另一个世界2010

　　赵书信（刘子枫 饰）做了那么多年的工程师，总算被升职成为了局长，然而，令他没有想到的是，等待着他的却是排山倒海般的各类文件和开不完的无聊会议，令他感到窒息。灵机一动之下，赵书信做了一个和他样貌一模一样的智能机器人，将自己不愿意参与的工作打发给这个机器人做，每一次，机器人都能出色的完成这些任务，没有被任何人察觉出破绽。
　　然而，随着时间的推移，机器人的个性开始变得愈发张狂，它渐渐的渗入到了赵书信生活的角角落落中去，甚至开始企图插手主人的感情生活！察觉出异像的赵书信找到机器人和它谈判，要么唯命是从，要么就要被毁灭，面对这样的选择，机器人竟然发动了叛乱！

　　常に宇宙最強の相手を求めて銀河を旅する武芸者・オメガが地球にやってきた。宇宙刑事シャイダーを倒すために...。オメガは全身が武器のような恐ろしい男で、彼の手にかかって命を落とした宇宙刑事は少なくない。そして、そんなオメガをフーマが見逃す訳はなく、早速手を組むこととなった。パトロール中の大は黒マント姿のオメガに襲われる。オメガは大に一対一の真剣勝負を挑んできた。過去にギャバン、シャリバンに敗れたオメガはシャイダーを倒すことに執念を燃やしているのだ。一方、フーマの行動隊長ヘスラーもオメガより先にシャイダーを倒すべくギャル軍団を率いて作戦行動に出る。宇宙刑事シャイダーは今や、前面にオメガ、背後にフーマ軍団という二つの強敵を相手に戦わなければならない。シャイダーと銀河最強の男・オメガとの一騎打ちの時が迫る。（C)東映

　　讲述地球生态崩溃后，13岁的女孩维斯帕与父亲一起生存，遇到了身怀秘密的神秘女人卡米拉，决定帮助她寻找同伴。

少女安妮从实验室中醒来，发现自己拥有超高格斗术且失去了记忆，同时还被一个陌生男子追杀。安妮在逗比青年李浩然的帮助下摆脱追杀，根据自己脑中破碎的画面追寻自己身份的旅程，事情远没有表面上那么简单，安妮发现每个与其交集的人似乎都有着不可告人的秘密。

　　在地球人都不知道的K星，三个被命运选中的少年，靠打个喷嚏就可以往返未来二十年。面对毁灭世界的惊天阴谋，他们除了清澈的愚蠢和个位数的战力外一无所有，如何变身英雄对抗意图毁灭世界的超级坏坏的大坏蛋？外表看似大人，头脑却异于常人的“王炸”兄弟组合，代表K星拯救未来！

　　讲述了逃跑新娘袁小心因车祸无意之中闯入时空裂缝，一行五人落难泰国荒岛，离奇事件接踵而至，在一个重复的世界里他们寻找出路，但五人相互猜忌终至谋杀恶果，袁小心经历三重世界后发现了时间规律，她巧妙利用时间规律设计逃亡计划，但她逃出后惊然发现，自己仍然存在于一个更大的循环世界中，而自己也导致了未婚夫的车祸而亡，死亡是终点亦是起点，袁小心仿佛明白了自己为何逃婚的原因。

　　柯克船长（克里斯·派恩 Chris Pine 饰）和企业号的船员们来到了银河系中未知的一个区域，开始完成他们5年的任务——探索新世界，寻找新物种。却在途中滞留异星，遭遇了当地种族追杀，他们必须找到方法离开这个星球。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.
　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?
　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.
　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.
　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.
　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.
　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.