青少女安娜自出生以来就被父亲隔离起来抚养，他尽一切可能隐瞒她的身世。当一位女警官艾伦介入她的生活中，对她的生活背景展开调查后，安娜愈加发现自己对于森林的向往，同时挣扎着抵抗她体内不断增长的嗜血欲望。
When a nature photographer explains to the Police how she fought her way out of the Watchatoomy Valley, they dismiss her crazed and violent story as a meth-induced nightmare. But when they discover that she's telling the truth, it's too late.
The sixteenth installment of the Shake, Rattle & Roll film series after a 9-year hiatus since the fifteenth film. Neglected and addicted to gadgets, 6-year-old Lyka befriends a malevolent entity from a defunct children’s show, causing deadly events at home. A group of influencers and content creators gather for a collab in a luxurious mansion. A bunch of thrill-seekers go on a trip to watch a meteor shower.
夜深人静之时，年轻女子瑞切尔（Anessa Ramsey 饰）和艾莉莎（Hannah Bryan 饰）突然遭到神秘之人的袭击和绑架。当她们清醒过来后，发现自己正被绑在一座谷仓中，戴着面具的恐怖男子为她们举行邪气逼人的仪式。另一方面，受债务困扰的男人本（AJ Bowen 饰）联合女友艾米（卡瑟琳·兰道夫 Katherine Randolph 饰）、弟弟汤米（安德鲁·布瑞兰 Andrew Breland 饰）以及陌生男人保罗（Sonny Marinelli 饰）策划绑架了富有商人瑞恩·海登（詹姆斯·巴兹 James Bartz 饰）的女儿，并索取高达两百万美元的赎金。 正当本和保罗众人为了赎金起整治的时候，死里逃生的瑞切尔突然出现，随之而来的还有残忍的春之祭杀人魔……
在邪恶的“waxwork”蜡像馆被火烧毁后，噩梦并没有结束，蜡像的残余黑暗力量仍在四处作孽，萨拉的父亲也因此丧命，自己则成为杀人嫌犯。为了彻底平息这场灾难，萨拉与马克决定独闯龙潭，再回蜡像馆找出这场事件的真凶，没想到迎接他们的依然是那些充满怪物、变态和丧尸的世界……
Survivors of a tragic shipping collision are rescued by a mysterious black ship which appears out of the fog. Little do they realise that the ship is actually a Nazi torture ship which has sailed the seas for years, luring unsuspecting sailors aboard and killing them off one by one. 91 Those who survive the ghost ship are better off dead!
新的鬼脸杀手出现在Sidney Prescott（内芙·坎贝尔 饰）过着新生活的宁静小镇，她心底里最恐惧的事已在现实生活中发生，因为她的女儿（伊莎贝尔·梅 饰）成为了鬼脸杀手下一个目标。为了保护家人，Sidney必须再次面对她过去的恐怖经历，彻底结束无止境的血腥杀戮。
과거 대부호였던 왕할머니의 대저택에 숨겨진 보석을 훔치기 위해 간병인으로 입주하게 된 보영. 보영을 고용한 왕할머니의 유일한 혈육인 김사모는, ‘아무도 데려오지 말 것, 특히 아이’, ‘저수지 근처에 가지 말 것’이라는 조건을 건다. 하지만 보영은, 금기를 깨고 자신의 딸 ‘다정’을 몰래 데리고 가는데... 사람 죽어 나가는 ‘귀못’이라고 불리는 저수지 옆에 위치한 왕할머니의 거대한 저택에선 불길하고 괴이한 징조가 계속되고, 그러던 중 보영은, 이곳을 찾은 외지인들이 의문의 변사를 당한 것을 알게 된다.
In seventeenth century England Lord Whitman wages unending war on what he sees as the ever-present scourge of witchcraft, and many local villagers have suffered at his hands. But one victim uses her occult powers to curse his family, enlisting unknowing help from one of the household.
年轻的自由摄影师Thun（Ananda Everingham）这日携女友Jane（Natthaweeranuch Thongmee）与大学同窗聚会完毕开车归家，途中Jane将一名飘忽而至的女子撞倒在地。Jane欲下车查看女子伤势，被Thun劝阻，两人匆忙逃离肇事现场。Jane开始终日坐立不安，并指责Thun冷血，Thun只叫她放宽心莫多虑。 Jane的担心并非多余，一连串怪事紧接将他们找上：Thun所拍的许多照片上多出一个模糊的女影、颈部莫名疼痛起来、那日聚会的同窗先后跳楼死去……两人更在暗室多次突然陷入恐怖氛围中。为了摆脱噩梦，Jane决定展开深入调查，与Thun有关的一个女子的悲惨经历慢慢浮出水面。
Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter. Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...
เป็นเรื่องราวหลังจาก ที่ผีนางนากแห่งทุ่งพระโขนง โดนสมเด็จโตปราบและได้นำปั้นเหน่งของนางนากไปบำเพ็ญเพียรกับพระมาก ทุ่งพระโขนงจึงกลับมามีความสงบสุข 10 ปีต่อมามีผีเด็กอาละวาดทำร้ายคนในทุ่งพระโขนงอีกครั้ง ชาวบ้านหวาดผวาว่าเป็นฝีมือของ ไอ้แดง ลูกของนางนากที่สมเด็จโตไม่ได้นำร่างไปบำเพ็ญเพียรด้วย ทำให้ชาวบ้านทุ่งพระโขนงหวาดผวาและหาทางที่จะทำให้หมู่บ้านกลับมาสงบสุขให้ได้
