581
6.0

无人查收2015

导演:
Fouad Mikati
主演:
裴淳华,拉莫·威利斯,丝柯·泰勒-考普顿,希罗·弗南德兹,尼克·诺特,卡穆琳·曼海姆,伊里纳·道格拉斯,阿莱西·瓦塞尔,比利·斯洛特,马科·圣约翰,唐娜·杜普兰提尔,萨曼莎·博利厄
别名:
未知
6.0
581人评分
英语
语言
未知
上映时间
未知
片长
简介:

  拥有一头金发的美女米兰达·威尔斯(裴淳华 Rosamund Pike 饰)是某医院的护士,她和同事们关系融洽,和善可亲。在预定好的相亲日子里,米兰达遭到送快递的小哥威廉·芬恩(希罗·弗南德兹 Shiloh Fernandez 饰)的强暴,从而身心遭到巨大创伤,生活偏离了常轨不说,还落下了手抖的毛病。在人生的最低潮,米兰达选择给正在狱中服刑的威廉写信,希望能见他一面。最初的几封信中,威廉都拒绝了对方匪夷所思的要求,不过他最终选择屈服。隔着一层玻璃,施暴者与受害者敞开心扉交谈。
  米兰达展现出圣母般温暖的笑容,威廉冰冷自卑的心仿佛被对方融化,对对方的欲望更加深了许多……

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  侯爵夫人梅特伊(格伦·克洛斯 Glenn Close 饰)和恶名昭彰的浮华浪子瓦尔蒙(约翰·马尔科维奇 John Malkovich 饰)是两个在情场可互相匹敌的朋友,利用性当作武器,去抵毁对方的名誉与地位。一日,梅特伊提出让瓦尔蒙去勾引16岁的贵族少女塞西尔(乌玛·瑟曼 Uma Thurman 饰),使其失身从而身败名裂。而瓦尔蒙却认为这样太缺乏挑战,他非但引诱了纯洁的塞西尔。还追加赌注勾引虔诚、美貌素以贞节著称的杜维尔夫人(米歇尔·菲佛 Michelle Pfeiffer 饰)。最终杜维尔夫人投入了他的怀抱,而瓦尔蒙也渐渐真心爱上了杜维尔。梅特伊心生妒火,让自己的音乐教师兼新情人唐斯尼(基努·李维斯 Keanu Reeves 饰)替她报复,结果,瓦尔蒙在与唐斯尼决斗时死于剑下,杜维尔伤心致死,而梅特伊也因此名誉扫地。

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魔鬼的陷阱
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简介:

  In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.
  The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).
  Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.
  As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.
  Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.
  The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.
  Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.
  The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.
  The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

5047
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