国》
　　自《星际迷航2：可汗之怒》之后最棒的一部，在视听上的震撼也远远超过它的时代。——CinemaBlend.com
　　JJ·艾布拉姆斯成功地让一个正在被人遗忘的经典系列起死回生，尽管新的《星际迷航》没有它前辈的深遽，但依然可以凭借其无穷的活力感动观众。——Dark Horizons
　　影片令人振奋，不仅仅成就了该系列最为精彩的时刻，毫无疑问也是科幻电影史上浓墨重彩的一笔。——《The Australian》

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.
　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?
　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.
　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.
　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.
　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.
　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.