译名：2夜情（台）
It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them. Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries. When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact." Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance. Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.
李青青（林黛 饰）是一名淳朴善良的乡村少女，一次偶然中，她邂逅了名为汤鹏南（关山 饰）的男子，在汤鹏南的帮助之下，李青青进入了夜总会工作，并且很快就成为了那里的当红头牌。在此期间，李青青和汤鹏南之间也碰撞出了爱情的火花。 汤鹏南的父亲去世了，深受打击的他在精神和事业上都走入了低谷，为了帮助汤鹏南，李青青决定接受一位富商的资助，而作为报答，她要和富商一起出去旅行。无法向汤鹏南说出真相的李青青选择了人间蒸发。一晃眼数年过去，李青青和汤鹏南再度相遇了，但先前的误会没有接触，汤鹏南还在憎恨着李青青。
《夜郎传说之面具判官》以贵州夜郎古国的悠久传说为背景，通过“一副面具，一段传说，一次延续传承的历程”贯穿始终，延续傩戏面具、蒙面判官的神秘特质，谱写了一场国民英雄的爱恨情仇的故事。 早在千年的东方神秘国家--夜郎国，原本生活的幸福美满，却被异鬼族的侵犯而打破了原本的平静，于是夜郎国国师便带上了汇聚了能量与正义的面具惩奸除恶，而面具判官的身份也流传到了后人金逸飞这一代。与此同时，异鬼族的首领佐昂也从未放弃重振异鬼族，于是，一场时代纠葛的大战就此展开。
本片根据史蒂芬·雷贝洛出版于1998年的同名纪实文学改编。 记录了希区柯克（安东尼·霍普金斯 Anthony Hopkins 饰）为《精神病患者》的拍摄所付出的种种努力。在电影的拍摄过程中，他与妻子阿尔玛（海伦·米伦 Helen Mirren 饰）的关系也变成了大家关注的焦点。 此后《精神病患者》成为了希区柯克经典代表作之一，该片讲述了女演员珍妮特·李（斯嘉丽·约翰逊 Scarlett Johansson）扮演的女秘书Marion，在卷走了老板的钱之后逃到一家偏僻的汽车旅馆，结果被由安东尼·珀金斯（詹姆斯·达西 James D’Arcy 饰）演的有精神分裂症的旅店老板Norman残忍杀死。她在片中惊恐尖叫的场景已经成为电影史上最让人难以忘记的画面之一，她也因此获得了当年金球奖和奥斯卡最佳女配角奖的提名。
陆昊羽（陈锦昀 饰）在一场拍卖会上结识了名为滕娇娇（冯芷墨 饰）的女孩，滕娇娇在阴差阳错之下卖了一瓶红酒给陆昊羽，结果陆昊羽发现这瓶红酒是假的。陆昊羽误以为滕娇娇骗了他，于是要她打工还债。刚开始，滕娇娇一万个不愿意，当陆昊羽的母亲想要涉足此事时，滕娇娇内心的逆反心情被激发了，渐渐的，滕娇娇和陆昊羽走得越来越近，他们都在彼此身上发现了先前未曾看到的闪光点，两个年轻人坠入了情网之中。 当然，这段感情受到了陆家人强烈的反对，然而反对声越是大，陆昊羽和滕娇娇越是义无反顾的选择要在一起。
李伟（李抒航 饰）喜欢温柔恬静的卢倩倩（王玥 饰），卢倩倩也对李伟产生好感，却因李伟家境不好而被母亲百般阻拦，二人面对残酷的现实压力。李伟的好兄弟陈刚（邱云鹤 饰）与李伟从小情义深厚，陈刚对卢倩倩一见钟情。一面是多年的好兄弟，一面是所爱的女孩，李伟陷入两难境地，面对卢倩倩的追求，李伟迟迟无法决定，只是每天默默陪伴在她身旁。面对陈刚的询问，李伟选择承认自己与卢倩倩只是普通朋友，还违心答应帮助陈刚追求卢倩倩……
这是一部虚构的政治恐怖电影。一九八四年，在经历一系列战争和合并后，世界只存在三个超级大国了——大洋国、东亚国和欧亚国。温斯顿（约翰•赫特 John Hurt 饰）生活在老大哥统治下的大洋国，这里，和其他两国一样，到处都安装着电幕（一种类似电视机的监视器），每个人都生活都在党的思想警察的监视下，历史完全按照党的需要每天都被改写。 虽然无法说出为什么，作为外围党员的温斯顿从心里厌恶老大哥。一日，他偷偷从一家陈年杂货铺处买了一本日记本——原则上党不允许写日记，表达个人思想——开始写日记。当他和在小说司工作的裘莉亚（苏珊娜•汉密尔顿 Suzanna Hamilton 饰）违反党的政策开始秘密偷情时，思想警察悄悄盯上了他。
A magazine writer visits Laos for an assignment and meets a beautiful local girl. Will a series of unexpected events keep them apart?
天艺陶瓷公司的邵水石偷走了厚德陶瓷公司的镇馆之宝“龙舞金瓶”，借此瓶抢走了厚德的海外生意。然而邵家做不出让海外客人满意的祭瓶，郭可京放弃陶艺大赛帮助天艺公司烧制瓷瓶，维护了瓷都德化的声誉。[2] 吻过火苗的嘴和脸,在泥土造型中脱俗出来,让血液的气味通过窑炉烟火浸透每一处 角落。 有人不解地问:“谁的前世陷入了魔窟?要用这魂魄之胎,不染半缕后世的浑浊...与污垢？” 清康熙二十五年(1686年)德化知县范正辂选制供奉于德化香林寺的五彩九龙瓶，反映了清初德化窑在制作、彩绘等方面的工艺水平，也是德化的历史瑰宝。剧中九龙瓶是恒德公司的珍藏。在这个世界上，许多东西是相对永恒的，而人本身，不管他多么伟大，也只是时间和空间上的过客而已。永恒的是不断的艺术传承。《龙舞金瓶》影片讲述了台湾祭祖需在德化寻找烧瓷公司下订单为缘起，通过两家烧瓷公司之间的竞争演绎一场亲情、友情、爱情间的纠葛。 摧毁内心的不是环境与贫穷，而是利益的驱使。郭可京通过以德报怨的精神感化了邵天富，最终迷途找到了人性的回归。维护了瓷都德化的声誉。也同时暗指警示我们优秀的中华儿女，民族的强盛首先是民族精神的强盛，民族瑰宝恰又是民族文化与精神的浓缩，因此，更好的了解与保护民族文化遗产是对我们五千年文明历史的尊重。众人拾柴火焰高，拧成一股绳的力量是坚不可摧的。
Two college freshmen pull a "Turkey Dump" and break up with their high school sweethearts over "Drunksgiving" - the one chaotic night before Thanksgiving in their hometown that puts their codependent friendship to the test.
——还记得我的故事吗？ ——不是你的故事，是我们的故事。
传言巩族有一神物黑袍，穿上能金身铁骨、羽化升仙。觊觎已久的鲁王带兵剿灭了巩族，连夜出逃的巩嵘决心复仇。机缘巧合之下认识了鲁王的青梅竹马郡主琅芩，两人暗通情愫。鲁王眼线遍布天下，巩嵘被鲁王派出的死士追杀，自此下落不明，生死未卜。一年后，郡主琅芩被迫嫁给鲁王，即将成为王妃。就在鲁王给琅芩操办的寿宴时，出现了一位戏法绝妙的秘术师。琅芩大惊，原来此人竟是消失一年的巩嵘。风起云涌，一场腥风血雨再度袭来……
