200
9.0

幸福路上

导演:
原雅轩,冯战佳
主演:
阴珉,迟维伟,时楠,徐艺真
别名:
未知
9.0
200人评分
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简介:

  整部影片传达出社会主义大家庭的关心和关爱,反映新时代的拼搏精神,弘扬正能量,歌颂自强向上的精神,传达真善美。

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  继承父亲遗产后于职场中杀伐决断、有所建树的中年女总裁,在爱情面前放弃独善其身的人生信条,同年轻下属走入婚姻殿堂,婚后发现丈夫与妹妹的秘密情事后毅然放手成全——影片的情节,如今看来已是老生常谈,但若论真正让本片熠熠生辉的原因,除了对于“社会性别期待“等经久不衰的议题的讨论,不可忽视的是主角波琳·弗雷德里克(Pauline Frederick)风趣、干练而又感人至深的表演。童年时期父母离异后被母亲抚养长大的波琳,自小便确立了演艺事业的理想,二十岁时便已担任巡回演出剧目的主角,虽然波琳·弗雷德里克在32岁时才出演了自己的银幕处女作——由休·福特和埃德温·鲍特指导的《不朽城》(The Eternal City, 1915),但她依旧是最早前往好莱坞发展的百老汇明星之一,后来也成为了最早接演“有声片”(波琳曾接受系统的声乐、表演训练)的知名演员之一。事业方面可谓风光的波琳,感情生活却不尽人意,前后共经历了五次颠沛起伏的婚姻,在第五任丈夫(婚后不到一年内)和母亲相继逝世后,波琳也因罹患哮喘而离世。曲折而不平凡的人生经历也或许赋予了她一种表演中的特质,帮助她塑造了一位女性兼具泼辣和敏感的银幕形象。
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简介:

  The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements: water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive: Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.
  The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,
  the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.
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