48
6.0

背上歌声去远方

导演:
向一民
主演:
邱林
别名:
未知
6.0
48人评分
国语
语言
未知
上映时间
未知
片长
简介:

  故事发生在一处偏远的小山村之中,一天,这里来了一位名叫石久(邱林 饰)的访客,他带来了一台电影放映机,给从未离开过村落的村民们放电影看,替村民们打开了新世界的大门。石久发现才富拥有过人的歌唱天赋,为了这天赋不至于被埋没,石久千辛万苦总算替他筹得了500元资助费,将才富送进了城里。
  因为整日辗转于村落之间,石久已经很久很久都没有回过家了,最终,妻子选择带着孩子离开了他。一次偶然中,石久将心中的苦闷和烦恼告诉了一名记者,这位记者将石久的事迹写成了文章登上了报纸,让石久的光荣故事流传了开了。成名后,石久面临的困境得到了解决。

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  Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.
  Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.
  Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.
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  A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.
  Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.
  In 2000, the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry.

963
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